A second sufficed to bring back to my brain this old dream and the waking reality which followed, that night at the Abbey, long ago—the night which Shelagh and I called "Spy Night." For here, in my cabin on the yacht Naiad, on the crushed pillow of my bed, was that face.

As I realized this, without benefit of any doubt, a faint sickness swept over me. It was partly horror of the past; partly physical disgust of the brandy-reek—stronger than ever now—hanging like an unseen canopy over the bed; and partly cold fear of a terrifying Presence.

There she lay, sunk in drugged and drunken sleep, the Woman of Mystery, in whose existence no one but Shelagh and I had ever quite believed: the woman who had visited us in our sleep, and who—almost certainly—had fired the Abbey, hoping that we and the Barlows might suffocate in our beds.

The face was just the same as it had been then: "beautiful and hideous at the same time, like Medusa," I had described it; only now it was older, and though still beautiful, somehow ravaged. The hair still glowed with the vivid auburn colour which I had thought "unreal looking"; but now it was tumbled and unkempt. Loose locks strayed over the dainty pillow, and at the bottom of the bed, pushed tightly against the footboard by a pair of untidy, high-heeled shoes, was a dusty black toque half covered with a very thick motor-veil of gray tissue. There was a gray cloak, too, in a tumbled mass on the pink coverlet, and a pair of soiled gloves. Everything about the sleeper was sordid and repulsive, a shuddering contrast to the exquisite freshness of the bed and room—everything, that is, except the face. Its half-wrecked beauty was still supreme, and even in the ruin drink or drugs had wrought, it forced admiration.

"A German spy—here in my cabin—on board Roger Fane's yacht!" I said the words slowly in my mind, not with my tongue. Not a sound, not the faintest whisper, passed my lips. Yet suddenly the long, dark lashes on bruise-blue lids began to quiver. It was as if my thought had shaken the woman by the shoulder, and roused what was left of her soul.

I should have liked to dash out of the room and with a shriek bring everyone on board to my cabin. But I stood motionless, concentrating my gaze on those trembling eyelids. Something inside me seemed to say: "Don't be a coward, Elizabeth Courtenaye!" It was exactly like Grandmother's voice. I had a conviction that she wanted me to see this thing through as a Courtenaye should, shirking no responsibility, and solving the mystery of past and present without bleating for help.

The fringed lids parted, shut, quivered again, and flashed wide open. A pair of pale eyes stared into mine—wicked eyes, cruel eyes, green as a cat's. Like a cat, too, the creature gathered herself together as if for a spring. Her muscles rippled and jerked. She sat up, and in chilled surprise I thought I saw recognition in her stare.


CHAPTER VI

THE WOMAN OF THE PAST