Here, then, in all its force, we see the influence of association, which has been already treated of. The young man whose associations are of the right kind is sure to be brought into contact with the good daughters of good mothers. With such association, love and marriage should add to life's success and happiness, provided, always, that the husband's circumstances warrant him in establishing and maintaining a home.
Granting, then, the right kind of a wife, and the ability to make a home, the young man, with the right kind of stuff in him, takes a great stride in the direction of success when he marries.
No wise person will marry for beauty mainly. It may exercise a powerful attraction in the first place, but it is found to be of comparatively little consequence afterward. Not that beauty of person is to be underestimated, for, other things being equal, handsomeness of form and beauty of features are the outward manifestations of health. But to marry a handsome figure without character, fine features unbeautified by sentiment or good nature, is the most deplorable of mistakes. As even the finest landscape, seen daily, becomes monotonous, so does the most beautiful face, unless a beautiful nature shines through it. The beauty of to-day becomes commonplace to-morrow; whereas goodness, displayed through the most ordinary features, is perennially lovely. Moreover, this kind of beauty improves with age, and time ripens rather than destroys it. After the first year, married people rarely think of each other's features, whether they be classically beautiful or otherwise. But they never fail to be cognizant of each other's temper. "When I see a man," says Addison, "with a sour, riveted face, I can not forbear pitying his wife; and when I meet with an open, ingenuous countenance, I think of the happiness of his friends, his family, and his relations."
Edmund Burke, the greatest of English statesmen, was especially happy in his marriage. He never ceased to be a lover, and long years after the wedding he thus describes his wife: "She is handsome; but it is a beauty not arising from features, from complexion, or from shape. She has all three in a high degree, but it is not by these she touches the heart; it is all that sweetness of temper, benevolence, innocence, and sensibility, which a face can express, that forms her beauty. She has a face that just raises your attention at first sight; it grows on you every moment, and you wonder it did no more than raise your attention at first.
"Her eyes have a mild light, but they awe when she pleases; they command, like a good man out of office, not by authority, but by virtue.
"Her stature is not tall; she is not made to be the admiration of everybody, but the happiness of one.
"She has all the firmness that does not exclude delicacy; she has all the softness that does not imply weakness.
"Her voice is a soft, low music—not formed to rule in public assemblies, but to charm those who can distinguish a company from a crowd; it has this advantage—you must come close to her to hear it.
"To describe her body describes her mind—one is the transcript of the other; her understanding is not shown in the variety of matters it exerts itself on, but in the goodness of the choice she makes.
"She does not display it so much in saying or doing striking things, as in avoiding such as she ought not to say or do.