Under the late consulting architect to the chapter, J. L. Pearson, R.A., many necessary strengthenings and restorations were carried out; but as no radical changes are in progress they do not call for detailed notice in this place.
Photochrom Co. Ltd., Photo.]
CHAPTER II
THE EXTERIOR
The external beauty of Lincoln Minster is rendered doubly impressive by the dignity of its position. While so many of our cathedrals are at a disadvantage in this respect, the site at Lincoln, as at Durham and Ely, was most happily chosen. Had it been less exposed, the spires would probably have yet been standing, but these are a small loss compared with the advantages gained. Especially when glowing with the rays of the setting sun, the three noble towers, each a conspicuous object for miles around, create an impression not soon forgotten. The distant view of the minster has inspired the enthusiastic utterances of many writers; but it may be enough for us to describe it in the words of one of the most eminent among them. "Throughout a vast district around the city," says Freeman, "the one great feature of the landscape is the mighty minster, which, almost like that of Laon, crowns the edge of the ridge, rising, with a steepness well-nigh unknown in the streets of English towns, above the lower city and the plain at its feet. Next in importance to the minster is the castle, which, marred as it is by modern changes, still crowns the height as no unworthy yoke-fellow of its ecclesiastical neighbour. The proud polygonal keep of the fortress still groups well with the soaring towers, the sharp-pointed gables, the long continuous line of roof, of the church of Remigius and Saint Hugh."
Such words need no comment; it only remains to point out the positions from which the minster is seen at its best. The view from the opposite side of the river, in a south-easterly direction, is good. The long straight line of roof is broken by the bold projection of the transepts; the faultiness of the west front is not apparent, and the grouping of the three towers with their numerous pinnacles appears to advantage.
The view from Brayford, too, is fine, although in this case the foreground is perhaps not so picturesque as it might be. From nowhere does the minster look more imposing than from the towers of the castle; a water-colour by Frederick Mackenzie (see p. [53]), painted from the roof of "Cobb Hall," admirably illustrates this. For a closer prospect, the best position is undoubtedly the north-east corner, especially when the sun is setting behind the western towers. Lastly, the view from the High Street, beyond the Stonebow, should not be forgotten.