THE RUSSIAN
B A L L E T

Printed in England.

CONTENTS.

PAGE
[Introduction][1]
[Pétrouchka][13]
[Thamar][35]
[Le Carnaval][51]
[Cléopâtre][63]
[Les Sylphides][77]
[Scheherazade][85]
[Le Spectre de la Rose][105]
[Narcisse][115]
[L’Oiseau de Feu][127]
[Le Pavillon D’Armide][145]
[Prince Igor (Polovtsian Dances)][153]
[Le Dieu Bleu][163]
[Prelude à L’Après-Midi d’un Faune][179]
[Jeux][189]
[Le Sacre du Printemps][199]
[La Tragédie de Salome][213]
[Le Lac des Cygnes][223]
[Anna Pavlova][235]

INTRODUCTION.

THERE is no need to enlarge here upon the vogue which the Russian Ballet, or rather that company of dancers which has become familiar outside its own country under that title, has achieved in England, France, Germany, and America. Sufficient testimony to that is provided by the appearance of this book, which seeks to present a souvenir of the performances with which so many spectators have been delighted. It may be interesting, however, to sketch briefly the history of the ballet as a form of theatrical art, and suggest an explanation of the enthusiasm with which, after a long period of practical desuetude, at least in London, its revival by the Russians had been greeted.