Chapter V. Manners And Customs
Babylonia was a land of bricks. Stone was not found nearer than the mountains of Elam on the one side or the desert plains of Northern Arabia on the other. Clay, on the contrary, was plentiful, and the art of making bricks and building a house by means of them must have been invented by the first settlers in the country. The bricks were dried in the sun, the heat of which was sufficient to harden them. The clay was further bound together by being mixed with chopped reeds, though the use of the latter was not universal, at all events in the earlier times. In the later days of Babylonian history, however, they were generally employed, and we learn from the contracts that a bed of reeds grown for the sake of the brick-makers' trade was by no means an unprofitable investment. Either clay or bitumen took the place of mortar; the bitumen was procured from Hit or from the Kurdish hills, where there are still springs of naphtha; after the conquest of Canaan it may have been brought from the neighborhood of the Dead Sea. Some scholars have thought that this is referred to by Gudea, the priest-king of Lagas (2700 B.C.).
The employment of brick had a very direct effect upon the character of Babylonian architecture. Thick walls, supported by buttresses and devoid of sculpture, were necessitated by it. The buildings of Babylonia were externally plain and flat; masses of brick were piled up in the form of towers or else built into long lines of wall of unbroken monotony. The roofs were made of the stems of palm-trees, which rested on the stems of other palm-trees, where the space between one brick wall and another was too great to be safely spanned. The upright stems became columns, which were imitated first in brick and then in stone. Babylonia was thus the birthplace of columnar architecture, and in the course of centuries columns of almost every conceivable shape and kind came to be invented. Sometimes they were made to stand on the backs of animals, sometimes the animal formed the capital. The column which rested against the wall passed into a brick pilaster, and this again assumed various forms.
The monotony of the wall itself was disguised in different ways. The pilaster served to break it, and the walls of the early Chaldean temples are accordingly often broken up into a series of recessed panels, the sides of which are formed by square pilasters. Clay cones were also inserted in the wall and brilliantly colored, the colors being arranged in patterns. But the most common form of decoration was where the wall was covered with painted stucco. This, indeed, was the ordinary mode of ornamenting the internal walls of a building; a sort of dado ran round the lower part of them painted with the figures [pg 092] of men and animals, while the upper part was left in plain colors or decorated only with rosettes and similar designs. Ezekiel[6] refers to the figures of the Chaldeans portrayed in vermilion on the walls of their palaces, and the composite creatures of Babylonian mythology who were believed to represent the first imperfect attempts at creation were depicted on the walls of the temple of Bel.
Among the tablets which have been found at Tello are plans of the houses of the age of Sargon of Akkad. The plans are for the most part drawn to scale, and the length and breadth of the rooms and courts contained in them are given. The rooms opened one into the other, and along one side of a house there usually ran a passage. One of the houses, for example, of which we have a plan, contained five rooms on the ground floor, two of which were the length of the house. The dimensions of the second of these is described as being 8 cubits in breadth and 1 gardu in length. The gardu was probably equivalent to 18 cubits or about 30 feet. In another case the plan is that of the house of the high priest of Lagas, and at the back of it the number of slaves living in it is stated as well as the number of workmen employed to build it. It was built, we are told, in the year when Naram-Sin, the son of Sargon, made the pavement of the temples of Bel at Nippur and of Istar at Nin-unu.
The temple and house were alike erected on a platform of brick or earth. This was rendered necessary by the marshy soil of Babylonia and the inundations [pg 093] to which it was exposed. The houses, indeed, generally found the platform already prepared for them by the ruins of the buildings which had previously stood on the same spot. Sun-dried brick quickly disintegrates, and a deserted house soon became a mound of dirt. In this way the villages and towns of Babylonia gradually rose in height, forming a tel or mound on which the houses of a later age could be erected.
In contrast to Babylonia the younger kingdom of Assyria was a land of stone. But the culture of Assyria was derived from Babylonia, and the architectural fashions of Babylonia were accordingly followed even when stone took the place of brick. The platform, which was as necessary in Babylonia as it was unnecessary in Assyria, was nevertheless servilely copied, and palaces and temples were piled upon it like those of the Babylonians. The ornamentation of the Babylonian walls was imitated in stone, the rooms being adorned with a sculptured dado, the bas-reliefs of which were painted in bright colors. Even the fantastic shapes of the Babylonian columns were reproduced in stone. Brick, too, was largely used; in fact, the stone served for the most part merely as a facing, to ornament rather than strengthen the walls.
The Babylonian princes had themselves set the example of employing stone for the sake of decoration. Stone was fetched for the purpose from the most distant regions, regardless of cost. Gudea, the priest-king of Lagas, imported limestone from the Lebanon and from Samalum, near the Gulf of Antioch, while the statues which adorned his palace, and are now in [pg 094] the Louvre, are carved out of diorite from the Peninsula of Sinai. The diorite doubtless came by sea, but the blocks of hewn stone that were brought from “the land of the Amorites” must have been conveyed overland.