The following is Henry of Huntingdon's account of the transference of the see, translated by Precentor Venables:—"The king" (William the Conqueror) "had given Remigius who had been a monk at Fescamp the bishopric of Dorchester which is situated on the Thames. This bishopric being larger than all others in England, stretching from the Thames to the Humber, the bishop thought it troublesome to have his episcopal see at the extreme limit of his diocese. He was also displeased with the smallness of the town, the most illustrious city appearing far more worthy to be the see of a bishop. He therefore bought certain lands on the highest parts of the city, near the castle standing aloft with its strong towers, and built a church, strong as the place was strong, and fair as the place was fair, dedicated to the Virgin of Virgins, which should both be a joy to the servants of God, and as befitted the time unconquerable by enemies." The transference of the see must have taken place between 1072 and 1075, since at the council held in the former year at Windsor, Remigius signed himself "Episcopus Dorcacensis," and three years later at the council of London "Episcopus Lincolniensis." Lincoln thus became the centre of a diocese comprising an enormous area, including the ten following counties:—Lincoln, Northampton, Rutland, Leicester, Cambridge, Huntingdon, Bedford, Buckingham, Oxford and Hertford. In the strong city beneath the massive walls of William's castle, Remigius could build in safety, not hindered, as his predecessors at Stow had been, by the fear of fierce invaders from across the sea.
The piece of ground purchased by Remigius lay a few hundred yards to the east of William's castle, just within the Roman wall of the upper city. It was the site of an earlier church, dedicated to St. Mary Magdalene, which was no doubt entirely destroyed to make room for the prouder edifice of Remigius, and for the next 250 years, the parishioners of St. Mary Magdalene retained the right of assembling in the nave of the minster. The building thus served a double purpose until the time of Bishop John de Dalderby (1300-20), who completed the arrangements begun by his predecessor for the union of the parish of St. Mary Magdalene with that of All Saints.
(From Stukeley's Itinerarium Curiosum, 1722.)
The church of Remigius was cruciform, with a short eastern limb, terminating in a semi-circular apse, which, unlike those of Norwich and Gloucester, was destitute of aisles. In the west front, with its three deep and lofty arches, and its two niche-like recesses, we still see the work of the first bishop, but the structure has been twice extended in an easterly direction—once by Bishop Hugh of Avalon, who built the present choir; and the second time to receive that bishop's miracle-working relics, and to afford room for the large and increasing throng of pilgrims that visited his shrine. The existing portions of the fabric built by Remigius are the west front, part of the first bay of the nave, and the side walls now enclosed in Early English chapels. The black basalt font in the nave is of the same period. On the erection of St. Hugh's choir, at the end of the twelfth century, the whole eastern limb of the original structure was removed. But the foundations remained, and were discovered in 1852 by Mr. T. J. Willson, architect, of Lincoln, under the floor of the present choir. The apse was found to have extended a little way beyond where the litany-stool now stands in the choir. The foundations of the lateral walls were also laid bare for some distance. Just beyond the springing of the apse on the north side, there are traces of a pilaster buttress, and on the inside of the lateral walls, sixteen feet from the springing of the apse, the foundations still exist of the piers of the great transverse arch which divided the presbytery from the choir of the Norman church. The measurement of these foundations, as well as the still-existing west front, are sufficient to show the sturdy strength of the early church. The walls of the apse must have been about eight feet thick. There appears to have been a lantern of some kind over the crossing, since the tower which fell in 1237-9 was called Nova turris.
The edifice was begun and completed by the energetic bishop, and was ready for consecration within twenty years of its commencement. To judge from the portions yet remaining, the building must have been severely plain; not a moulding softens down the rugged edges in those parts which are still as Remigius left them. But it was solid and strong, built to stand the wear and tear of many centuries. In fact, so like a fortress was it, that Stephen used it as such fifty years after, when the castle opposite was held by his enemies. Precentor Venables thus gives the dimensions of Remigius' church—300 feet in interior length, 160 feet less than at present; 28 feet in breadth, as against 38 feet at present, and 60 feet in height to the level of the ceiling. The roof was undoubtedly of wood, and probably a flat one of painted boards, like those of the transepts at Peterborough. The contemporary church at Canterbury, built by the primate Lanfranc, was roofed in this way. The present nave is 82 feet high, and the choir 74 feet; the comparison of these dimensions with those already given shew that the old church was in every way smaller. And this is only natural. In Norman churches, the stalls for the choir and clergy were usually placed under the lantern or in the first bays of the nave, as at Westminster, Norwich, Winchester and other places. For this and for other reasons the naves were long. The eastern limbs, however, were short, and it remained for later builders to extend them for the transference of the stalls to this part, and to erect Lady Chapels beyond.
