CHAPTER XV
AN EVENING OF GOLD

About the time when many obscure fishing-folk in the British Isles were reaping rich harvest from Spanish galleons dismantled by storm and tempest, and the chief literary glory of England was paying scores at the Mermaid Tavern for men whose humour his genius turned to undying springs as it splashed on him from their cups, a woman in India who carried her husband in a basket, he being maimed and without hands or feet, placed him within the shadow of a tree while she sought alms from a neighbouring village. Now the man was no sluggard and had his eyes about him, and a lame crow, by reason of his own calamity, drew his attention. He watched the bird fly to an adjacent pool of water. To his amazement the crow no sooner dipped its legs than they became cured, so that it could walk, and its plumage turned at the same time to a milky whiteness. Rolling out of his basket the poor cripple himself reached the pool, and on his wife's return showed her a restored and perfect husband, with normal extremities, sitting upon the basket. At first it is said the woman declined to believe his identity, but Mr Buta Singh, the Amritsar bookseller, who tells the story in his History of the Golden Temple, asserts that "she was subsequently satisfied when the Guru attested the power of the Amrit" (which is the water of immortality).

I think there were possibilities of pathetic developments, and that although the addition of one hand or foot at a time might have been tolerable, it would have been altogether too much for any wife, while she had turned her back for the morning's shopping, to find the helpless subject of her chanty able to walk over her, and her domination destroyed for ever. Be that as it may the story serves for the origin of the sacred tank of Amritsar and its far-famed Golden Temple. The Guru digging upon the site of the miracle is said to have come deep in the delved earth upon a mysterious chamber, housing an old ascetic seated in devotional posture, with grey hair grown long. There are still older legends of the holiness of the spot, for it is told that Buddha, passing through the country, stopped in the jungle by this same pool of water and said—"This spot is best for the Bhikshus to obtain salvation and far superior in that respect to other places in the East, but it must have time for its celebrity."

And when the time came the temple arose and all Amritsar. The great shrine itself stands in the middle of a large square tank, and its precincts include the whole of the wide pavements that surround the water. On these pavements one must go barefoot or wearing velvet footgear, supplied at a small boothlike office at the entrance to the square enclosure. This is attached to a police station, which boasts a speciality in the way of Indian clubs. A row of these, gigantic in size and of considerable weight, stands outside the door, and a Punjabi is ready (for a consideration) to display his splendid muscles like the "strong man" generally to be seen along the quays of Paris near the Institut de France.

A marble causeway bridges the water to the Hari Mandar (God's Temple), starting from a large gateway on the margin of the tank. By the side of this, when I first saw it, a Hindoo was sticking wet rose-leaves and marigold petals on to a wall-painting of a four-armed and four-headed Brahma. Entering the gateway I passed through two doors plated outside with silver and within inlaid with ivory upon the polished wood. A man stood at this portal holding a long heavy silver wand and looking, but for his turban, rather like a verger in some English cathedral. Many people were walking to and fro upon the causeway, but I pushed ahead to the open doors of the temple where the Granth Sahib, the sacred book of the Sikhs, lies covered with a cloth of gold and canary-coloured silk, under a great violet-lined canopy, from the centre of which hangs a golden tassel.

Immediately behind the Granth sat a high priest taking his four-hour turn of duty. A large bundle of peacock feathers lay to hand for dusting; but pigeons, catholic as to the place of their droppings, flew constantly in and out.

"And this is the watch given by Lord Curzon," said a self-appointed guide in my ear, pointing to a large clock set incongruously in the gilded copper wall over one of the four doorways.

A white drugget, held down by carved marble corner-weights, was spread over the centre of the marble pavement. On this, in front of the Granth Sahib, were three silver vessels for offerings of money, and about them lay a heap of loose cowries and pice, while some of the rosy-eyed pigeons pecked away at rice which had been scattered over the drugget. On making offering to the temple one is presented with a sugar cup—a half sphere of coarse white crystal sugar (the size of half an orange), of which I do not know the significance. Men called "Marrasis" on one side were playing stringed instruments and singing words of the Granth.

Up to a height of about six feet the walls were of white marble lined with black, and at the corners inlaid with mother-of-pearl and cornelians; there was a little flower pattern, but above this height the whole interior with its gallery was gilded, and the gold surface intricately patterned over in red and blue.

Outside, across the long causeway with its marble balustrade and rows of lamps, the entrance gate faces an open stone-flagged square surrounded by buildings, the chief of which is the gilt-domed Akal Bunga where, I was informed, "Sikhs are made." This institution is partly subsidized by Government and partly depends for income upon the offerings made by those who come to be initiated. It is a kind of house of investiture and ordination, and contains various historic treasures—"irons" of old time including weapons which belonged to some of the Gurus. Every orthodox Sikh must wear five things, and these are—first, the Kunga, a comb of wood or ivory; second, the Kara, a circlet of iron; third, the Kash or loincloth; fourthly, Kesh (pronounced Kaish) which means long hair, and lastly, a Kard or knife, a miniature specimen of which was given to me when I was garlanded in the Akal Bunga.