VI
John Egerton prepared himself to go round. He cursed himself for a weak fool; he reviled his fate, and Emily and Stephen Byrne. But he prepared himself. He was beaten.
But as he opened the front door the bell rang, and he saw Stephen himself on the doorstep—a pale and haggard Stephen, blinking weakly at the sudden blaze of light in the hall.
"I came round after all," he said. "It's urgent!" But he stepped in doubtfully.
The two curses of John Egerton's composition were his shyness and his soft-heartedness. When he saw Stephen he tried to look implacable; he tried to feel as angry as he had felt a moment before. But that weary and anxious face, that moment's hesitation on the step, and the whole shamefaced aspect of his friend melted him in a moment.
Something terrible must be going on to make the vital, confident Stephen Byrne look like that. Once more, he must be helped.
In the study, sipping like a wounded man at a comforting tumbler of whisky and water, Stephen told his story, beginning in the fashion of one dazed, with long pauses.
That evening, just before dinner, as Mrs. Bantam had correctly reported, the doctor had been sent for. And Stephen, waiting in the garden for his descent, gazing moodily through a thin drizzle at the grey rising river, had seen unmistakably fifty yards from the bank a semi-submerged object drifting rapidly past, wrapped up in sacking. A large bulge of sacking had shown above the surface. It was Emily Gaunt.
He was sure it was Emily Gaunt because of the colour of the sacking—a peculiar yellowish tint, unusual in sacks. And because he had always known it would happen. He had always known the rope would work on the flimsy stuff as the tide pulled, and eventually part it altogether. And now it had happened.