The Winding Stair

by A. E. W. Mason

“It is for those men we fight and get killed,” he cried, turning towards Paul. “Look at them! Three years ago they were cringing in their Mellahs or shivering in their little shops and offices for fear of an attack upon the city. Now they are the bloods of the town, picking up the money all day, and living the Life at night. Another three years and half of them will have their automobiles and take supper at the Café de Paris, whilst you and I, Paul, if we are lucky, will be shaking with fever in some garrison in the desert. I should like to bang their noisy heads together.”

Paul laughed at his friend’s indignation.

“All wars fatten the carrion birds, but it isn’t for the carrion birds that they are fought,” he said, and in the saloon all the voices ceased.

Gerard de Montignac swung round again in his chair. The men who had been standing about the big table had taken their seats and on the far side of it, almost facing the doorway and the two officers beyond in the dark of the verandah, a girl was standing. Gerard uttered a little cry, so startled was he by her aspect, by the sharp contrast between her delicacy and the squalor of her company. He heard Paul Ravenel move behind him, but he did not turn. His eyes were drawn to that slight figure and held by it.

“Marguerite Lambert,” he whispered to himself. There she stood, looking straight out through the doorway towards them. Could she see them, he wondered. Why was she standing there in view before that crowd, in this dustbin of Casablanca? It was wrong.

The piano sounded a note and Marguerite Lambert began to sing. But she could not sing—that was evident from the first bar. A tiny voice, which even in that silence hardly reached to the two men on the verandah, clear and gentle but with no range of music in it. It was like a child singing and an untrained child without any gift for singing. As singing it was ridiculous. Yet Gerard de Montignac neither laughed, nor could withdraw his eyes. He even held his breath, and of her singing he was altogether unaware.

She was pretty—yes, but too thin, and with eyes unnaturally large for her face. She was fresh: yes, strangely fresh for that place of squalor and withered flowers. And she was young, so that she stood apart from the other women like a jewel amongst pebbles. But it was not her beauty which arrested him, nor some indefinable air of good breeding which she had, but—and when she was halfway through her little song Gerard reached the explanation in his analysis—a queer look of fatality. Yes, a fatal look as though she was predestined to something out of the common, greater joys perhaps or greater sufferings, a bigger destiny than falls to the ordinary lot.

Gerard de Montignac had all the Frenchman’s passion for classing people in their proper categories, and his knack, as soon as that was done, of losing all interest in them. He was unable to place the girl in hers.

What was she singing about in that absurd little tinkling voice? Moonlight, and lovers, and lilies on the water? To a lot of degenerate money-grubbing Levantines? Through Gerard’s memory, to the tune which she sang was running a chain of names—names of places—names which Commandant Marnier had savagely strung together one night in the Mess; the names of the stages in that melancholy pilgrimage from which women do not return. Paris, Madrid, Barcelona, Toulon, Marseilles, Oran, Tangiers, Casablanca, and the Advanced Posts of the Legion. Yes, but the pilgrimage occupied a lifetime. What was this girl’s age? Was she nineteen or twenty? Not more, assuredly! How then had she come to the penultimate stage so soon? By what desperate circumstance of crime or ill-fortune? . . .

The song ceased and at once the clatter of voices broke out again. Madame Delagrange behind her bar poured out the drinks for three or four dark-skinned waiters dressed like Turks and a painted woman with worn eyes and wrinkles which no paint could hide minced out in her shabby, high-heeled dancing slippers to the officers on the verandah.