We now come to the present century. Sir Alexander Cockburn (* Watts), Lord Chief Justice, was a member of the college during the earlier half, and the name of Sir Herbert Jenner Fust, master from 1843 to 1852, is also well known. Sir Henry Maine’s reputation is European. This great historian, lawyer and philosopher, occupied the chair of Civil Law from 1847 to 1854. When, in 1877, Dr Geldart died, he was elected Master, and died in 1888. During the last year of his life, he was Whewell Professor of International Law. There is a portrait of him in the Hall, by Lowes Dickinson. Needless to say, Trinity Hall is represented on the Bench of to-day, and the Lodge contains two portraits (by Dickinson) of Mr Justice Romer.
Literature pure and simple has never been well represented at “the Hall.” Thomas Tusser was educated here, but a great gap exists between the old-fashioned bucolic poet and the next writer. The name of Sir Edward Bulwer-Lytton (* copy from Maclise) is, however, not inconsiderable. His part in nineteenth-century literature may be very largely ascribed to his Cambridge associations and friendships. And the growth of an essentially modern science has been stimulated by another Trinity Hall man, Henry Fawcett (* Rathbone), Postmaster General and Professor of Political Economy from 1863 to 1884. There is another portrait of him, by Professor Herkomer, in the Fitzwilliam Museum. And, speaking of the Fitzwilliam Museum, it must not be forgotten that the peer to whom that institution owes its foundation came from Trinity Hall also.
To the modern undergraduate Trinity Hall is known chiefly as the head of the river, a position which, until the present year, has been for some time its monopoly. However, it is also well known in the schools, and not only in the school of law. Under Dr Latham (* Holl and Dickinson) the college has increased in popularity, and, both in size and importance, has attained a place in the first rank of colleges.
VIII
CORPUS CHRISTI COLLEGE
One of the prettiest spots in the whole University is the tiny medieval court on the north side of Corpus. You have only to turn your back on the ugly Hall, and look at three sides of a venerable, low quadrangle clothed with ivy and stained with age, and you can imagine yourself back in the days of the Edwards, when the pious members of the Cambridge benefit societies founded the college. Times have changed, and the court has been repaired fairly often; but the place retains its medieval flavour. There is still the gallery which communicated between the college and St Bene’t’s Church, while St Bene’t’s was the college chapel; with the aid of a key, you may go straight from under the roof of Corpus into church, without leaving cover. And, in one corner of the court, the kitchen, with its great spit revolving in the draught, is a continual source of interest to all visitors. However, medieval Corpus was never very conspicuous, and, like most things medieval, it grew incommodious. Mr William Wilkins, an architect of some knowledge, who had taken his degree at Caius, was selected in 1823 to renew Corpus in the Gothic taste, then becoming fashionable. His design, which he executed between 1823 and 1827, was highly praised, and during the next ten years he left some notable marks of his hand in Cambridge. The great court of Corpus is a singular instance of the fluctuation of taste. What was then considered handsome—it was certainly audacious—is to-day an eye-sore. The proportions of the great court are noble, and everything is conceived on a grand scale. The Hall and Library are both fine apartments, and the Chapel is commanding; but the whole building is shallow, and its detail is flimsy and jejune. All Wilkins’ work, here, at King’s and at Trinity, deserves careful study; for it shows how the architects of the first half of the century, with the experience of past ages at their command, failed even in the elementary matter of imitation.
Corpus has the singular distinction of having been founded by a Gild. The Gild or Benefit Society was an important institution in medieval Cambridge, and each church had one attached to it. Somewhere towards the end of the thirteenth century, when the festival of Corpus Christi was become a recognised feast of the Church, a society of this kind was founded in the parish of St Bene’t, and took the title of Corpus Christi in honour of the Blessed Sacrament. What induced the corporation to found a college is unknown; its action is at all events a testimony to the love of learning which was spreading at this time among the middle classes. In 1352, it obtained a charter from Edward III. for the foundation of a college. The alderman of the Gild at this date was Henry, Duke of Lancaster, cousin to the King. One gild, however, was not sufficient to carry out the work of itself, and the Gild of Corpus Christi achieved its desire by uniting itself with the Gild of Our Lady, which was connected with St Mary’s by the Market, the present University Church. To this union the College owes its coat of arms. In two out of the four quarters we see the “pelican in her piety,” the emblem of the Blessed Sacrament; in the other two are the lilies emblematic of the Blessed Virgin Mary. Another interesting person connected with the foundation is John Goldcorne, an ex-alderman of the Gild of Corpus Christi. He had generously given some of his property to Bishop Bateman when the bishop removed Caius College to its present site. He gave Corpus the fine drinking-horn which still is the chief piece of plate in the rich collection belonging to the house. It was probably the horn used at feasts of the Gild; it is one of the best specimens of the kind in existence.