“Yes, and wishes to see you,—nay, dearest, nay, you must be calm,—for his sake you must still this wild excitement! Remember that he is still very weak,—remember the danger of a relapse!”
“I am quite calm,” replied the young countess, collecting herself by a strong effort, though her quivering voice still betrayed her emotion; “I will do nothing to agitate my lord,—he shall not even hear a word from my lips,—but oh! the bliss if I may once—but once hear from his those precious words, forgiveness and peace!”
With soft, noiseless step she glided to the low rough-hewn door which opened into the room of her husband. Gently Annabella pushed it ajar, and entered with a throbbing heart, and a mien as reverential and timid as if she were approaching some solemn fane. That low dark room, with uncarpeted floor, unpapered walls, furniture coarse and scanty contained what she now felt was all the world to her.
No human friend intruded his presence on the sacredness of that scene which ever after, to the memory of Annabella, hallowed that fisherman’s hut. When the penitent wife knelt in lowly contrition by the pallet of a husband so narrowly rescued from the jaws of the grave, and listened breathlessly to the feeble accents which told her that the past was cancelled,—that she was dear as ever to him still, angels may have looked on rejoicing as upon a prodigal’s return, for no looming shadow darkened the holy radiance of returning peace and love, no discord jarred on the harmony of wedded souls,—the demon of pride was not there!
CHAPTER XXX.
THE SPIRIT LAID.
“From Nature’s weeping earth more fair appears,
So should good works succeed repentant tears!”
Gloriously poured down the fervid rays of a July sun, colouring the peach on the wall, swelling the rich fig under its clustering leaves, ripening the purple grape, and over the corn fields throwing a mantle of gold! No longer in the fisherman’s hovel, but reclining on a sofa in the countess’s splendid boudoir, we find the Earl of Dashleigh, yet pale from recent illness; the outline of the sunken cheek, the violet tint beneath the eyes, the whiteness of the transparent skin, tell of suffering severe and protracted, but health and strength are returning to his frame, while to the restored invalid lately released from the confinement of a sick room—