But the most celebrated of these poems is "The Friend of Humanity, and The Knife-Grinder"—
Friend of Humanity. Needy knife-grinder! whither are you going?
Rough is the road, your wheel is out of order,
Bleak blows the blast; your hat has got a hole in't,
So have your breeches!
Weary knife-grinder! little think the proud ones,
Who in their coaches roll along the turnpike-road,
What hard work 'tis crying all day, "knives and
Scissors to grind, O!"
Tell me, knife-grinder, how you came to grind knives?
Did some rich man tyranically use you?
Was it the squire? or parson of the parish?
Or the attorney?
Was it the squire for killing of his game? or
Covetous parson for his tithes distraining?
Or roguish lawyer, made you lose your little
All in a lawsuit?
(Have you not read the "Rights of Man" by Tom Paine?)
Drops of compassion tremble on my eyelids,
Ready to fall as soon as you have told your
Pitiful story.
Knife-grinder. Story! God bless you! I have none to tell, Sir;
Only last night a-drinking at the 'Chequers,'
This poor old hat and breeches, as you see, were
Torn in a scuffle.
Constables came up for to take me into
Custody; they took me before the justice,
Justice Oldmixon put me in the parish-
Stocks for a vagrant.
I should be glad to drink your honour's health in
A pot of beer, if you will give me sixpence,
But for my part I never love to meddle
With politics, Sir.
Friend of Humanity. I give thee sixpence! I will see thee d——d first!
Wretch! whom no sense of wrong can rouse to vengeance!
Sordid! unfeeling! reprobate! degraded!
Spiritless outcast!
(Kicks the knife-grinder, overturns his wheel, and exit in a transport of Republican enthusiasm and universal philanthropy.)
This poem, written as a parody of "The Widow" of Southey, is said to have annihilated English Sapphics. Various attempts were formerly made to adapt classic metres to English; not only Gabriel Harvey but Sir Philip Sydney tried to bring in hexameters. Beattie says the attempt was ridiculous, but since Longfellow's "Evangeline" we look upon them with more favour, though they are not popular. Dr. Watts wrote a Sapphic ode on the "Last Judgment," which notwithstanding the solemnity of the subject, almost provokes a smile.
Frere was a man of great taste and humour. He wrote many amusing poems. Among his contributions, jointly with Canning and Ellis, to the "Anti-Jacobin," is the "Loves of the Triangles," and the scheme of a play called the "Double Arrangement," a satire upon the immorality of the German plays then in vogue. Here a gentleman living with his wife and another lady, Matilda, and getting tired of the latter, releases her early lover, Rogero, who is imprisoned in an abbey. This unfortunate man, who has been eleven years a captive on account of his attachment to Matilda, is found in a living sepulchre. The scene shows a subterranean vault in the Abbey of Quedlinburgh, with coffins, scutcheons, death's heads and cross-bones; while toads and other loathsome reptiles are seen traversing the obscurer parts of the stage. Rogero appears in chains, in a suit of rusty armour, with his beard grown, and a cap of grotesque form upon his head. He sings the following plaintive ditty:—
"Whene'er with haggard eyes I view
This dungeon that I'm rotting in,
I think of those companions true
Who studied with me at the U-
-niversity of Gottingen,
-niversity of Gottingen.
(Weeps and pulls out a blue kerchief with which he wipes his eyes; gazing tenderly at it he proceeds:)
"Sweet kerchief, checked with heavenly blue,
Which once my love sat knotting in!
Alas! Matilda then was true!
At least, I thought so at the U-
-niversity of Gottingen,
-niversity of Gottingen.
(Clanks his chains.)
"Barbs! barbs! alas! how swift you flew,
Her neat post waggon trotting in,
Ye bore Matilda from my view;
Forlorn I languished in the U-
-niversity of Gottingen,
-niversity of Gottingen.
"This faded form! this pallid hue!
This blood my veins is clotting in,
My years are many—they were few,
When first I entered at the U-
-niversity of Gottingen,
-niversity of Gottingen.
"There first for thee my passion grew,
Sweet! sweet Matilda Pottingen!
Thou wast the daughter of my tu-
-tor, law professor at the U-
-niversity of Gottingen,
-niversity of Gottingen.
"Sun, moon, and thou, vain world, adieu,
That kings and priests are plotting in;
Here doomed to starve on water gru-
-el, never shall I see the U-
-niversity of Gottingen,
-niversity of Gottingen."
The idea of making humour by the division of words may have been original in this case, but it was conceived and adopted by Lucilius, the first Roman satirist.
The "Progress of Man," by Canning and Hammond, is an ironical poem, deducing our origin and development according to the natural, and in opposition to the religious system. The argument proceeds in the following vein:—