CONTENTS
| CHAPTER | PAGE | ||||
|---|---|---|---|---|---|
| I. | CARPENTRY WORK AND CABINET MAKING | [1] | |||
| The Tools You Need — The Kinds of Tools — Some Hints on UsingTools | |||||
| How to Hold a Hammer — How to Use a Saw — How to Use a Plane — How to Use Chisels andGouges — How to Use a Brace and Bit — How to Use a Rule — How to Use a Marking Gauge — How to Use Hand Screws and Clamps —How to Use a Nail Set — How to Use a Gimlet — How to Drive Nails and Screws — How to Make a Glue-Pot — How to Make GoodGlue and How to Use It | |||||
| How to Sharpen Your Tools | |||||
| About Sharpening Saws — About Sharpening Chisels and Plane Bits — About Sharpening AugerBits | |||||
| How to Take Care of Your Tools — Removing Rust from Tools — To EtchYour Name on Tools — Kinds of Wood to Use | |||||
| Pine; Cedar; Mahogany; Oak; Birch; Walnut | |||||
| How to Make Joints | |||||
| Edge Joints — Corner Joints | |||||
| About Working Drawings — Things for You to Make | |||||
| How to Make a Work Bench — How to Make a Tool Chest | |||||
| II. | SCROLL SAWING, WOOD TURNING, WOOD CARVING, ETC. | [24] | |||
| All About Scroll Sawing | |||||
| Scroll Sawing Outfits — A Cheap Scroll Sawing Outfit | |||||
| How to Use the Scroll Saw | |||||
| A Few Other HelpfulThings | |||||
| A Hand Saw-Table — Files for Scroll Work — A Twist Drill Stock — A Pair of Pliers — ASmall Hammer — Scroll Saw Blades | |||||
| How to Trace a Design on Wood — Designs for Scroll Sawing — Foot-PowerScroll Saws | |||||
| The Cricket Scroll Saw — The Lester Scroll saw — The Fleetwood Scroll Saw | |||||
| How a Foot-Power Scroll Saw Works — How to Saw on a Foot-Power ScrollSaw — Fancy Woods for Scroll Saw Outfits — Table of Scroll Saw Woods — Trimmings for Boxes, Etc. | |||||
| Turning in Wood | |||||
| Get a Lathe First | |||||
| How a Lathe is Made | |||||
| The Cheapest Lathe You Can Buy | |||||
| Attachments for the Companion Lathe | |||||
| Turning Tools for Wood — How to Turn Wood | |||||
| The Art of Wood Carving | |||||
| Your Set of Carving Tools — The Best Woods for Carving — Kinds ofWood Carving | |||||
| Chip Carving — Panel Carving — Carving in Solid Wood | |||||
| Pyrography, or Wood Burning | |||||
| The Necessary Tools | |||||
| How to Make an Etching Tool — How to Make an Alcohol Lamp — A Better Outfit — About theDesigns — How to Burn in the Designs | |||||
| Coloring and Staining Wood | |||||
| Where to Buy Stains — Ebony Stain — Fumed Oak | |||||
| III. | METALS AND METAL WORKING | [56] | |||
| Your Kit of Tools — The Various Kinds of Tools — Some Hints on Usingthe Tools | |||||
| About Sharpening Tools | |||||
| Metals and TheirUses | |||||
| Iron Wrought Iron Steel Tin Zinc Lead Copper Aluminum | |||||
| A Few Useful Alloys | |||||
| Brass Type-Metal Pewter | |||||
| How to Do Metal Work — First Sketch Your Ideas — Sheet MetalWork | |||||
| Cutting and Sawing — Making Seams and Joints | |||||
| How to Solder Metals | |||||
| Fluxes Solders | |||||
| Bolts and Rivets — Bending Sheet Metal — Finishing Up Metals — ColoringMetals | |||||
| Bluing Steel — Bluing Brass — Giving Brass a Green Color — Giving Brass a Dull Look —Frosting Brass Articles — Lacquering Brass and Copper — How to Make the Lacquer | |||||
| IV. | VENETIAN IRON, REPOUSSÉ, PIERCED BRASS AND PEWTER WORK | [76] | |||
