the doors so eagerly besieged, and the women, swarming round him like busy flies, begin at once to pester him, with arch and fawning supplications, to turn them in the locks.
But the old janitor refuses. He pretends amazement—is horrified at the bare idea, and will none of it. The women press coaxingly upon him, lavishing endearments. But of what avail the whole battery of female charms against such as he? With knowing leer upon his unctuous, smooth face, he wags his head and still says them nay. But though he fancies himself immune from women’s wiles, he has reckoned without the full measure of feminine cunning. He has his vulnerable point; whatever else he lacks he has at least male vanity. Is he not chief of the eunuchs? are not the keys he loves to jingle a visible symbol of the power which he wields? Look you, he is a person of no small authority and importance.
With quiet change of tactics the women shift their attack to a different angle. In place of supplication they heap compliments upon him. They slaver him with blandishments, flattering him to the utmost of his bent. The fatuous old fool swallows their fulsome praises with avidity, his flabby cheeks puffed out with complacency and self-conceit. But then the women change their tune. Mockingly one hints that his vaunted power is but a sham; others are quick to press the suggestion home. Plainly it can be no real authority which he is feared to exercise. They challenge him with jeers to prove his power; they dare him to use the keys of which he is so proud.
The poor fool is not proof against this insidious assault. Lacking real respect, he clings fondly to its shadow; rather than sacrifice that his vanity will endure any risk. His fat face, but now wreathed in gratified smiles, grows glum and peevish as praise gives place to irony. He hesitates, and is lost. The women press their advantage, and their victim yields. Determined at all costs to demonstrate his power, he thrusts a key into the first door and petulantly turns it.
The door swings open, and from the corridor behind emerges a band of negroes, supple swarthy minions clad in copper-ornamented robes. With stealthy tread they glide among the waiting women, and quickly each finds a consort, eager for her favourite’s embraces.
Futile the eunuch’s protestations that now he has done enough to vindicate his authority; impatiently the women who remain demand that having done so much he shall complete his work. Already repentant of the rash betrayal of his master’s trust, the wretched janitor would stay his hand, but the mischief is done, and bowing to the logic of his own folly, he unlocks the second door. Forth troops a second band of negroes, decked in ornaments of silver, to be received with not less complaisance than the others.
No longer assailed by the insistent beseechings of his charges, the janitor fearfully surveys the scene. Everywhere, dispersed throughout the chamber, amorous couples meet his eye. With sudden terror in the realisation of the frightful risk he has incurred, he turns to go. At least let him make sure that watch is set for his master’s return. But as he turns he is confronted by the imperious figure of Zobéide, who has been leaning, observant, during all that has passed, beside the third door—the door as yet unopened. Avidly she demands the unlocking of this last, with fierce insistent finger pointing her order.
Here is a pretty dilemma for the luckless janitor, a searching test of his vaunted power and authority. His servile instinct quails before the regal mien of Zobéide, her gesture of command and blazing eyes that brook neither prevarication nor delay. Like the slave that he truly is, he turns to do her behest; but even as he fumbles for the key the enormity of that to which he is accessory
