The simple little dinner was for me a thrilling episode. The deft-handed Chinaman hovering behind our chairs, the softly shaded table-lights, the wine in tall, fantastically shaped Bohemian glasses, the very food--all unfamiliar, and therefore fascinating: olives, smoked salmon--to which I helped myself largely, believing it to be sliced tomato--a cold bird of sorts, no slices of bread but little rolls in place of them, no tea, and no dishes ever seen in Mrs. Gabbitas's kitchen, or at my North Shore lodging. And then the figure of my host, lounging at table in the rosy light, a cigarette between the shapely fingers of his right hand--I had not before seen any one smoke at the dinner-table--his brown velvet coat, his languidly graceful gestures, the delicate hue of his flowing neck-tie, the costly sort of negligence of his whole dress and deportment--all these trifling matters were alike rare and exquisite in my eyes.

After their fashion the day, and in particular the evening, were an education for me. I spent a couple of hours over the short homeward journey to Mill Street, the better to savour and consider my impressions. The previous day belonged to my remote past. I had travelled through ages of experience since then. For example, I quite definitely was no longer proud of being a clerk in an office. As I realised this I smiled down as from a great height upon a recollection of the chorus of a Scots ditty sung by a sailor on board the Ariadne. I have no notion of how to spell the words, but they ran somewhat in this wise:

'Wi' a Hi heu honal, an' a honal heu hi,
Comelachie, Ecclefechan, Ochtermochty an' Mulgye,
Wi' a Hi heu honal, an' a honal heu hi,
It's a braw thing a clairk in an orfiss.'

Well, it was no such a braw thing to me that night, as it had seemed on the previous day. I had heard the word 'commercial' spoken with an intonation which I fancied Mr. Smith would greatly resent. But I did not resent it. And that was another of the fruits of my immense experience: Mr. Smith would never again hold first place as my mentor. How could he? Why, even some of my own innocent notions of the past--of pre-Macquarie Street days--seemed nearer the real thing than one or two of poor Mr. Smith's obiter dicta. I had noted the hats of that elect assemblage, and there had not been a billycock among them. Not a single example of the headgear which Mr. Smith held necessary for the self-respecting man in Sydney! But, on the contrary, there had been quite a number of a kind which approximated more or less to the soft brown hat purchased by me in Dursley, and discarded upon Mr. Smith's urgent recommendation in favour of the more rigid and precise billycock. I reflected upon this significant fact for quite a long while.

Certainly, the world was a very wonderful place. Was it possible that a week ago I had been a handy lad, dressed merely in shirt and trousers, and engaged in planting out tomatoes? I arrived at the corner of Mill Street, and turning on my heel walked away from it. I wanted to try over, out loud, one or two such phrases as these:

'I've been dining with an artist friend in Macquarie Street!'--'I was saying this afternoon to the editor of the Chronicle'--'I met some delightful people at my friend Mr. Rawlence's studio this afternoon!'

But, upon the whole, there was a more subtle joy in the enunciation of certain other remarks, supposed to come from somebody else:

'I met Mr. Freydon, Mr. Nicholas Freydon, you know, this afternoon. He had looked in at Rawlence's studio in Macquarie Street. In fact, I believe he stayed there to dinner before going on to his rooms at North Shore. Rawlence certainly does get all the most interesting people at his place. Landon, the painter, was deep in conversation with Mr. Freydon. No, I don't know what Mr. Freydon does--some secretarial appointment, I fancy. He's evidently a great friend of Rawlence's.'

It is surprising that I can set these things down with no particular sense of shame. I distinctly remember striding along the deserted roads, speaking these absurdities aloud, in an only slightly subdued conversational voice. My mood was one of remarkable exaltation. I wonder if other young men have been equally mad!

'How d'ye do, Foster?' I would murmur airily as I swung round a corner. 'Have you seen my new book?'; or, 'I noticed you published that article of mine yesterday!' Presently I found myself in open, scrub-covered country, and singing, quite loudly, the old sailor's doggerel about its being a braw thing to be a 'clairk in an orfiss'; my real thought being that it was a braw thing to be Nicholas Freydon, a clerk in an office, who was very soon to be something quite otherwise.