| Venetian Bent Iron Work | |||||
| The Tools You Must Have — The Materials You Need — What to DoFirst | |||||
| Making a Simple Design | |||||
| How to Make a Toaster — How to Make an Egg Boiler — How to Make aVenetian Plate Holder | |||||
| A Dead Black Finish for Iron Work | |||||
| Doing Repoussé Work | |||||
| Tools Needed for Repoussé Work — Howto Prepare the Work — Tracing the Design —Bossing the Work — How to Make a Flat Candlestick — How to Make a Photo Frame | |||||
| Cleaning and Polishing Metal Work — Finishing, Coloring and Lacquering Metals | |||||
| Pierced Metal Work | |||||
| The Outfit to Do it With — How to Do the Work | |||||
| Casting and Working Pewter | |||||
| Something About Pewter — How to Make Pewter — About Working Pewter —How to Cast Pewter — The Patterns Necessary — Making the Mold — Finishing the Ware | |||||
| Engraving on Metal | |||||
| The Tools that are Used — How to Engrave on Metal | |||||
| V. | DRAWING SIMPLY EXPLAINED | [103] | |||
| Free-Hand Drawing | |||||
| Talent versus Practice — Pictures for You to Draw — Simple LineSketches — Sketching Simple Outline Figures — The Proportions of the Human Figure — How to Draw Faces — Sketching StillLife Objects — Drawing in Perspective | |||||
| The Vanishing Point | |||||
| How to Shade a Drawing | |||||
| Working Drawings | |||||
| Drawing Tools You Should Have — Simple Working Drawings | |||||
| Making Plain Drawings — Isometric Perspective Drawings | |||||
| Some Simple Aids to Drawing | |||||
| How to Draw a Circle — How to Draw a Spiral — How to Draw an Ellipse —How to Make and Use a Pantagraph — How to Makea Reflecting Drawing Board — How to Make Tracings — To Make Lasting Impressions — The Ancient and Honored Art of CuttingSilhouettes — Transfer Pictures of Decalcomania | |||||
| How to Transfer the Pictures | |||||
| VI. | SOME KINKS IN PHOTOGRAPHY | [131] | |||
| How to Make Blue Prints | |||||
| The Materials Required | |||||
| Another Kind of Contact Printing | |||||
| To Tone and Fix the Pictures — Receipt for a Combined Toning and Fixing Solution | |||||
| The Simplest Kind of a Camera — How to Develop a Dry Plate | |||||
| How to Make the Developer — How to Make a Fixing Bath | |||||
| A Good and Cheap Camera — How to Make an Enlarging Apparatus — How toMake an Enlargement | |||||
| A Developer for Bromide Paper | |||||
| How to Make a Reflectoscope | |||||
| How to Use the Reflectoscope | |||||
| How to Make a Magic Lantern | |||||
| How to Work the Lantern | |||||
| How to Make Lantern Slides — How to Make Radium Photographs | |||||
| Trick Photography | |||||
| Spirit Photographs — One Way to Catch Big Fish — Taking CaricaturePhotographs | |||||
| VII. | PRINTING AND ITS ALLIED ARTS | [157] | |||
| Kinds of Printing Presses — The Parts of a Self-Inking Press — How thePress Works — Sizes and Prices of Presses — The Outfit You Need | |||||
| Outfit for a 3 × 5 Press — Outfit for a 5 × 8 Press — Outfit for an 8 × 10 Press | |||||
| About Type and Type Setting | |||||
| Relative Number of Type Letters — Styles ofType — The Parts of a Type — The Sizes of Type — Table of Type Sizes — Your Type Cases — Setting the Type | |||||
