Darker grows the night and later the hour; the majority of the crowd are either reposing in the mud or have staggered to their tents and “humpies,” out of reach of the robbers, male and female, who begin to slink about, like those horrible beings who haunt the fields of battle to prey upon the spoils of the honoured dead. Woe betide the sinner who lies down to sleep off his drunken fit in an Ulysses street after sundown if he has money upon him.
The main “street” is now abandoned by the gamblers, three-card-trick men, and other blacklegs of like nature, and now wretches, who disgrace the name of white men, and who would never have dared to show themselves upon the older fields of the colony, are to be seen offering miserable, frightened native women to the loafers round the “shanties.”
One o’clock comes, and only select parties of soakers still make night hideous with their songs.
Outside the “gins” (native women), drunken and howling, are screaming out obscene remarks to each other and passers-by in broken English; and scenes take place that make the observer almost fancy himself viewing one of those horrible December orgies of Ancient Rome, rather than a scene in a civilized township of an English colony.
But let us ring up a change of scene.
In another part of the embryo township, a few hundred yards along the main “street,” the Queensland Federal Banking Company has erected a small, curiously-constructed edifice of galvanised iron and sheets of bark. Competition is immense amongst the Queensland banking concerns to establish the first branch upon a new gold-field. On a new “rush” taking place, information as to the likelihood of its turning out a “wild cat” (or failure) or not is obtained as rapidly as possible. The manager at the nearest township receives a wire from the head office; and next morning some unhappy wight, who likely enough has just been married, or was to have taken unto himself a wife in a few days, is ordered off at perhaps two hours’ notice to administer to the commercial comfort of the rough selvage of humanity at Devil’s Gap, or Three Gin Gulch, five hundred miles from anywhere, and situated in a dreary desert. He starts actually not knowing what part of the country he is going to, till he opens his sealed instructions at the railway station or wharf.
The remarkable little building to which we have referred is about the size of a ticket-taker’s office at a small theatre. Upon its front elevation, and overhanging it at each end, hangs a wooden-framed sheet of linen, upon which is painted the name of the bank whose branch it is. But we must go behind the bank-buildings to where stands the “most desirable residence” upon the field. It is a travelled house this; and has seen more than one “rush” before. With tongued and grooved sides screwed securely to studs and plates, the house can be taken to pieces and removed a few hundred miles by a bullock team, and put up again, not much the worse for wear.
It is like rising from the lower regions to that “ethereal beyond,” which is the appointed permanent location, so say the poets, of all “good niggers,” to leave behind the scenes we have just described, and saunter up to the quiet deserted end of the town, and hear through the darkness the chinkle chankle of a real piano. Through the windows we catch a glimpse of a lady (the only one within, perhaps, a hundred miles), in a cool, white dress, indulging her husband, the bank manager, and a few select sojourners upon the field, with the latest waltz from Melbourne. Inside the cottage—which stands on wooden blocks, surmounted with snake-and-ant-foiling tin plates—are seated some half-dozen men, listening to the music and chatting by turns. All are dressed in white, with crimson or yellow sashes round their waists, save one,—a new “chum,” lately from Albion’s cooler climes, whose idea of what is due to the lady of the “house” makes him appear in a suit of dark tweed, as the nearest approach to evening dress his travelling baggage can afford him. The conversation, as the piano ceases its rather raspy vibrations, reopens upon a subject that had commenced to be discussed earlier in the evening,—the treatment of the aborigines by the settlers.
“Yes, it must appear strange to you,” says a dark-eyed, brown-haired man, leaning back in his cane-chair, and looking at the ceiling of unpainted canvas, “it must appear to you rather strange that such scenes can occur in what people are pleased to call a Christian land. But remember, my dear Mr. Jolly, you are a ‘new chum,’ and don’t understand our ways yet.” After a pause he continued: “I was one myself once, by Jove.”
“If you mean by a ‘new chum,’” replied the young gentleman rather hotly,—whose appearance in dark clothes has already attracted our attention,—“if you mean by that, that I’m an Englishman, I’m only too glad to acknowledge——”