Remigius was not destined to witness the consecration of the cathedral he had reared. At the council of Windsor in the year 1072, Thomas, archbishop of York, had laid claim to a jurisdiction over the diocese of Lindsey, which claim had been disallowed. When the question of the consecration of the new cathedral arose, Thomas renewed his pretensions, and the ceremony was thus delayed. We learn from Roger de Hoveden that Remigius, feeling the day of his death draw near, wished to have the church consecrated as soon as possible, and that Rufus was finally won over by a sum of money from the bishop. A date was fixed, the 9th of May, 1092, and all the bishops throughout the country were summoned to be present for the occasion. But on Ascension-day, three days before, Remigius died. He was buried in his own church, before the Altar of the Holy Cross, which stood in front of the screen that carried the rood. The character of the energetic bishop is given in a few words by the historian Henry of Huntingdon—small in stature, but great of heart, swarthy in colour, but comely in deeds (statura parvus, sed corde magnus, colore fuscus, sed operibus venustus). His successor was Robert Bloet, Chancellor to William Rufus, but Thomas of York objected to his consecration as bishop of Lincoln. "He might be Bishop of Dorchester, like his predecessors; but Lindesey, part of the spiritual conquest of Paulinus, was of ancient right subject to the metropolitan authority of York. This claim came to nothing, and Thomas found better scope for his energies in the reform of his own church."[ 1] A present from Bloet of £5000 to the king set matters right, and the ceremony so long delayed was at last performed. The bishop does not appear to have made any addition to the fabric before his death, which occurred suddenly, while riding with the king in a "deer-fold" at Woodstock (10th January 1123). It was quite otherwise with his successor, Alexander the Magnificent, nephew of the princely Roger of Salisbury. Alexander had already shewn his love of building by the erection of strong castles at Newark, Banbury and Sleaford, when a fire which destroyed the roof of the cathedral about the year 1141, gave him an opportunity of exercising his talent in a direction more fitting to his office. Giraldus Cambrensis relates that in this fire the burning beams fell from the roof and broke the slab of Remigius' tomb. This fact is interesting as adding support to the opinion that the slab now replaced in the nave of the minster was really that which covered the original burial-place of the bishop. Of the stone vaulting with which Alexander replaced the wooden roof after the fire, not a fragment remains; but the lines of the vault may be traced at the western end of the nave and against the two west towers. In addition to this, we learn from Henry of Huntingdon that he so remodelled the church by his "subtle artifice," that it looked more beautiful than in "its first newness," and was not surpassed by any building in England. The difference between the work of Remigius and Alexander is well seen in the west front, where the three great uncompromising arches of the earlier bishop are pierced by the rich and elaborate doorways of the later. We are fairly safe in assigning these to Alexander, and they probably formed part of the work he did, according to Roger de Hoveden, in the year 1146. The intersecting Norman arcade along the west front, just above the work of Remigius, may also be ascribed to Alexander, as well as the lower portions of the two western towers. The connection of these towers with the original west front was unfortunately hidden by the erection of the present Gothic screen-wall. It will be noticed, however, that gables are added at the sides to the Norman work, and traces may be seen which prove that similar gables decorated their western faces. There was probably another gable of larger dimensions in the centre. Precentor Venables thus conjectured the appearance of the west front as begun by Remigius and completed by Alexander: "It was furnished with three gables, like the façade of the cathedral of Ferrara, behind which rose the low Norman towers still existing, richly ornamented with three tiers of arcades, ... and terminated with low spires of timber covered with lead, similar to those which once covered the western towers of Durham, or those still nearer, which have recently been replaced, with happy effect, at Southwell. The angular turrets would also be terminated in a similar manner, giving a picturesque combination of spires."