| Making Ready — Printing the Job — How to Clean Type — AboutDistributing Type — The Ink and Rollers — Printing in Colors — Printing in Gold — And Finally Your Stock Supply | |||||
| The Art of Paper Making | |||||
| What Paper Is — How to Make Paper | |||||
| Making the Pulp — The Molds You Need — Laying the Paper | |||||
| Sizing and Finishing | |||||
| How to Bind Books | |||||
| Making the Cover — Sewing the Book — Putting on the title | |||||
| VIII. | RUBBER STAMPS, DIE SINKING, BURNING BRANDS AND STENCILS | [183] | |||
| Rubber Stamps | |||||
| How to Make Rubber Stamps | |||||
| The Materials Needed | |||||
| Making the Mold — Vulcanizing the Rubber — Mounting the Rubber — Howto Use a Rubber Stamp | |||||
| How to Make an Ink Pad | |||||
| How to Make Rubber Stamp Ink — How to Make a Copygraph Pad — How toCopy a Letter — How to Make Hectograph Inks | |||||
| Die Sinking | |||||
| How to Make Badges, Name Plates, Etc. — How to Sink the Letters —Finishing Up the Badge | |||||
| Burning Brands | |||||
| How to Make a Burning Brand | |||||
| How to Use the Burning Brand | |||||
| Stencils | |||||
| How to Cut Stencils | |||||
| Cutting Paper Stencils — Cutting Brass Stencils —How to Use Practical Stencils — How to Make Stencil Ink — How to UseDecorative Stencils — Mixing Colors for Stenciling Borders | |||||
| IX. | THE ART OF WORKING GLASS | [202] | |||
| What Glass Is — How to Cut Glass — How to Use a Glass Cutter — Howto Finish off Glass Edges — How to Drill Holes in Glass — A Couple of Ways to Cut Glass Tubing — How to Cut Glass Disks —How to Bend Glass Tubing | |||||
| What a Bunsen Burner Is | |||||
| How to Blow Glass — To Round the Ends of Tubes — To Border theEnds of Tubes — To Seal One End of a Tube — To Make a Glass Nozzle — To Make a Hole in a Tube — To Join Two Tubes of theSame Size — To Join a Tube to the Side of Another Tube — To Blow a Bulb on the End of a Tube | |||||
| How to Make a Blowpipe — How to Blow a Bulb | |||||
| How to Etch Glass | |||||
| The Sand Blast Process — How to Make Ground Glass — The Acid Process | |||||
| How to Cement Glass — A Simple Way to Frost Glass | |||||
| Substitutes for Glass | |||||
| Mica Gelatine | |||||
| How to Silver a Mirror | |||||
| X. | TOYS FOR THE KIDDIES | [227] | |||
| How to Make a Policeman’s Puzzle — How to Make an Automobile Truck —How to Make a Swell Coaster — How to Make A Nifty Wheelbarrow — How to Make a High-Low Swing — How to Make a Stick Horse —How to Make a Pony and Cart — How to Make aLife-Like Goose — How to Make a Dancing Sambo — How to Make a Wireless Pup | |||||
| XI. | HOME MADE MUSICAL INSTRUMENTS | [252] | |||
| The Musical Coins | |||||
| How to Make Them — How to Play Them | |||||
| The Musical Tomato Cans | |||||
| How to Make Them — To Play the Musical Tomato Cans | |||||
| The Musical Glasses | |||||
| How to Make Them — How to Play the Glasses | |||||
| The Tubular Harp | |||||
| How to Make It — How to Play the Harp | |||||
| The Musical Push Pipe | |||||
| How to Make It — How to Play the Push Pipe | |||||
| The Curious Xylophone | |||||
| How to Make It — How to Play the Xylophone | |||||
| The Peculiar Tubaphone | |||||
| How to Make It — How to Play the Tubaphone | |||||
| The Cathedral Chimes | |||||
| How to Make Them — How to Play the Cathedral Chimes | |||||
| The Aeolian Harp | |||||
| How to Make It — How the Wind Plays It | |||||
