Monmouth, or even by the mountain streams of Radnor, Brecon, Carmarthen, and rural Glamorgan. There are such villages to be sure, but nothing like so many as in all these other districts, for the rustic builder in Devon has revelled this long time in slate and stucco and bare stone fabrics of painful angularity. In architecture of the class above the cottage again, of the farm and manor house type, that is to say, the county is comparatively sterile, as every archæologist knows. As a matter of fact, a majority of Devonshire villages do not nestle by the river bank in a sunny combe embowered in orchards as depicted by the writers of stories and essays in London, but are much more often perched, together with their fine churches, on the bare summit of extremely steep and windy hill-tops, and have the appearance of being contrived with a view mainly of defying the driving moisture.
Devonshire is, in truth, a county of extraordinary contrasts. Large portions of it are extremely beautiful. Almost as large regions again are as devoid of every essential of the picturesque in a general survey as any English landscape could possibly be; mile upon mile of bare humpy hill-top, ruthlessly shorn of every stick of timber and laid out in small and largely arable fields with painful chess-board regularity. No one would guess, for instance, when standing upon any elevation between the Dart and Plymouth, that through this almost forbidding prospect the Avon and the Erme cut deep channels which are perfect dreams of beauty, hidden away amid this patchwork of cultivated upland unsurpassed in any part of England for uncompromising, unrelieved monotony. This region to the west of the Dart covers the little matter of some 300 square miles, and has given a rude shock in the prospect to many a stranger possessed of the very generally preconceived notions of the county. Considerable parts of North Devon again present almost the same singular spectacle, redeemed, as here, at intervals by the deep-cut valleys of moorland bred streams, that, wherever they may be, diffuse an atmosphere of charm and beauty about their banks.
Devonshire, as I have said, thanks to its moorlands, abounds in such streams. Cornwall has relatively as many, but its physical shape so curtails their scope, whether flowing to the north or to the south, that as a county of streams it is almost insignificant compared to its greater neighbour, so fortunate and so opulent in this invaluable asset. The large slices of Cornwall too that have been made desolate in appearance by the mining enterprise of centuries, combined with the overwhelming reputation of its sea-coast, have tended to obscure its many picturesque and unspoiled valleys, particularly in the north-east of the county, that are practically counterparts of their equivalents across the Tamar.
The subject of Devonshire rivers is a matter of embarras de richesses indeed. To the writer, who has trodden the banks of most of them at one time or another from earliest youth, and spent long periods on intimate terms with many, some preferences due to such associations are well-nigh unsurmountable. But no impartial soul who knows the county well will, I think, dispute the claim of the Dart to be absolutely the Queen of Devonshire rivers. In the wild Dartmoor wanderings of its two branches to their junction at Dartmeet it has all the qualities and atmosphere which we look for, and many of us greatly love, of a typical moorland peaty stream. When it escapes through the high gateway of the moor, through that fringing country between the absolutely wild and the wholly domestic in which transitional condition Devon is always at its best, the Dart has perhaps no equal in the county. From some distance above the deservedly famous Chase of Holne till it approaches the little town of Buckfastleigh the exceptional altitude and abruptness of the hills through which it breaks its impetuous way, the lavish display of verdure—mostly, as in other Devonshire valleys, of oak—which clothes the steeps, the rugged character of the rocky ledges where the streams are now lashed to white-capped fury, or now pent into narrow rushing flumes of deep black water, are nowhere excelled. Released from this beautiful tangle of woods and the rugged bed over which it has fought its way out from the solitudes of the moor, the Dart sobers down into a typical salmon river of the less riotous order. For when it shoots under the bridge at Buckfastleigh it has attained quite imposing dimensions in a wonderfully short space of time, and for the seven or eight miles that remain to it before meeting the tide at Totnes makes a fine display, in alternate moods of speed and quiet, of deep and shallow, in the green vale between the now much lowlier hills.
Buckfastleigh is not a dream of wood and stone, but it does no great violence to the charm of its site, and has an old Benedictine Abbey, which has been recently restored and occupied by French
ecclesiastics of that order. High above the streams of the Dart, too, in Holne Vicarage, Charles Kingsley was born nearly a century ago. After passing through the village of Staverton the Dart spends the last mile or two of its fresh-water career before tumbling over the Totnes weir in the slower tree-shaded waters that bound the grounds of Dartington Hall. This is the ancient and present seat of the Champernownes, whose ancestor was a quite distinguished member of that group of enterprising Devonian squires who shed such unforgettable lustre on the county in the Elizabethan age. Though the present house at Dartington is more or less of that period, what more particularly constitutes it one of the memorable houses of Devonshire is the still ample ivy-clad shell of the noble fourteenth-century banqueting hall, the great clock tower, and many subsidiary buildings of an extremely early date. Not very far across the river, too, are the splendid ruins of Berry Pomeroy Castle, one of the best existing mediæval monuments of the kind in the county.
The little town of Totnes, where those celebrated tidal reaches, to which the Dart owes perhaps a somewhat disproportionate measure of its fame, begin, is about the most picturesque inland town in a county by no means architecturally rich in this particular. With its castle, its quaint and steep narrow High Street climbing from the river level through an embattled gateway, its penthouses and fine church, Totnes has something to show on its own account to the great numbers of people who come here for the sole purpose of making the beautiful trip by steamer to Dartmouth. There are still, moreover, in Totnes, some fine old houses where its merchants dwelt when Devon did such a roaring trade with the Newfoundland fisheries and the Mediterranean in the seventeenth century, to say nothing of a little profitable buccaneering, when the Spaniards were so well worth robbing, and the beard of their king requiring to be so frequently singed.
In due accordance with the nonsensical habit of labelling the natural beauties of England after stock scenes on the Continent, this tidal stretch of the Dart has been advertised ever since most of us can remember as the “English Rhine.” Anything more utterly different from the banks and waters of the Rhine than the banks and waters of the Dart it would be difficult to conceive. One is reminded of the gushing lady who, while walking upon one occasion with the venerable Bishop Philpotts of Exeter above the cliffs near Torquay, asked the Bishop if he did not think the prospect was very Swiss like.