The Companions of the Night

Si El Hadj Arrifa was right. When Mohammed saw Paul Ravenel ride forward out of the loom of the night into the darkness of the tunnel, bending his head so that it might not strike the roof, he missed a slight action which was much more significant. Paul slipped his right hand into his pocket and took out a heavy key. He had been seeing to it that Mohammed should draw gradually ahead and by the time when he came opposite to the little door in the angle, Mohammed was far beyond the turn and there was not the faintest glimmer of light from the lantern. Paul slipped from his saddle, gave his horse a sharp cut across the buttocks with his riding whip, and as the startled animal galloped off, turned quickly to the little door.

He was in a darkness so complete that he could not see the key in his hand nor the hand that held it. Yet he found the keyhole at once and in another second he was within the house. The passage in which he found himself was as black as the tunnel outside. Yet he locked the door, picked up and fitted the stout transverse bars into their sockets as neatly as though he worked in the broad noon. He had made no sound at all. Yet he had shut a door between the world and himself, and the effort of his life now must be to keep it for ever closed. He had a queer fancy that a door thus momentously closing upon his fortunes ought to clang so loudly that the noise of it would reach across the city.

“There was once a Paul Ravenel,” he said to himself.

The lantern in Mohammed’s hands flickering upon the walls of the tunnel and every second dwindling a little more, receding a little more, danced before his eyes. There went the soul and spirit of that Paul Ravenel.

He was aroused from his misery by the sound of Mohammed’s hands sliding curiously over the panels of the door. The cry of panic followed quickly and the clatter of the lantern upon the cobble stones. Paul waited with his pistol in his hand, wondering what had startled his attendant. But silence only ensued and he turned away from the door into the house. At the end of a short passage he opened a second door and stood on the threshold of a small court brightly lit and beautiful. A round pool from which a jet of water sprang and cooled the sultry air was in the centre of the white-tiled floor. Wooden pillars gaily painted and gilded and ornamented in the Moorish fashion, not by carving but by little squares and cubes and slips of wood delicately glued on in an intricate pattern, supported arches giving entrance to rooms. There was a cool sound of river water running along an open conduit waist-high against a wall; and poised in an archway across the court with her eyes eagerly fixed upon the passage stood Marguerite Lambert, a tender and happy smile upon her lips.

When Paul Ravenel saw her, the remorse which had been stinging him during the ride and had reached a climax of pain as he stood behind the door, was stilled. Marguerite had changed during this year. The hollows of her shoulders and throat had filled. The haggard look of apprehension had vanished from her face. Colour had come into her cheeks and gaiety into her eyes and a bright gloss upon her hair. She wore a fragile little white frock embroidered with silver which a girl might have worn at a dance in a ball room of London or Paris; and in the exotic setting of that court she seemed to him a flame of wonder and beauty. And she was his. He held her in his arms, the softness of her cheek against his.

“Marguerite!” he said. “Each time I see you it is for the first time. How is that?” But Marguerite did not answer to his laugh. She held him off and scanned him with anxious eyes.

“Something has happened, Paul.”

“No.”