| An Egyptian Fiddle | |||||
| How to Make It — How to Make the Bow | |||||
| XII. | SOME EVENING ENTERTAINMENTS | [274] | |||
| Cartoons While You Wait | |||||
| Drawing the Cartoons | |||||
| Thirty Minutes of Chemistry — The Mystic Glass of Milk — The MagicFountain — The Vicious Soap Bubbles — The UncannyWheel — Giving a Travelogue — An Electrical Soirée — Demonstrating Electricity WithoutApparatus | |||||
| The Electrified Papers — How to Electrify a Person — How Like Repels Like | |||||
| Making Experiments With Apparatus | |||||
| The Induction, or Spark Coil — Demonstrating Wireless Telegraphy | |||||
| Reading Palms for Fun | |||||
| How to Read Palms | |||||
| A Talk on the Steam Engine | |||||
| Making the Model Engine | |||||
| How the Engine Works | |||||
ILLUSTRATIONS
| PAGE | |
|---|---|
| A Model Engine, Showing the Principal Working Parts | [Frontispiece] |
| Some Useful Wood Working Tools | [3] |
| A Few More Common Wood Working Tools | [5] |
| A Clamp Often Comes in Handy | [7] |
| How Edge Joints Are Made | [17] |
| How Corner Joints Are Made | [19] |
| An Easily Made Work Bench | [20] |
| A Wood Vise for Your Work Bench | [21] |
| A Carpenter’s Tool Chest | [22] |
| The Tray for Your Tool Chest | [23] |
| A Simple and Cheap Sawing Outfit | [25] |
| The Right Way to Use a Hand Scroll Saw | [27] |
| A Hand Scroll Saw Table | [28] |
| Some Necessary Scroll Sawing Tools | [29] |
| Mechanical Masterpieces Made With a Scroll Saw | [31] |
| The Cheapest Foot-power Scroll Saw Made | [32] |
| The Lester Scroll Saw with Turning Lathe Attachment | [33] |
| The Fleetwood Scroll Saw | [34] |
| The Chief Parts of a Turning Lathe | [37] |
| The Cheapest Wood Turning Lathe Made | [39] |
| A Set of Wood Turning Tools | [41] |
| Putting the Rough Wood in the Lathe | [42] |
| The Right Way to Hold a Wood Working Tool | [42] |
| Sizing the Turned Work | [43] |
| Kinds and Sweeps of Carving Tools | [45] |
| Markers for Stamping in Backgrounds | [46] |
| Schemes for Holding Work When Carving | [46] |
| Kinds of Carving | [48] |
| A Carved Watch Case Holder | [49] |
| The Tool Used for Pyrography | [52] |
| An Outfit that Burns Benzine Vapor | [53] |
| How the Tool is Heated | [54] |
| Burning in the Design | [54] |
| The Chief Metal Working Tools | [58] |
| Some Other Metal Working Tools | [59] |
| How Metal Seams and Joints are Made | [70] |
| Materials You Need for Venetian Iron Work | [77] |
| A Useful Bent Iron Toaster | [79] |
| How to Make an Egg Boiler | [80] |
| An Artistic Venetian Plate Holder | [81] |
| A Sconce for a Candle | [83] |
| How to Hold a Repoussé Hammer | [84] |
| A Punch and Punch Designs for Repoussé Work | [85] |
| How to Hold a Repoussé Punch | [85] |
| A Repoussé Candlestick | [87] |
| A Repoussé Photo Frame | [89] |
| The Tools You Need for Pierced Brass Work | [90] |
| A Pierced Brass Candle Shade | [91] |
| A Pierced Brass Toast Sign | [93] |
| Iron Ladle for Melting Pewter | [95] |
| How a Pewter Casting is Made | [96] |
| Home Made Pewter Ware | [98] |
| Tools for Engraving on Metal | [99] |
| How to Hold a Graver | [100] |
| An Engraving on a Sheet of Copper | [101] |
| A Simple Line Drawing of a Man and a Horse | [104] |
| A Simple Outline Drawing of a Boxer and a Race Horse | [105] |
