The sight, the scent of the den in which he was to pass, perhaps, the remainder of a brief life, were enough to try the fortitude of any one who had, like Alcala, been gently nurtured. The place was dirty to a disgusting degree, and utterly unfurnished. The brick floor, on which some of the inmates were squatting and others reclining, served at once for chair, table, and bed. Offensive odours poisoned the air; the aspect of the place was revolting.
To an artist, indeed, the scene, as beheld by light struggling through grated windows coated with dust, might not have appeared devoid of picturesque effect. There was no clipped hair to be seen, no prison-dress common to all the inmates; each criminal wore what he would, and a curious variety of costumes appeared before the eyes of Alcala. There were here and there dashes of bright colour from waistcoats of green or blue silk, worn, uncovered by coat or jacket, over shirts with large flowing sleeves. These gaudy articles of costume marked the bandit race, who had probably been committed to prison for robbery or murder on the highway. On other criminals appeared the sheep-skin of the peasant, or the mantero of the citizen; one man was seen in buff jerkin, with jack-boots reaching half-way up his thigh. Most of the prisoners wore the faja, or waist-belt, so characteristic a part of Spanish costume,—being a very long piece of cloth, usually black or red, twisted round the middle of the person, and forming a receptacle for the purse, and sometimes the dagger.
Of course the entrance of a new companion in misfortune awakened curiosity, and attracted the attention of all the motley groups. A murmur of "'Tis a caballero!" was heard from the dark recesses of the place of confinement.
But though the den was mostly filled with miscreants who had broken every one of the ten commandments, an Englishman must have been struck by the absence of brutal coarseness, whether of manner or conversation, which he would have expected amongst the lowest class of criminals thus promiscuously thrown together. Men who had preserved no sense of honour, no scruple of conscience, men who might have robbed a church or murdered a brother, demeaned themselves as though they preserved some self-respect still. It is a peculiarity of the Spanish race that, to a certain extent, even the poorest appear to be gentlemen born. The beggar has his dignity; the picker of pockets his grace. Alcala had to encounter no insolent banter, no brutal jests, when he found himself amongst the scum of Spanish society in the common prison of Seville.
The cavalier's first feeling was one of utter disgust and repulsion, and an intense longing for solitude, were it even only to be sought in the darkest and most narrow of cells. Alcala had been brought up in aristocratic seclusiveness, and his besetting sin was pride. He reproached himself now for the selfish haughtiness which would fain have raised an impenetrable wall between himself and his companions in suffering.
"How is it that I, myself rescued from depths of guilt, dare to despise my fellow-sinners?" mused Alcala. "Who hath made me to differ from them? Wherefore should I desire to be secluded from all opportunities of serving my kind, because my pride shrinks from contact with those whom I deem beneath me? Here is the post which my Lord has assigned me. May He give me strength to bear witness for Him even in the prison, and deliver His message to some who, if they had heard it before, might never have entered this horrible den."
Alcala had scarcely had time for these reflections, when he was accosted by a lithe, active-looking man of very dark complexion, who had come from the further end of the dungeon on seeing him enter.
"Most illustrious caballero, Don Alcala de Aguilera, we have met before," said the man.
"And where, my friend?" asked Alcala.
"In the Plaza de Toros, señor. My name is Diego. I was one of the chulos who planted a banderilla in the neck of the bull which your worthiness met so bravely."