The joys of rugs are a delusion and a snare. They cannot be picked up here and there, tucked in a traveling-bag, and smuggled into the house; they are hard to transport, there are no auction records against them, and the rug market knows no bottom. I never yet heard a man admit paying a fair price for a rug, much less a high one. “Look at this Scherazak,” a friend remarks; “I paid only nine dollars for it and it’s worth five hundred if it’s worth a penny.” When he is compelled to sell his collection, owing to an unlucky turn in the market, it brings seventeen-fifty. And rugs are ever a loafing place for moths—But that’s a chapter by itself.
Worst of all, there is no literature about them. I know very well that there are books about rugs; I own some. But as all books are not literature, so all literature is not in books. Can a rug-collector enjoy a catalogue? I sometimes think that for the over-worked business man a book-catalogue is the best reading there is. Did you ever see a rug-collector, pencil in hand, poring over a rug-catalogue?
Print-catalogues there are; and now I warm a little. They give descriptions that mean something; a scene may have a reminiscent value, a portrait suggests a study in biography. Then there are dimensions for those who are fond of figures and states and margins, and the most ignorant banker will tell you that a wide margin is always better than a narrow one. Prices, too, can be looked up and compared, and results, satisfactory or otherwise, recorded. Prints, too, can be snugly housed in portfolios. But for a lasting hobby give me books.
Book-collectors are constantly being ridiculed by scholars for the pains they take and the money they spend on first editions of their favorite authors; and it must be that they smart under the criticism, for they are always explaining, and attempting rather foolishly to justify their position. Would it not be better to say, as Leslie Stephen did of Dr. Johnson’s rough sayings, that “it is quite useless to defend them to any one who cannot enjoy them without defense”?
I am not partial to the “books which no gentleman’s library should be without,” fashionable a generation or two ago. The works of Thomas Frognall Dibdin do not greatly interest me, and where will one find room to-day for Audubon’s “Birds” or Roberts’s “Holy Land” except on a billiard-table or under a bed?
The very great books of the past have become so rare, so high-priced, that it is almost useless for the ordinary collector to hope ever to own them, and fashion changes in book-collecting as in everything else. Aldines and Elzevirs are no longer sought. Our interest in the Classics being somewhat abated, we pass them over in favor of books which, we tell ourselves, we expect some day to read, the books written by men of whose lives we know something. I would rather have a “Paradise Lost” with the first title-page,[1] in contemporary binding, or an “Angler,” than all the Aldines and Elzevirs ever printed.
