Could Swift have exhaled more generously his sæva indignatio? La Bruyère, the deepest and tenderest mind of his generation, was therefore a man of wrath. “Seizures for debt, and the bailiff’s man in the house, the removal of furniture distrained, prisons, punishment, tortures, all these things may be just and legal. But what I can never see without the renewal of astonishment is the ferocity of man to man.”

But especially was La Bruyère a man of wrath when his mind’s eye fell on rural France. The Italian and Spanish travellers of the fourteenth, fifteenth, and sixteenth centuries, who showed themselves so sensible to the charm of country life in France, would no longer, could they have revisited the scene, have found the least occasion for their praises. The nobles of France no longer dwelt in their castles, among their peasants, protecting the village at their gates; and our philosopher wonders how lords, who might have lodged at home in a spacious palace, with a suite for the summer planned to the north, and winter quarters open to the sun, should count themselves happy to lie in a miserable entresol at the Louvre, with scarce a closet for their wives to receive their guests in. During the eternal round from Paris to Versailles, Versailles to Marly, Marly to Fontainebleau, and thence to Paris, what time has my lord to think of the hundred poor households whose labours bring in his hundred thousand livres of revenue? An agent collects the rents; and if the peasant be too poor to light a fire in winter, within sight of my lord’s forests; if he go clad in a sheepskin or a ragged sack; if he go without bread to eat—be sure it’s not the fault of my lord Duke. He is the kindest soul alive. He has not the slightest wish to oppress his tenants. He has only forgotten them! “And is not all this a presage for the future?” breaks off La Bruyère.

Again and again he reiterates his warning, finding something unnatural and shocking in the complete divorce between town and country. Scarce a man at court could tell a flax plant from hemp, or wheat from barley—don’t speak to them of fallow fields or aftermath, of laying down a vine or of marking a young tree fit for the axe: “provignage” and “baliveau” are no longer French, it seems. If, once in a way, on the occasion of a hunting party or a Royal progress, my lord duke proceeds to the home of his ancestors, and decides to open his purse-strings and spend money on the place, be sure he has some fine scheme for an avenue right through the heart of the forest, or a terrace raised on arcades with an orangery, or a fountain with a piece of artificial water which he takes the village brooks to feed. But reclaim a marsh, clear a wood, rebuild the tenants’ cottages? Never! These be pursuits for rustics. Nay, cries La Bruyère, and we hear the tears in his prophetic voice: “Rendre un cœur content, combler une âme de joie, prévenir d’extrêmes besoins ou y remédier?—la curiosité des grands ne s’étend pas jusque là!”

Immured in the circle of their own delights and interests, the nobles of France had lost touch with the peasants. The country, to please them, must be all in moor and forest, good for game; and the fertile plains of Brie are less to their fancy than the wastes of Champagne. They would turn the crofters from a sheeprun to make room for the deer. The landlord’s house stands untenanted, though now and then he may use a shooting-box. And if in his old age (after twenty, thirty, forty years of hard service) the old soldier, the disgraced or disillusioned courtier, should haply retire to his paternal acres, too often he finds them weed-grown and desolate, the manor half in ruins, the turret and pigeon-cote tumbling about his ears. He no longer knows by sight the peasants on the estate; he has lost his taste for the land; and the first wet season sends him packing, if he can. Meanwhile, in his abandoned village, Jacques Bonhomme—whose landlord is no longer the friend, protector, justice of the peace, but just a tom-fool in a laced coat, who cannot tell a blade of wheat when he sees it—Jacques Bonhomme continues to starve, to sweat, to diddle my lord’s agent, to curb his back to the blow and his heart to the sod, to suffer, labour, spare, till his stocking is full of hard-earned pence and pounds; till his mind is a wilderness of savage and sordid squalor, without an idea, an ideal, nay, a hope or a feeling, beyond the land. What wonder if the son of the rich peasant be so often the vulgar parvenu we meet in Molière and Marivaux? Rather let us marvel that sometimes he turns out a capable man, soldier or statesman, who quits the glebe to save his country. But a Colbert, for instance, or even a Georges Dandin, is no longer a French peasant. Let us return to our sheep and their shepherds.

V

A hundred years later than La Bruyère, in 1787, another generous mind, another traveller of liberal views, less profound than the French philosopher, yet accurate, alert, and well-informed: brief, an English country gentleman—a

certain Mr. Arthur Young, of Bradfield Hall, Suffolk—was to visit the provinces of France and to give us his impressions of the French peasant. Arthur Young, like his forerunner, is a man of feeling. The social state of the poor preoccupies him no less than the condition of French agriculture, which was the original cause of his journey. Great is his wrath against the noble absentees who neglect the lands which their extravagance exhausts. For still Versailles, like some deep-rooted ulcer, absorbs and corrupts the forces of France; and the noble continues to spend the revenues of a farm on the lace and ribbons of a coat, or to turn out a country-side of crofters in order to enlarge a deer forest. Of late a new fashion had indeed revived the prestige of the long-neglected country-house. Two writers—Rousseau and the elder Mirabeau—had expressed perhaps, rather than directed, a movement of reaction; people began to think again of the life of the fields, of country pleasures, and country freedom. So Arthur Young shows us a France where many of the great nobles were agriculturists; the mode, says he, obliges the great of the earth to spend a summer month or two in rusticating at their rural seats; the Queen has a dairy-farm at Trianon; milkmaids and shepherds are the rage. The Duke of Larochefoucauld-Liancourt shares Young’s enthusiasm for turnips, and His Grace’s sister-in-law is no less passionate for luzern, of which, says Young, she grew more than any other person in Europe: “What was my surprise at finding this young Viscountess a great farmer!” No subject in France was then more modish than the rotation of crops. And no doubt even this superficial contact between the noble and Nature, the peasant and his landlord, was better than an absolute divorce; only it came too late. Both the noble and the peasant had deteriorated during the two centuries that they have lived apart. On the one hand, the careless selfishness of the cavalier; on the other, a rancorous squalor, a sordid if sometimes a servile disrespect. The “foppery and nonsense” of the country gentry struck Arthur Young no less painfully than the folly of those “glittering beings of Versailles,” to whose fine coats the well-being and decency of rural France were sacrificed. There were, no doubt, in the number of them a fair percentage of good landlords, just and coarse, proud and poor, such as M. Pierre de Vaissière shows us in his recent volume, “Les Gentilhommes Campagnards,” and a few great souls, like Liancourt. But an honourable and mediocre minority could not suffice to heal the breach, widened by centuries of absence, which divided peasant from landlord.

The new-fangled residence of the rich in their summer seats did, as a rule, but little to ameliorate the condition of their poorer neighbours. Too often, the peasants to them were as the pigs, for whom a sty is all sufficient. Our English gentleman-farmer pauses at Combourg, the old patrimonial hall of Chateaubriand, at that time a youth under twenty, occupied with his earliest literary efforts. This is how the historic manor of René’s father strikes the owner of Bradfield Hall:—