Everybody must still remember the sensational explosion at Stoat's cordite factory in Limehouse. It was quite the talk of last year's gooseberry season. I may remind you that one departmental manager, one bookkeeper, one lady typist, and eighteen hands were utterly and instantaneously atomised; that the managing director himself sustained a shock; and that more than seventy operatives had to be removed in ambulances at the company's expense.
It will be remembered that very High Personages sent telegrams of sympathy. A sum of money was publicly subscribed for the relief and burial of the sufferers. The great heart of England was touched, though it did not leave off beating.
But those whose recollection of that horrible, soul-thrilling catastrophe is as keen as mine will remember that, viewed from the broad and enlightened standpoint of news-value, its most important feature was Mr. John Boyle. This honest artisan went up with the gentleman book-keeper and the lady typist and the hands. But unlike them he came down unbroken and almost unhurt, being so fortunate as to alight upon a providential mound of cotton-waste.
Few people will need to be reminded how this clever action was rewarded. A special (D—— M——) collection, amounting to nearly £300, was raised in three weeks and presented to Mr. Boyle in recognition of his courage and ingenuity. Pictures of Mr. Boyle in all varieties of dress, attitude, and employment were published in the journals. I have an especially vivid recollection of one picture, appearing in a Sunday newspaper. The photographer had caught the noteworthy features of Mr. Boyle at a particularly happy moment; and with consummate art he had represented our hero as emerging from a bad fog with a patch on his chest. This study bore the following inscription: "John Boyle at Home: He nurses the baby."
The next stage in Mr. Boyle's development, or (to state it more correctly) in the development of the public attitude towards Mr. Boyle, was his engagement to appear at the Shoreditch Hippodrome in a dramatic entertainment called "The Man Who was Blown Up."
But by the time he had reached this altitude of greatness the fame of Mr. Boyle was already well established; his name had become familiar to the national ear. For months before the day of Mr. Boyle's historic decision to blend his destiny with that of the national drama it had been a common thing to hear men say to other men: "'Ullo, Charlie; been 'avin' one with Boyle?"
This oft-repeated sally, which never failed to provoke laughter, was popularly supposed to embody a charge of alcoholic excess.
In these days, when Mr. Boyle as "The Man Who was Blown Up" has enjoyed three hundred consecutive nights of fame, it is regarded as a silly thing to joke about him. He is now a solemn National fact.
But it was my own particular good fortune to meet Mr. Boyle at a period when the hand of Fame had barely touched him. I made his acquaintance within twenty-four hours after the tremendous moment which had so exalted Mr. Boyle and his fortunes.
Mr. Boyle, having been detained for a brief period at a local infirmary, was anointed with surgical balm and dismissed; when he immediately came round to the sixpenny surgery of Dr. Brink, demanding a certificate of injuries which should enable him to extract some monetary compensation from the coffers of Stoat's Cordite Works, Limited. Mr. Boyle was not then prognostic of the public rewards which awaited him.