| The Proportions of the Human Body | [106] |
| A Full View of the Face | [107] |
| A Profile View of the Face | [108] |
| The Vanishing Points of a Perspective Drawing | [109] |
| How to Find the Vanishing Point | [110] |
| The Vanishing Points Put to Use | [111] |
| The Drawing Tools You Need | [112] |
| The T Square and Triangle on the Drawing Board | [114] |
| The Plan Drawing for a Box | [115] |
| The Box Drawn in Isometric Perspective | [116] |
| How the Lines for Isometric Drawings are Made | [117] |
| A Sheet of Isometric Drawing Paper | [118] |
| The Proportions of an Isometric Ellipse | [119] |
| How to Draw a Circle with a Thread | [120] |
| How to Draw a Spiral with a Thread | [121] |
| How to Draw an Ellipse with a Thread | [122] |
| How a Pantagraph is Made and Used | [122] |
| How a Reflecting Drawing Board is Made and Used | [123] |
| A Lasting Carbon (Soot) Impression of Your Hand | [125] |
| Silhouettes of Your Great-Grand-pa and Great-Grand-ma (When They Were Young) | [127] |
| A Photo Printing Frame | [131] |
| An Easily Made Pin-hole Camera | [135] |
| The Pin-hole Camera Complete with Cloth and Rubber Bands | [137] |
| Two Cheap and Good Cameras | [139] |
| A Home-made Enlarging Apparatus | [141] |
| A Home-made Enlarging Apparatus | [143] |
| A Home-made Enlarging Apparatus | [144] |
| A Cheaply Made Reflectoscope | [145] |
| A Cross Section Top View of the Reflectoscope | [146] |
| The Reflectoscope Ready for Use | [147] |
| The Parts of a Home-made Magic Lantern | [149] |
| The Magic Lantern Ready for Use | [150] |
| A Photograph of a Coin Made with Radium | [152] |
| One Way to Catch a Cod | [155] |
| How Caricatures are Made | [156] |
| A Model Self-inking Printing Press | [159] |
| An Outfit for a Model Press | [162] |
| The Parts of a Type | [165] |
| How the Type Cases are Arranged | [167] |
| The Upper Case | [168] |
| The Lower Case | [168] |
| How to Hold a Composing Stick | [169] |
| Putting a Stick of Type in the Chase | [170] |
| Tools for Locking Up a Chase | [171] |
| A Frame for Paper Making | [177] |
| How to Cut Boards and Cloth for Book Binding | [179] |
| Sewing on the Muslin Flap | [180] |
| The Bound Book Complete | [181] |
| The Matrix Frame, Chase and Boards for Making RubberStamps | [184] |
| The Type in the Chase. Plaster of Paris Impression in the Matrix Frame | [186] |
| The Matrix with the Rubber Gum in Place Ready to Vulcanize | [187] |
| The Rubber Stamp Ready to Use | [188] |
| Pulling an Impression from the Copygraph | [191] |
| First Steps in Making a Badge | [192] |
| The Badge on a Flat-iron in a Vise. Sinking in the Letters | [193] |
| Steel Letters and Figures for Die Sinking | [194] |
| Last Steps in Making a Badge | [195] |
| A Burning Brand of Iron or Copper | [197] |
| Stencil Letters and Stencils | [199] |
| Glass Cutters | [204] |
| The Right Way to Hold a Diamond Point Glass Cutter | [205] |
| How to Cut a Pane of Glass | [205] |
| A Cutter for Glass Tubes | [207] |
| A Circular Glass Cutter | [208] |
| Kinds of Bunsen Burners | [210] |
| Bordering the End of a Tube | [211] |
| Sealing Off the End of a Tube | [212] |
| How to Make a Hole in a Tube | [212] |
| Welding Two Tubes Together. Making a T Tube | [213] |
| A Regular Blow-Pipe | [214] |
