The girls would take their friend [for] long walks on the moor. When they went very far, Tabby, their old factotum, insisted on escorting them, unless Branwell took that duty on himself, for they were still "childer" in her eyes. Emily and Anne walked together. They and Branwell would ford the streams and place stepping-stones for the elder girls. At every point of view, at every flower, the happy little party would stop to talk, admire, and theorise in concert. Emily's reserve had vanished as morning mists. She was full of glee and gladness, on her own demesne, no longer awkward and silent. On fine days Emily and Anne would persuade the others to walk to the Waterfall which made an island of brilliant green turf in the midst of the heather, set with clear springs, shaded with here and there a silver birch, and dotted with grey boulders, beautiful resting-places. Here the four girls—the "quartette" as they called themselves—would go and sit and listen to Ellen's stories of the world they had not seen. Or Emily, half-reclining on a slab of stone, would play like a young child with the tadpoles in the water, making them swim about, and she would fall to moralising on the strong and the weak, the brave and the cowardly, as she chased the creatures with her hand. Having rested, they would trudge home again a merry party, save when they met some wandering villager. Then the parson's three daughters would walk on, hushed and timid.
At nine the sewing was put by, and the four girls would talk and laugh, pacing round the parlour. Miss Branwell went to bed early, and the young people were left alone in the curtainless clean parlour, with its grey walls and horse-hair furniture. But with good company no room is poorly furnished; and they had much to say, and much to listen to, on nights when Branwell was at home. Oftenest they must have missed him; since, whenever a visitor stayed at the "Black Bull," the little inn across the churchyard, the landlord would send up for "T' Vicar's Patrick" to come and amuse the guests with his brilliant rhodomontade.
Not much writing went on in Ellen's presence, but gay discussion, making of stories, and serious argument. They would talk sometimes of dead Maria and Elizabeth, always remembered with an intensity of love. About eight o'clock Mr. Brontë would call the household to family prayers: and an hour afterwards he used to bolt the front door, and go upstairs to bed, always stopping at the sitting-room with a kindly admonition to the "children" not to be late. At last the girls would stop their chatter, and retire for the night, Emily giving her bed to the visitor and taking a share of the servants' room herself.
At breakfast the next morning Ellen used to listen with shrinking amazement to the stories of wild horror that Mr. Brontë loved to relate, fearful stories of superstitious Ireland, or barbarous legends of the rough dwellers on the moors; Ellen would turn pale and cold to hear them. Sometimes she marvelled as she caught sight of Emily's face, relaxed from its company rigour, while she stooped down to hand her porridge-bowl to the dog: she wore a strange expression, gratified, pleased, as though she had gained something which seemed to complete a picture in her mind. For this silent Emily, talking little save in rare bursts of wild spirits; this energetic housewife, cooking and cleaning as though she had no other aim in view than the providing for the day's comfort; this was the same Emily who at five years of age used to startle the nursery with her fantastic fairy stories. Two lives went on side by side in her heart, neither ever mingling with or interrupting the other. Practical housewife with capable hands, dreamer of strange horrors: each self was independent of the companion to which it was linked by day and night. People in those days knew her but as she seemed—"T' Vicar's Emily"—a shy awkward girl, never teaching in the Sunday school like her sisters, never talking with the villagers like merry Branwell, but very good and hearty in helping the sick and distressed: not pretty in the village estimation—a "slinky lass," no prim, trim little body like pretty Anne, nor with Charlotte Brontë's taste in dress; just a clever lass with a spirit of her own. So the village judged her. At home they loved her with her strong feelings, untidy frocks, indomitable will, and ready contempt for the common-place; she was appreciated as a dear and necessary member of the household. Of Emily's deeper self, her violent genius, neither friend nor neighbour dreamed in those days. And to-day it is only this Emily who is remembered.
Days went on, pleasant days of autumn, in which Charlotte and her friend roamed across the blooming moors, in which Anne and Emily would take their little stools and big desks into the garden, and sit and scribble under the currant-bushes, stopping now and then to pluck the ripe fruit. Then came chill October, bringing cold winds and rain. Ellen went home, leaving an empty chair in the quartette, leaving Charlotte lonelier, and even Emily and Anne a little dull. "They never liked any one as well as you," says Charlotte.
Winter came, more than usually unhealthy that year, and the moors behind the house were impassable with snow and rain. Miss Branwell continually bemoaned the warm and flowery winters of Penzance, shivering over the fire in her bedroom; Mr. Brontë was ill; outside the air was filled with the mournful sound of the passing bell. But the four young people sitting round the parlour hearth-place were not cold or miserable. They were dreaming of a happy and glorious future, a great career in Art; not for Charlotte, not for Emily or Anne, they were only girls; their dreams were for the hope and promise of the house—for Branwell.