The Pharaonic Egyptian resembled in body and character the typical native of Central Egypt to-day. He was long-headed, with a high and intellectual forehead, straight nose, and massive lower jaw. His limbs were well-proportioned and muscular, his feet and hands were small. He belonged to the white race, but his hair and eyes were black, the hair being also straight. His artistic and intellectual faculties were highly developed, he was singularly good-tempered and light-hearted, averse to cruelty, though subject at times to fits of fanatical excitement and ferocity. At once obstinate and industrious, he never failed to carry out what he had once taken in hand. The Nile valley was reclaimed for the use of man, and swamp and jungle, the home of wild beasts and venomous serpents, were turned by his labours into a fruitful paradise.

By the side of the long-headed Egyptian of the ruling classes we find in the age of the earlier dynasties a wholly different type, of which the famous wooden statue now in the Cairo Museum, and commonly known as the "Shêkh el-Beled," may be taken as an illustration. Here the skull is round instead of long, the lips and nostrils are thick and fleshy, the expression good-humoured rather than intellectual. The type is that of a portion of the lower classes, and disappears from the monuments after the fall of the Sixth dynasty. After that epoch the races which inhabited Egypt were more completely fused together, and the rounded skull became rare.

Egyptian history begins with Menes, the founder of the united monarchy, and of the First historical dynasty. Our glimpses of the age that preceded him—the age of the followers of Horus, as the Egyptians termed it—are few and scanty. Egypt was divided into several kingdoms, which were gradually unified into two only, those of the north and the south. The northern kingdom was symbolised by the snake and papyrus, the southern kingdom by the vulture and aloe. The vulture was the emblem of Nekheb, the goddess of the great fortress whose ruins are now called El-Kab; and it is probable that the city of Nekhen, which stood opposite it on the western bank of the Nile, was once the capital of the south. However this may be, when Menes mounted the throne he was hereditary ruler of This, a city which adjoined the sacred burial-place of Osiris at Abydos, and of which Girgeh is the modern successor.

Menes made himself master of the north, and so united all Egypt under one rule. He then undertook and carried through a vast engineering work, one of the greatest the world has ever seen. The Nile was turned aside out of its old channel under the Libyan cliffs into a new channel to the east. The dyke which forced the river from its old course still remains, and two or three thousand years before the bed of the valley had risen to its present level the destruction of the dyke would have meant the return of the Nile to its former path. North of the dyke English engineers have found that the alluvial soil bears witness to interference with the natural course of the river of a far-reaching kind, and its long straight course resembles that of a canal rather than of the naturally winding stream of the Nile.

On the embankment thus won from the waters Menes built his capital, which bore the two names of Men-nefer or Memphis, "the Beautiful Place," and Hâ-ka-Ptah or Ægyptos, "the Temple of the Double of Ptah." On the north side of it, in fact, stood the temple of Ptah, the local god, the scanty remains of which are still visited by the tourist. In front of the shrine was the sacred lake across which, on days of festival, the image of the god was ferried, and which now serves as a village pond.

Menes was followed by six dynasties of kings, who reigned in all 1478 years. The tombs of the two first dynasties have been found at Abydos. Menes himself was buried on the edge of the desert near Negada, about twenty miles to the north of Thebes. His sepulchre was built in rectangular form, of crude bricks, and filled with numerous chambers, in the innermost and largest of which the corpse of the king was laid. Then wood was heaped about the walls and the whole set on fire, so that the royal body and the objects that were buried with it were half consumed by the heat. The mode of burial was peculiar to Babylonia. Here, in an alluvial plain, where stone was not procurable, and where the cemeteries of the dead adjoined the houses of the living, brick was needful instead of stone, and sanitary considerations made cremation necessary. But in the desert of Egypt, at the foot of rocky cliffs, such customs were out of place; their existence can be explained only by their importation from abroad. The use of seal-cylinders of Babylonian pattern, and of clay as a writing material, in the age of Menes and his successors, confirms the conclusion to which the mode of burial points. The culture of Pharaonic Egypt must have been derived from the banks of the Euphrates.

That Menes should have been buried at Negada, and not, like the rest of his dynasty, in the sacred necropolis of his mother-city, is strange. But we are told that he was slain by a hippopotamus, the Egyptian symbol of a foe. It may be, therefore, that he fell fighting in battle, and that his sepulchre was erected near the scene of his death. However that may be, the other monarchs of the first two dynasties were entombed at Abydos, The mode of burial was the same as in the case of Menes.

The objects found in the tombs of Menes and his successors prove that the culture of Egypt was already far advanced. The hieroglyphic system of writing was fully developed, tools and weapons of bronze were used in large quantities, the hardest stones of the Red Sea coast were carved into exquisitely-shaped vases, plaques of ivory were engraved with high artistic finish, and even obsidian was worked into vases by means of the lathe. As the nearest source of obsidian to Egypt that is known are the islands of Santorin and Melos in the Ægean Sea, there must have already been a maritime trade with the Greek seas. Art had already reached maturity; a small dog carved out of ivory and discovered in the tomb of Menes is equal to the best work of later days. Finally, the titles assumed by the Pharaohs are already placed above the double name of the king, and the symbols employed to denote them are the same as those which continued in use down to the end of the Egyptian monarchy.

The first six dynasties are known to Egyptologists as the Old Empire. Kings of the Fourth dynasty, Khufu, Khafra, and Menkaura, built the great pyramids of Giza, the largest of which is still one of the wonders of the world. Its huge granite blocks are planed with mathematical exactitude, and, according to Professor Flinders Petrie, have been worked by means of tubular drills fitted with the points of emeralds or some equally hard stone. It was left for the nineteenth century to re-discover the instrument when the Mont Cenis tunnel was half completed. The copper for the bronze tools employed by the workmen was brought from the mines of Sinai, where the Egyptian kings had kept an armed garrison for many generations; the tin mixed with the copper must have come from India and the Malayan Peninsula, or else from Spain and Britain.