| Cross Section of a Home-made Blow-pipe | [215] |
| The Glass Blowing Arrangement Ready to Use | [216] |
| A Regular Foot Bellows | [217] |
| First Steps in Blowing a Glass Bulb | [218] |
| Making a Thick Ring of Glass | [218] |
| Last Step in Blowing a Glass Bulb | [219] |
| Part of the Apparatus for Sand Blast Etching | [220] |
| Sand Blast Apparatus Put Together Ready for Etching | [221] |
| Etching Glass with Acid | [223] |
| A Policeman’s Puzzle, or Now Will You Be Good | [228] |
| Plans for the Automobile Truck | [229] |
| The Automobile Truck Ready to Run | [230] |
| Plans for a Swell Coaster | [231] |
| The Coaster Ready to Ride On | [232] |
| Plans for the Nifty Wheelbarrow. The Barrow Ready toWheel | [234] |
| Plans for the High-low Swing | [236] |
| The Swing Ready to Swing Low, Swing High | [237] |
| Ride a Stick Horse to Banbury Cross | [238] |
| Plans for a Pony and Cart. The Pony and Cart When Done | [240] |
| How the Life-like Goose is Made | [241] |
| Goosie, Goosie Gander, Where Shall I Wander | [242] |
| The Dancing Sambo | [243] |
| The Mechanism of the Dancing Sambo | [244] |
| The Wireless Pup, the Slot in the Floor of the Dog House | [245] |
| The Back End of the Dog House | [246] |
| The Spanker with Electric Solenoid Control | [247] |
| Cross Section Side View of the Wireless Pup Ready for Action | [248] |
| The Front End View of the Wireless Pup House | [249] |
| When You Call the Wireless Pup or Clap Your Hands He Comes Out of His Dog House in a Hurry | [250] |
| The Musical Coin | [253] |
| How to Hold the Musical Coin to Spin It | [254] |
| The Chopin Tomato Can | [255] |
| The Musical Glasses | [257] |
| The Harp of a Thousand Thrills | [258] |
| How to Play the Harp | [259] |
| Parts of a Musical Push Pipe | [261] |
| How the Push Pipe is Played | [263] |
| A Xylophone. The Bars are Made of Wood | [264] |
| A Tubaphone. The Bars are Made of Metal Tubes | [265] |
| The Cathedral Chimes | [266] |
| The Harp of Aeolus | [268] |
| Plans for an Egyptian Fiddle | [271] |
| How the Bow is Made | [272] |
| How the Fiddle is Played | [273] |
| How an Easel is Made | [276] |
| First Principles of Cartooning | [278] |
| Three Simple Cartoons that You Can Do | [279] |
| The Oracle of Amor, or Are You in Love? | [280] |
| The Mystic Fountain | [282] |
| Making Hydrogen Chloride Gas | [283] |
| The Vicious Soap Bubbles | [285] |
| The Uncanny Wheel | [287] |
| The Electrified Papers | [291] |
| A Simple Wireless Demonstration Set | [294] |
| Cross Section of the Coherer Showing Its Construction | [295] |
| The Parts of the Hand Named According to Science | [296] |
| The Parts of the Hand Named According to Palmistry | [298] |
| Working Drawings for the Demonstration Steam Engine. Cross Section Side View of the Engine | [302] |
| End View of the Engine. The Crank Shaft. The Rocker Arm | [304] |
| Top View of the Engine | [306] |
| The Steam Engine Ready to Demonstrate | [309] |
HANDICRAFT FOR BOYS
CHAPTER I
CARPENTRY WORK AND CABINET MAKING
Did you ever think about what you’d do if you were shipwrecked on a tropical island like Robinson Crusoe?
Well, if you had a good, strong pocket-knife with you it wouldn’t be so terribly bad and in a few months’ time you’d have fashioned all the things you’d need to furnish a three-room palmetto bungalow.