"That was not mine," said he, still more confused. "That was Archie
Parminter's. He left it behind."
"Yes," said Sylvia, finding here a suspicion confirmed. "But he left it for you?"
"And if I did take it," said Hine, turning irritably to her, "what can it matter to you? I believe that what your father says is true."
"What does he say?"
"That you care for Captain Chayne, and that it's no use for any one else to think of you."
Sylvia started.
"Oh, he says that!"
She understood now one of the methods of the new intrigue. Sylvia was in love with Chayne; therefore Walter Hine may console himself with cocaine. It was not Garratt Skinner who suggested it. Oh, no! But Archie Parminter is invited for the night, takes the drug himself, or pretends to take it, praises it, describes how the use of it has grown in the West End and amongst the clubs, and then conveniently leaves the drug behind, and no doubt supplies it as it is required.
Sylvia began to dilate upon its ill-effects, and suddenly broke off. A great disgust was within her and stopped her speech. She got to her feet. "Let us go home," she said, and she went very quickly down the hill. When she came to the house she ran up-stairs to her room, locked the door and flung herself upon her bed. Walter Hine, her father, their plots and intrigues, were swept clean from her mind as of no account. Her struggle for the mastery became unimportant in her thoughts—a folly, a waste. For what her father had said was true; she cared for Chayne. And what she herself had said to Chayne when first he came to the House of the Running Water was no less true. "If I loved, I think nothing else would count at all except that I loved."
She had judged herself aright. She knew that, as she lay prone upon her bed, plunged in misery, while the birds called upon the boughs in the garden and the mill stream filled the room with its leaping music. In a few minutes a servant knocked upon the door and told her that tea was ready in the library; but she returned no answer. And in a few minutes more—or so it seemed, but meanwhile the dusk had come—there came another knock and she was told that dinner had been served. But to that message again she returned no answer. The noises of the busy day ceased in the fields, the birds were hushed upon the branches, quiet and darkness took and refreshed the world. Only the throbbing music of the stream beat upon the ears, and beat with a louder significance, since all else was still. Sylvia lay staring wide-eyed into the darkness. To the murmur of this music, in perhaps this very room, she had been born. "Why," she asked piteously, "why?" Of what use was it that she must suffer?