TONY WELLER OF THE BELLE SAUVAGE
THE INTRODUCTION
FRIVOLITY
THE WARRENER
IN BLACK AND WHITE
STUDY IN PENCIL
PEN-AND-INK DRAWING FROM "PUNCH"
WORKING PARIS AT LUNCHEON
THE DARE-DEVILS
"CHACUN" WITH HIS "CHACUNE"
BETHNAL GREEN
THE REAL ARTIST
NOTE FROM A PARIS SKETCH-BOOK
THE SUBURBANITE
FIRST SKETCH FOR THE SUBURBANITE
A GOOD STUDY
PEN-AND-INK DRAWING FROM "PUNCH"
A TRAGEDY IN MINIATURE
OUR CLUB
HAVING THE TIME OF HER LIFE
LE 'IGH KICK
A SPEECH AGAINST THE GOVERNMENT
FELIX OF THE "LAPIN AGILE"
VIVE L'ARMÉE
"GAZED ON HAROLD"
FROM A PARIS SKETCH-BOOK
THE DES(S)ERTS OF BOHEMIA
GOING IT!
Also Nineteen smaller illustrations mostly reproduced from sketch-books
STUDY IN PENCIL
FRANK REYNOLDS. I.
It has been said of Tolstoy, anatomising the grim skeleton of human nature, that his writings are more like life than life itself. Of Frank Reynolds, with gently satirical pen and pencil depicting the superficial humours of modern life, it might be said that his drawings, too, are more humanly natural than real flesh and blood. It is the peculiar faculty of the true observer that his eye pierces straight to the heart of what he sees, and his mind, disregarding mere detail, thereby receives and retains a clear perception of the essential, which those of less clear and direct vision fail to grasp more than momentarily, though they hail it with instant recognition when in its naked simplicity it is set before them. The process is unconscious, or at least but semi-conscious; for your professed observer has never that keen insight which, being
