should have shaken hands with Coleridge. The voice might have sung in concert with Blake that sang this single bit of a song:
"Hope was but a timid friend;
She sat without the grated den,
Watching how my fate would tend,
Even as selfish-hearted men.
"She was cruel in her fear;
Through the bars, one dreary day,
I looked out to see her there,
And she turned her face away!"
Had the poem ended here it would have been perfect, but it and many more of these lyrics have the uncertainty of close that usually marks early work. Often incoherent, too, the pictures of a dream rapidly succeeding each other without logical connection; yet scarcely marred by the incoherence, since the effect they seek to produce is not an emotion, not a conviction, but an impression of beauty, or horror, or ecstasy. The uncertain outlines are bathed in a vague golden air of imagination, and are shown to us with the magic touch of a Coleridge, a Leopardi—the touch which gives a mood, a scene, with scarce an obvious detail of either mood or scene. We may not understand the purport of the song, we understand the feeling that prompted the song, as, having done with reading 'Kubla Khan,' there remains in our mind, not the pictured vision of palace or dancer, but a personal participation in Coleridge's heightened fancy, a setting-on of reverie, an impression.
Read this poem, written in October, 1845—
"THE PHILOSOPHER.
"Enough of thought, philosopher,
Too long hast thou been dreaming
Unlightened, in this chamber drear,
While summer's sun is beaming!
Space-sweeping soul, what sad refrain
Concludes thy musings once again?
"Oh, for the time when I shall sleep
Without identity,
And never care how rain may steep,
Or snow may cover me!
No promised heaven, these wild desires
Could all, or half fulfil;
No threatened hell, with quenchless fires,
Subdue this quenchless will!
"So said I, and still say the same;
Still, to my death, will say—
Three gods, within this little frame,
Are warring night and day;
Heaven could not hold them all, and yet
They all are held in me,
And must be mine till I forget
My present entity!
Oh, for the time, when in my breast
Their struggles will be o'er!
Oh, for the day, when I shall rest,
And never suffer more!