The Egyptian system of writing is a striking illustration of the fact. All the various stages through which writing must pass, in its development out of pictures into alphabetic letters, exist in it side by side. The hieroglyphs can be used at once ideographically, syllabically, and alphabetically. And what is true of Egyptian writing is true also of Egyptian religion. The various elements out of which it arose are all still traceable in it; none of them has been discarded, however little it might harmonise with the elements with which it has been combined. Religious ideas which belong to the lowest and to the highest forms of the religious consciousness, to races of different origin and different age, exist in it side by side.
It is true that even in organised religions we find similar combinations of heterogeneous elements. Survivals [pg 029] from a distant past are linked in them with the conceptions of a later age, and beliefs of divergent origin have been incorporated by them into the same creed. But it is a definite and coherent creed into which they have been embodied; the attempt has been made to fuse them into a harmonious whole, and to explain away their apparent divergencies and contradictions. Either the assertion is made that the creed of the present has come down unchanged from the past, or else it is maintained that the doctrines and rites of the past have developed normally and gradually into those of the present.
But the Egyptian made no such endeavour. He never realised that there was any necessity for making it. It was sufficient that a thing should have descended to him from his ancestors for it to be true, and he never troubled himself about its consistency with other parts of his belief. He accepted it as he accepted the inconsistencies and inequalities of life, without any effort to work them into a harmonious theory or form them into a philosophic system. His religion was like his temples, in which the art and architecture of all the past centuries of his history existed side by side. All that the past had bequeathed to him must be preserved, if possible; it might be added to, but not modified or destroyed.
It is curious that the same spirit has prevailed in modern Egypt. The native never restores. If a building or the furniture within it goes to decay, no attempt is made to mend or repair it; it is left to moulder on in the spot where it stands, while a new building or a new piece of furniture is set up beside it. That the new and the old should not agree together—should, in fact, be in glaring contrast—is a matter of no moment. This veneration for the past, which preserves without repairing [pg 030] or modifying or even adapting to the surroundings of the present, is a characteristic which is deeply engrained in the mind of the Egyptian. It had its prior origin in the physical and climatic conditions of the country in which he was born, and has long since become a leading characteristic of his race.
Along with the inability to take a general view of the beliefs he held, and to reduce them to a philosophic system, went an inability to form abstract ideas. This inability, again, may be traced to natural causes. Thanks to the perpetual sunshine of the valley of the Nile, the Egyptian leads an open-air life. Except for the purpose of sleep, his house is of little use to him, and in the summer months even his sleep is usually taken on the roof. He thus lives constantly in the light and warmth of a southern sun, in a land where the air is so dry and clear that the outlines of the most distant objects are sharp and distinct, and there is no melting of shadow into light, such as characterises our northern climes. Everything is clear; nothing is left to the imagination; and the sense of sight is that which is most frequently brought into play. It is what the Egyptian sees rather than what he hears or handles that impresses itself upon his memory, and it is through his eyes that he recognises and remembers.
At the same time this open-air life is by no means one of leisure. The peculiar conditions of the valley of the Nile demand incessant labour on the part of its population. Fruitful as the soil is when once it is watered, without water it remains a barren desert or an unwholesome marsh. And the only source of water is the river Nile. The Nile has to be kept within its banks, to be diverted into canals, or distributed over the fields by irrigating machines, before a single blade of wheat can grow or a single crop be gathered in. Day [pg 031] after day must the Egyptian labour, repairing the dykes and canals, ploughing the ground, planting the seed, and incessantly watering it; the Nile is ready to take advantage of any relaxation of vigilance and toil, to submerge or sweep away the cultivated land, or to deny to it the water that it needs. Of all people the Egyptian is the most industrious; the conditions under which he has to till the soil oblige him to be so, and to spend his existence in constant agricultural work.
But, as I have already pointed out, this work is monotonously regular. There are no unexpected breaks in it; no moments when a sudden demand is made for exceptional labour. The farmer's year is all mapped out for him beforehand: what his forefathers have done for unnumbered centuries before him, he too has to do almost to a day. It is steady toil, day after day, from dawn to night, during the larger portion of the year.
This steady toil in the open air gives no opportunity for philosophic meditation or introspective theorising. On the contrary, life for the Egyptian fellah is a very real and practical thing: he knows beforehand what he has to do in order to gain his bread, and he has no time in which to theorise about it. It is, moreover, his sense of sight which is constantly being exercised. The things which he knows and remembers are the things which he sees, and he sees them clearly in the clear sunshine of his fields.
We need not wonder, therefore, that the ancient Egyptian should have shown on the one hand an incapacity for abstract thought, and on the other hand a love of visible symbols. The two, in fact, were but the reverse sides of the same mental tendency. Symbolism, indeed, is always necessary before we can apprehend the abstract: it is only through the sensuous symbol that we can express the abstract thought. But [pg 032] the Egyptian did not care to penetrate beyond the expression. He was satisfied with the symbol which he could see and remember, and the result was that his religious ideas were material rather than spiritual. The material husk, as it were, sufficed for him, and he did not trouble to inquire too closely about the kernel within. The soul was for him a human-headed bird, which ascended on its wings to the heavens above; and the future world itself was but a duplicate of the Egypt which his eyes gazed upon below.
The hieroglyphic writing was at once an illustration and an encouragement of this characteristic of his mind. All abstract ideas were expressed in it by symbols which he could see and understand. The act of eating was denoted by the picture of a man with his hand to his mouth, the idea of wickedness by the picture of a sparrow. And these symbolic pictures were usually attached to the words they represented, even when the latter had come to be syllabically and alphabetically spelt. Even in reading and writing, therefore, the Egyptian was not required to concern himself overmuch with abstract thought. The concrete symbols were ever before his eyes, and it was their mental pictures which took the place for him of abstract ideas.