“Glory be to God,” said the scholar, “am I not a great fool to have come to heaven looking for my sins!”
He took the empty wallet and tiptoed back to the world, and if he is not with the saints yet, it is with the saints he will be one day—barring he gets another budget of sins in his eager joy. And that I wouldn’t deny him.
The Tiger
The tiger was coming at last; the almost fabulous beast, the subject of so much conjecture for so many months, was at the docks twenty miles away. Yak Pedersen had gone to fetch it, and Barnabe Woolf’s Menagerie was about to complete its unrivalled collection by the addition of a full-grown Indian tiger of indescribable ferocity, newly trapped in the forest and now for the first time exhibited, and so on, and so on. All of which, as it happened, was true. On the previous day Pedersen the Dane and some helpers had taken a brand new four-horse exhibition waggon, painted and carved with extremely legendary tigers lapped in blood—even the bars were gilded—to convey this unmatchable beast to its new masters. The show had had to wait a long time for a tiger, but it had got a beauty at last, a terror indeed by all accounts, though it is not to be imagined that everything recorded of it by Barnabe Woolf was truth and nothing but truth. Showmen do not work in that way.
Yak Pedersen was the tamer and menagerie manager, a tall, blonde, angular man about thirty-five, of dissolute and savage blood himself, with the very ample kind of moustache that bald men often develop; yes, bald, intemperate, lewd, and an interminable smoker of Cuban cigarettes, which seemed constantly to threaten a conflagration in that moustache. Marie the Cossack hated him, but Yak loved her with a fierce deep passion. Nobody knew why she was called Marie the Cossack. She came from Canning Town—everybody knew that, and her proper name was Fascota, Mrs. Fascota, wife of Jimmy Fascota, who was the architect and carpenter and builder of the show. Jimmy was not much to look at, so little in fact that you couldn’t help wondering what it was Marie had seen in him when she could have had the King of Poland, as you might say, almost for the asking. But still Jimmy was the boss ganger of the show, and even that young gentleman in frock coat and silk hat who paraded the platform entrance to the arena and rhodomontadoed you into it, often against your will, by the seductive recital of the seven ghastly wonders of the world, all certainly to be seen, to be seen inside, waiting to be seen, must be seen, roll up—even he was subject to the commands of Jimmy Fascota when the time came to dismantle and pack up the show, although the transfer of his activities involved him temporarily in a change, a horrid change, of attire and language. Marie was not a lady, but she was not for Pedersen anyway. She swore like a factory foreman, or a young soldier, and when she got tipsy she was full of freedoms. By the power of God she was beautiful, and by the same gracious power she was virtuous. Her husband knew it; he knew all about master Pedersen’s passion, too, and it did not even interest him. Marie did feats in the lion cages, whipping poor decrepit beasts, desiccated by captivity, through a hoop or over a stick of wood and other kindergarten disportings; but there you are, people must live, and Marie lived that way. Pedersen was always wooing her. Sometimes he was gracious and kind, but at other times when his failure wearied him he would be cruel and sardonic, with a suggestive tongue whose vice would have scourged her were it not that Marie was impervious, or too deeply inured to mind it. She always grinned at him and fobbed him off with pleasantries, whether he was amorous or acrid.
“God Almighty!” he would groan, “she is not good for me, this Marie. What can I do for her? She is burning me alive and the Skaggerack could not quench me, not all of it. The devil! What can I do with this? Some day I shall smash her across the eyes, yes, across the eyes.”
So you see the man really loved her.
When Pedersen returned from the docks the car with its captive was dragged to a vacant place in the arena, and the wooden front panel was let down from the bars. The marvellous tiger was revealed. It sprung into a crouching attitude as the light surprised the appalling beauty of its smooth fox-coloured coat, its ebony stripes, and snowy pads and belly. The Dane, who was slightly drunk, uttered a yell and struck the bars of the cage with his whip. The tiger did not blench, but all the malice and ferocity in the world seemed to congregate in its eyes and impress with a pride and ruthless grandeur the colossal brutality of its face. It did not move its body, but its tail gradually stiffened out behind it as stealthily as fire moves in the forest undergrowth, and the hair along the ridge of its back rose in fearful spikes. There was the slightest possible distension of the lips, and it fixed its marvellous baleful gaze upon Pedersen. The show people were hushed into silence, and even Pedersen was startled. He showered a few howls and curses at the tiger, who never ceased to fix him with eyes that had something of contempt in them and something of a horrible presage. Pedersen was thrusting a sharp spike through the bars when a figure stepped from the crowd. It was an old negro, a hunchback with a white beard, dressed in a red fez cap, long tunic of buff cotton, and blue trousers. He laid both his hands on the spike and shook his head deprecatingly, smiling all the while. He said nothing, but there was nothing he could say—he was dumb.
“Let him alone, Yak; let the tiger alone, Yak!” cried Barnabe Woolf. “What is this feller?”