Pride and His Prisoners

by A. L. O. E.

The sun was sloping towards the west, bathing earth and sky in the rich glory of his streaming rays, changing the clouds into floating islands of roses, and lighting up a little river which flowed through the landscape, till it glittered like a thread of gold, as Timon Bardon led a party of guests, comprising all the family of the Aumerles, to the summit of his grey old tower, to survey the extensive and beautiful prospect.

Many a word of admiration was spoken as the vicar and his party moved from one spot to another, finding new beauties wherever they gazed. Cecilia, elegantly dressed as became the lady of the mansion, appeared in her glory, doing the honours of the place to her guests. If anything tended in the least degree to damp her delight, it was her perception that the practical eye of Mrs. Aumerle (notwithstanding sundry improvements in the dwelling wrought out under Miss Bardon’s direction), had detected many an unsightly heap of rubbish, many an unfurnished and dreary chamber, many a defaced cornice and broken pane, at variance with the notions of comfort and neatness entertained by the vicar’s wife.

Ida and Mabel, who had more poetry in their nature than had fallen to the lot of Mrs. Aumerle, and who delighted in whatever recalled to their minds grand images of the days of chivalry, saw in the marks of dilapidation but the footprints of ages gone by, and in imagination peopled the grass-grown court and the mouldering battlements with mailed knights, bold archers, and the fair maidens whose charms had been sung by minstrel and bard in the time of the old Plantagenets.

“That little grey dot yonder, is it not—” Mabel began, and paused, for Cecilia, whom she was addressing, looked as if she did not wish to see it.

“Yes, that is Mill Cottage,” said the doctor in a tone more loud and decided even than usual; “the place where the master of Nettleby Tower dug out his own potatoes in his garden, and the lady—”

“And that must be Dashleigh Hall,” interrupted Mabel, wishing to effect a diversion, for it was evident that while the doctor’s pride made him rather glory in his late poverty, that of Miss Bardon rendered her desirous to forget the days of her humiliation.

But Mabel’s diversion was very ill-chosen. At the mention of the name “Dashleigh,” the doctor’s countenance, which had been wearing an expression far more complacent than that habitual to his leonine features, changed to one dark and louring, the index of the gloomy passions that reigned within. Mabel saw not the change, for her eyes were fixed upon the distant prospect, but it was witnessed by Augustine and Ida, who exchanged glances with each other,—the gentle girl’s significant of regret, the uncle’s of indignation. “Is not the black drop wrung out from that proud heart yet?” was the mental comment of Augustine.

“Has not this house the repute of being haunted?” asked Ida, in order to turn the doctor’s thoughts into a different channel.

“Old women and young fools say that it is so still,” replied Timon Bardon gruffly.