[102] The name means meteor's paternal grandmother.

SONG SCHEME AND NARRATIVE OUTLINE

As usual for Mohave myths, a list of song topics also provides a sort of skeleton or framework of the story, and, although somewhat imperfectly, it serves conveniently as an outline of the plot.

The list that follows is in a sense the informant's. Wherever he said: "one song," or "four songs here," a paragraph has been terminated. The sections thus indicated by him normally deal with a single episode or thought, and are presented as consecutively numbered paragraphs. The only departure I have made from this procedure has been to break a paragraph into "a" and "b" when its first part consists of the conclusion of an incident without songs, and its second part deals with a new incident to which there are songs; as, [1a], [1b], [7a], [7b], etc. This minor formal device in the interest of clarity in the outline of the tale makes it that there are 111 actual paragraphs of narrative as against 104 numbered ones.

The informant listed 182 songs as due to be sung at the 104 stations or stages of incident: an average of less than two per station. This is low for Mohave song-narratives. There was only a single song for 54 stations, or more than half of them. He sang two songs at 38 stations, three at five, four and five at three each, and ten songs only once, at the next to final incident of the story.

The narrative breaks naturally into sections or chapters of unequal length. To these I have given titles, and have entered these captions, for convenience of orientation, both in the text of the narrative and in the song scheme outline. The latter follows.

The Cane Song Scheme

ParagraphSongs
A. Placement in the Cosmogony
[1a]..Kamaiavêta killed
B. Two Brothers Go Off
[1b]4At Avikwame: parts of the house
[2]3To North: Ground-squirrel
[3]2A little north. Rat
[4]3Rat eaten; house built
[5]1Uncle "Yellow-Pima" joins the brothers
[6]1Betting arrows
[7a]..Corn and wheat from east
C. They Get Wives
[7b]1Girl in west has hwetše-hwetše bird
[8]1Quarrel over the girl
[9]1Tšitšuvare gets her
[10]1Bring her to uncle
[11a]..He sends them to Sun in east
[11b]2Cock sings in cage
[12a]..Tšitšuvare gets Sun's daughter
[12b]2About her house
[13]2About the stars
[14]1She grinds corn
[15]2Uncle sends them north for a third wife; yellowhammer in cage
[16]1Pukehane gets her
[17a]..Uncle sends them south
[17b]1Hotokoro in cage
[18a]..Bring fourth wife
D. Quarrel over Cane: Elder Kills Younger
[18b]1Go for cane
[19]1Find cane
[20]1Quarrel for butt
[21]2Elder makes knife to cut cane
[22]2They fight over it
[23]1Return home
[24]1Elder makes younger ill
[25]1Elder spoils younger's birds
[26]1Nume-peta arrives for the death
[27]1Younger tells of his bones
[28]1Killed by elder and Nume-peta
E. Birth of the Hero Ahta-hane
[29]1Younger brother's son sings inside his mother
[30]1The unborn child makes rain
[31]1He emerges
[32]1Spared because disguised as girl
[33]1Suckled as if a girl
F. Shinny Game with Father's Foes
[34]2Shinny played with his father's kneecap
[35]2Boy grieves, sends his mother away
[36]1Steals the shinny ball
[37]2Knocks it west as meteor into mountains
G. Journey South to Sea
[38]1Crosses river on four sand piles
[39]2Sleeping at Qara'êrve, wakened by birds
[40]1South to Selye'aya-kumītše
[41]2Frightened by rattlesnake at Hanyo-kumasθeve
[42]5Wears snake as belt, sees wildcats at Kamahnūlye
[43]1Met by horsefly at Aha-kuminye
[44]1Hummingbird nest at Hotūrveve
[45]1On southward to Sampulya-kwuvare
[46]1Wants cooling clouds as he goes east up Sacramento Wash
[47]1Cloudy as he goes south to Gourd Mountain
[48]1Proceeding south
[49]5To Screw-mesquite spring at Akokehumī mountain
[50]2To petrified dancers at Ahwaṭa-kwimātše
[51]2Finds wild grapes at Kuhultoṭve
[52]1Eastward up Bill Williams Fork, meets badger
[53]1South again to Avi-su'ukwilye, watches jack rabbit
[54]3South along sand ridge to Avi-melyehwêke
[55]2After sleeping, north to Avi-hupo
[56]1Northerly to river at Selye'aya-'ita
[57]3Crosses on sand piles to Kuvukwīlye
[58]1South to Aha-kumiθe spring
[59]1On south to Earth-Mouth gap
[60]1On to Tôske
[61]1On to Goosefoot mesa
[62]2Near Yuma land, sees cane in bottoms
[63]1Breaks off cane, travels on down past Cocopa Mountains
[64]3To Gulf of California, sees surf and crane
[65]2Plays with sea shells
[66]2East along shore, sees ducks
[67]2Sees Hatōmpa'auve monster in lagoon
[68]1Turns inland northeast to catsclaw acacias
H. Marriage, and Contests with Meteor and Sun
[69]5Tracks of four women in desert
[70]2Reaches their empty house, hides as piece of cane
[71]2Returning, the sisters are warned of him by the eldest
[72]2Youngest sister finds him, rotten
[73]2Eldest revives him
[74]1Feeds him tobacco
[75]4Women go gathering, warn him of their husband Meteor
[76]2Meteor comes, fails to kill him, gives tobacco
[77]2Meteor leaves, Sun comes, wants to gamble
[78]1Sun loses belongings, then body, escapes to sky
[79]2Boy inspects his winnings
[80]2His mirror shows him he is ugly
[81]4Beautiful from diving, he is found and wanted by the four women
[82a]..Selects the eldest
I. Return to Mother, Half-Brother, and Father's Ghost
[82b]2Going homeward, he wishes rain to get rid of wives
[83]1Repents, brings out sun
[84]1Laughs at mud in wives' sandals
[85]1The wives wear frog-shaped shell-gorgets
[86]2Mother's masohwat bird flies to meet him
[87]2Reunion with his mother
[88]1He tells her what happened
[89]1She calls the wives daughters-in-law
[90]2Boy questions his mother's father (another Sun)
[91]2Goes east to get lightning cane
[92]1Travels east to war on father's relatives
[93]1Meets his half-brother
[94]2They identify their relationship
[95]1Mourn together
[96]2Call up their dead father
J. Revenge on Father's Foes
[97]1Traveling north again to father's killers
[98]2Foe sends messenger to meet at Qara'êrve
[99]2Conditions of contest arranged
[100]1Old man Yellow-Pima embraces both boys
[101]1Hero boy wins the contest
[102]2Destroys foes with his cane lightning
K. Transformation
[103]10Transforms wives and mother into Pleiades, brother and old man into birds
[104]2Flies south as meteor, turns into rock Mêkoaṭa by river

MOVEMENT OF THE NARRATIVE

Bluebird was a competent narrator in making his story move while retaining concrete and vivid detail. There is not the actionlessness of Raven, the bald outline manner of Vinimulye-pātše, the constant self-communing of Deer, or the deliberate repetitive prolixity of Mastamho. The tale always progresses. Either there are incidents crowding into a situation of emotional interest; or, when this flags, as in a long journey, the stages of travel are passed through with conciseness. The direct story appeal of Cane seems to me greater than that of the other Mohave narratives here presented.