Mr. Ricardo saw his opportunity. He, the connoisseur, to whom the psychology of the green room was as an open book, could answer that question.
"It is true, my friend," he informed Hanaud with quiet authority. "The great march of events leaves the artist cold. He lives aloof. While the tumbrils thunder in the streets he adds a delicate tint to the picture he is engaged upon or recalls his triumph in his last great part."
"Thank you," said Hanaud gravely. "And now Miss Carew may perhaps resume her story."
"It was the very night of my début," she continued. "I had supper with some friends. A great artist. Carmen Valeri, honoured me with her presence. I went home excited, and that night I dreamed again."
"Yes?"
"This time the chin, the lips, the eyes were visible. There was only a black strip across the middle of the face. And I thought--nay, I was sure--that if that strip vanished I should know the man."
"And it did vanish?"
"Three nights afterwards."
"And you did know the man?"
The girl's face became troubled. She frowned.