All is silent. It is still dark, and he cannot at first make out where he is. One thing is certain, he must wait for more light ere he can make a move comfortably. Presently, with the instinct of a smoker, he feels for his pipe and matches, and solaces his lonely reflections by puffing peace-bringing, but unseen, clouds of fragrant smoke from his lips, and sits waiting for daylight to appear. A dead stillness is all around, broken only by the sound of a far-off steamboat’s droning whistle from time to time, the rumble of a distant vehicle, or the occasional silver chiming hour-bells from some clock-tower close at hand. Looking upward from where he sits, Claude can see the dark mass of the viaduct standing out against the sky; and, not knowing of the children’s pyramid of boxes, for it had utterly collapsed after performing its appointed duty, wonders with a shudder how he could possibly have escaped as he has done. Why should these men have attempted to destroy him? His uncle’s warning, which he now remembers in conjunction with his late experience, seems to show that some mystery attaches to the work he has to do, and that the late explorer had reason in telling him to travel incognito. He thinks of how nearly, through his own carelessness, he might have been now a shattered corpse; he pictures his mother’s grief, and half-rising utters an exclamation of impatience against himself out loud. As he does so, he hears a slight noise near him, and becomes aware that he is not alone amongst the boxes, that, like the ruined sarcophagi of some Babylonian graveyard, are just visible piled around him. The soft regular sound of snoring reaches his ears, and comes from a corner close by. Claude listens for a few minutes, and tries to guess what kind of animal is the cause of those tender nasal notes. He quickly determines that the midnight music does not proceed from the vibrating mucous membrane of a man, nor is it a drunken snore. It is either that of a woman or a child. But who is it sleeping out here to-night without roof-cover, in this wealthy city? And why does she or it do so?
A mixed feeling of curiosity and compassion makes him determined to solve the mystery: so, lighting a match, he painfully scrambles towards the sleeper, making as little noise as possible. His search is soon rewarded by finding a little ragged body curled up upon some paper-packing in a corner. It is that of a small-limbed boy-child of about eight years, clothed in a torn, dirty linen shirt and ragged trousers,—the latter innocent even of the traditional single brace of street-arabism. The little sleeper is resting face downwards, on his left side, and a thin little bare arm is hugging the dark matted coat of a well-fed puppy, which nestles close to the child’s bosom. Claude gets but a brief sight of all this before another match is needed, the noise of striking which causes both the boy and dog to awake,—the former putting up his arm, as if instinctively to ward off a blow, even before he quite opens his eyes.
“Well, youngster, what are you doing here?” asks Claude, oblivious of the fact that the same question might with equal right have been put to himself. “Don’t be afraid, I sha’n’t hurt you.”
“I hain’t a’ doin’ o’ nothin’, mister,” whimpers the child, in a hoarse dry tone. “Them Star boys collared me ticket, an I’ll get (sob), I’ll get dollied if fayther cotched me back at ’ome without a thick ’un fur ’im.”
“Well, jump up, youngster, and show me the way out of this place, and I’ll get you another ticket,” Claude says kindly, not knowing in the least what a “ticket” may be, or for the matter of that “Star boys” either. “I’ve lost my way here, and,” giving the boy a coin, which that diminutive creature immediately put in his mouth, as the only safe pocket available, “and I hope you’ll be able to sleep at home to-morrow night.”
“Oh, I’ll show er the way, mister,”—here the “arab” made a noise like ough, much after the style of a Red Indian’s expression of surprise. “Guess yer’d better not let ald Sandie cotch yer lightin’ matchers ’ere,” he continued in the same hoarse whisper, looking slyly at Claude out of the corners of his eyes, as our hero strikes another light.
Then taking the aforementioned shaggy-coated puppy carefully up, and placing it in straddle-legged wonder upon his poor thin pointed shoulder, the little guide bobs away into the gloom, his bare feet moving quietly over the boxes, and his dirty shirt forming a sort of sartorial “pillar of fire” leading the way out of the wilderness of the yard. Painfully and slowly Claude scrambles after the diminutive ghostly form in front of him, and at last finds himself once more in Liverpool Street. The boy stands there under a gas lamp, his pup in his arms, but edges off into the road, as if in suspicion of Claude, as the young man hobbles forward. “Now, youngster, could you get me a cab, d’you think?”
“If yer’ll mind er pup,” the hoarse-voiced baby skeleton replies, after hesitation for a minute, and then, like a spirit, he silently and suddenly disappears. Claude is glad to sit down on the curb, and has only waited a few moments when the well-known regular pulsation of an approaching policeman’s walk is heard upon the viaduct. Presently the form of a splendidly-built sub-inspector of city police, in forage-cap and cloak, and holding a riding-whip in his hand, appears, and comes to a halt where Claude is seated.
“What’s up, mate?” asks a powerful but musical bass voice.
Claude has had time to think what answer he will make in case of being questioned, and has decided that his would-be murderers had better go free for the time being, than let a police inquiry retard his search for his uncle’s body; so, turning his head a bit, he lets loose the first lie he has used since a boy at school: “I’m waiting for a cab; have sent a boy for it. I got knocked down by a cab or something an hour or two ago, maybe more, and have been sitting down in the yard there till just now.”