Lord, we fellowship thy passion,
Gladly suffer shame and loss;
With thy blessing pain is pleasure,
We will glory in thy cross.
One of the prominent features of the reformation was the sweet, heavenly singing of the saints. Wherever Brother Warner's company went the people were attracted by the singing. They were not what the world would call "trained singers"; they were not even adept at reading music. But God blessed the singing, so that the songs, sung in the element of the Spirit, were simply heavenly. At the time the company held the first meeting at Walkerton, Ind. a theatrical troupe came to the town. So many people had flocked to Brother Warner's meetings that the house was packed and there were not many left to attend the theatrical concert. The troupe, not having a sufficient audience, came to the place of meeting and gave some instrumental music just outside in order to attract the people. Of course it interfered with the preaching. Brother Warner said, "Sing a song." Sister Nannie Kigar, who was the soprano of the company and always ready with a suitable selection, started a song. The people decided to remain. Many and powerful were the effects of these heaven-inspired songs.
Mention has been made already of the instance where the cattle listened and gazed with wonder when Brother Warner's company were singing at a place where they had stopped in the edge of the woods for dinner. Brother Warren says that once when they were traveling on the road and singing they were passing a field where there were cattle, horses, and other live stock, and that all of these followed along inside the fence until they reached the corner of the field, seeming to be attracted by the wonderful charm of the singing.
At the time the company visited St. James, Mo., on the second Western tour, Brother Warner wrote the hymn Sing it Again, at a place where they were stopping in the country. Brother Warren then composed the music, and they began singing it. When the time came for them to be taken to the train to leave that part of the country, it was decided that they should be conveyed to Jefferson City in order to afford a little country ride for a change. They camped out the first night, and reached Jefferson City the second day, early in the afternoon. They decided to visit the State prison, and as the weather was warm they left their wraps in the baggage-room of the railroad-station until they should return. When they came back the baggage-room was locked, and the temperature was falling and becoming just a little chilly. Everything was quiet around; not a sound could be heard except the clicking of the telegraph instrument in the office. The train they were to take would not be due until in the night, and as the waiting-room was open they gathered a little fuel and built a fire. When this was done Brother Warner gave a little jump (he always seemed happy enough to jump at any time) and said, "Let us have a song." Naturally enough they sang the new song, Sing it Again. Soon the door opened and in came the operator, and then shortly, almost before they were aware of it, a number of others had gathered and were listening intently. When the song was ended, the operator said, "This reminds me of my childhood days; won't you sing that song again?" They sang it again, and then Brother Warner, as his manner frequently was, took out his Bible and said, "Perhaps you would not object to a little of the Word of God." The operator had to attend to his office duties, but the others listened. Next testimonies were proposed. And so they had a precious little meeting in the waiting-room of the railroad-station, and the new song had already begun to be useful. We here reproduce the words. The music is given at the head of [Chapter XVII].
Let us sing the name of Jesus, oh, that name we love so dear!
Sweetest anthem earth or heaven ever breathed on mortal ear;
In that name we have salvation, oh, how precious is the flow!