Syracuse University—"Srah—Srah—Srah Sy-ra-cuse!"
This list by no means comprises all the college cries, but it will serve to illustrate the most striking of them.
Even the women's colleges have their own distinctive cries, and for oddness they quite equal those of the men. And now the high schools, and even the separate classes and school societies are indulging in original cries. But so long as these things keep up the class spirit and make for sound lungs and high spirits, why should old fogies object?
CHAPTER XXVI
CLEVER TRICKS WORTH KNOWING
THE VANISHING KNOTS
For this trick you must use a silk handkerchief. Twisting it, rope- fashion, and grasping it by the middle with both hands. You must request one of the spectators to tie the two ends together. He does so, but you tell him he has not tied them half tight enough, and you yourself pull them still tighter. A second and a third knot are made in the same manner, the handkerchief being drawn tighter by yourself after each knot is made. Finally, take the handkerchief, and covering the knots with the loose part, you hand it to some one to hold. Breathing on it, you request him to shake out the handkerchief, when all the knots are found to have disappeared.
When the performer apparently tightens the knot, he in reality only strains one end of the handkerchief, grasping it above and below the knot. This pulls that end of the handkerchief out of its twisted condition and into a straight line, round which the other end of the handkerchief remains twisted; in other words, converts the knot into a slip-knot. After each successive knot he still straightens this same end of the handkerchief. This end, being thus made straight, would naturally be left longer than the other, which is twisted round and round it. This tendency the performer counteracts by drawing it partially back through the slip-knot at each pretended tightening. When he finally covers over the knots, which he does with the left hand, he holds the straightened portion of the handkerchief, immediately behind the knots, between the first finger and thumb of the right hand, and therewith, in the act of covering over the knots, draws this straightened portion completely out of the slipknot.
THE DANCING SAILOR
The Dancing Sailor is a figure cut out of cardboard, eight or nine inches in height, and with its arms and legs cut out separately, and attached to the trunk with thread in such a manner as to hang perfectly free. The mode of exhibiting it is as follows: The performer, taking a seat facing the company, with his legs slightly apart, places the figure on the ground between them. As might be expected, it falls flat and lifeless, but after a few mesmeric passes it is induced to stand upright, though without visible support, and, on a lively piece of music being played, dances to it, keeping time, and ceasing as soon as the music ceases.