The Russian Ballet

by A. E. Johnson

With sudden ardour the Blackamoor starts up, and flinging away his wretched plaything, seizes and embraces his fascinating visitor. The latter seems nothing loth, and gratified by this easy conquest the Blackamoor seats himself to receive the homage of a further dance. The lady, eager to make the most of opportunity, exerts herself in even livelier fashion than before, and finds occasion to fall provocatively into her admirer’s arms. The Blackamoor is now entirely captivated, and when the Dancer begins, to a sugary, sentimental strain, a pas de fascination of which his sluggish wits at length realise himself to be the object, his fondness is grotesquely manifested. From the edge of his divan he fatuously ogles the fair one, and is thrown into transports of delight when she accepts a rapturous invitation to sit upon his knee.

The flirtation receives unwelcome interruption by the unexpected arrival of Pétrouchka. Fired by jealousy, and impelled by his infatuation for the Dancer, he has escaped at last and come to seek her in the hated rival’s domain. But the poor fellow is so ineffectual that he cannot make even a passably impressive entry. In his blundering haste he gets caught in the swinging door and hangs there, half in the room, half out, an object of derision to his inamorata and her dusky swain.

Even when he has struggled free of this embarrassment and confronts the guilty pair, Pétrouchka is pathetically at a loss. Tortured by vague fears, he has yielded to a vague impulse, only to find himself unable to deal with the situation he has so rashly sought.

Not so the Blackamoor, whose lower type of intelligence is beset by neither doubts nor fears. While the Dancer, with nice sense of propriety, goes off into a genteel swoon, he bounces angrily off the divan, and advances threateningly upon the intruder. Pétrouchka, half urged by passion, half intimidated by force, and wholly at a loss, takes refuge in a futile demonstration, which has not the least effect. Gloating, like a true bully, over the discomfiture of his rival, the Blackamoor hustles him to the door, and with a vicious kick sends him flying across the threshold. Boastfully jeering at his defeated enemy, he executes, as the curtain comes down, a loutish dance of triumph.

Meanwhile the fair, to which the action of the ballet returns in the concluding scene, is still in progress. But evening is approaching, and the revels are beginning to take on a noisy, riotous turn. To swinging, pulsing music there is a dance of nursegirls and coachmen, which sets the feet of all who watch it sympathetically a-stamping. The advent of a performing bear, walking gingerly upright at the end of the chain which his owner holds, creates a small diversion; a more lively one is produced by the reappearance of the tipsy merchant, who scatters bank notes promiscuously among the crowd. The horseplay which has already begun receives a fillip from the inrush of a group of masqueraders (a devil with horns and tail among them) whose hideous disguises cause pretended alarm among the women and girls. Snow begins to fall, and under the play of flickering coloured lights, which spasmodically illumine the gathering dusk, the fun waxes fast and furious.

Of a sudden the crowd becomes aware of a great commotion inside the puppet booth. The curtains are drawn across the front, but their violent agitation, now at this end, now at that, indicates that something untoward is happening within. The passers-by pause and look curiously at the booth. In a moment the curtain at one end is flung back and Pétrouchka dashes forth. Close on his heels the Blackamoor, brandishing his sabre, strides vindictively. The Dancer (agitated, but as pink and white of cheek, as glassy of stare, as ever) brings up the rear.

Fleeing in panic down the length of the booth, Pétrouchka vanishes behind the curtain at the other end. The Blackamoor and Dancer follow. A wild commotion of the curtain at its middle part suggests a fearful struggle within. A moment later the three puppets dash forth again, Pétrouchka still in front and seeking vainly to escape the uplifted sabre. In the middle of the market-place the Blackamoor overtakes his rival, and with a vicious blow fells him to the ground.

The spectators, up to this point too taken aback to interfere, crowd round in consternation. Hapless Pétrouchka lies huddled on the ground, and though they seek to succour him, no sound but a painful squeaking comes from him. He strives to rise, but cannot; ineffectual to the last, he can compass nothing more dramatic at his end than a few indeterminate jerky motions and a last pitiful squeak.