The man turned away from the dripping window, and looked round this den in which he worked. Its walls were mostly covered by book-shelves, but in the gaps between the shelves there were pictures; a rather odd mixture of pictures, of men and women and dogs. The men and women were mostly people who had written books, and the dogs were without exception Irish Wolfhounds; those fine animals which combine in themselves the fleetness of the greyhound, the strength of the boarhound, and the picturesque, wiry shaggyness of the deerhound; those animals whose history goes back to the beginning of the Christian era; through all the storied ages in which they were the friends and companions of kings and princes, great chieftains and mighty hunters.
For several minutes the man paused before a picture, underneath which was written: "The Mistress of the Kennels." This picture showed a girl with wind-blown hair, happy face, and laughing eyes, standing, with a small puppy in her arms, in the midst of a wide kennel enclosure on the sloping rise of an upland meadow. In the background one saw a comfortable-looking house, half hidden by two huge walnut trees, and flanked by a row of aged elms. When the man had looked his fill at this picture, and at other pictures of various Irish Wolfhounds, each marked with the name and age of the hound depicted, he sighed, and went to the window again. While he stood there, looking out through the February sleet, the door of the den opened, and the Mistress of the Kennels came in, wearing a big, loose overall, or pinafore, which covered her dress completely. Her face had not quite the colour which the picture made one feel it must have had when she stood in that wide, windy, kennel enclosure; but it was still a sunny face; the eyes were still laughing eyes; a loving, lovable face, one felt, even though London had robbed it of some of its open-air freshness. She walked up to the man's side, and, seeing the expression on his face as he gazed out over the wet roofs, she said--
"Yes, it is, rather--isn't it?--after Croft."
"Oh, don't talk of Croft, child, or you'll bring my spring madness upon me before its time. I have had hints of it this morning, as it is. It seems almost incredible that we have only been two years and four months away from Croft, and the old open life. I was looking at the picture of the Mistress of the Kennels just now. Do you remember that morning? Tara's first litter hadn't long been weaned. My goodness, the air was sweet in that meadow! That was the morning poor old crippled Eileen ran the rabbit down, you remember."
"Yes, and it was old Tara's third day out, after that awful illness. Well, well, it's a blessed thing to know that the old dear is happy, and has such a lovely home down in Devonshire, isn't it?"
"Yes, oh yes; I know it might have been worse, and I'm a brute to be discontented, but--two and a half years! Why, it seems more like twenty, since we lived in a place where you could lean out of the window and drink the air; where I could go outside in my pyjamas before tubbing in the morning, and see the dogs, and set the rabbits flying in the orchard. Two years and four months. Do you know, if we give spring madness half a chance this year, it strikes me it will lead us out of this huddled, pent-in town, out to the open again. I almost think we could manage it now. I hardly seem to have lifted my nose from that table since last summer; but it's true the bank book shows small results as yet."
"And four years was to be the minimum, wasn't it? We thought of five, at first."
"Yes, yes; I know. My idea was that we would not go back till it seemed sure we should be able really to stay; no more returns to town with our tails between our legs. But, all the same, when I look out of that window--if we really lived cottage style, you know."
"But should we? Cottages don't have kennels, you know; not Wolfhound kennels, anyhow."
"I know. Oh, of course, it would be quite unjustifiable, quite mad; but--I thought I felt signs of spring madness when I looked out of that window this morning."