About the church can be traced Tottenham’s nucleus of antiquity. When, on the right hand of the main road, we have passed the Sanchez Almshouses, founded by a Spanish confectioner who came to England with King Philip, a far from bonny opening named Scotland Green hints how this was once a royal manor, passing into the lordship of the Scottish Kings, and held in turn by the rivals Bruce and Baliol. The Bruces had a keep here, still extant in a modernized form. Bruce Castle became a school carried on by the Hill family, one of whom, after an experiment at educational reform noted in its day, rose to wider fame as the victorious champion of penny postage. The ivied mansion, no more like a school than a castle, housed young gentlemen till not long ago; but, with its pleasant grounds, it has now been turned into a public resort.
At the north-west corner of this park stands Tottenham Church, half hid among trees that soften its incongruity, ranging from the old flint tower to the new brick chancel. One might well look in here for a sight of the Barkham and the Candeler monuments, each in its way an imposing specimen of such memorials in Stuart days, set in dim religious light by a rich show of coloured glass. A daughter of the Ettrick shepherd is buried, so far from her birthplace, in what Besant described as “a very good churchyard, full of interesting monuments of unknown people; and in the day-time you might wander there for a long time and learn quantities of history just hinted at in the bald, disjointed way common to tombstones. You might, I say, under happier conditions, but you cannot, because they have stuck up rows of spiky iron railings beside the path, so that no moralist, unless he have very long legs, shall ever be permitted to get any good out of the churchyard at all.”
Into the neighbour parish Tottenham merges without a break in what was “all one continued street” so far back as Defoe’s time. About half a mile beyond the latitude of the church, where the road swerves slightly to the right, a house on the left side is marked “No. 1, Edmonton.” The next landmark here is the “Bell,” with its fresco of that galloping citizen, cloak, hat, and wig flying in the air, by which this house claims connection with his wild career; but it has more than once been rebuilt, and may not occupy the site of the original resort for Cockney trippers, that would probably be farther on, towards the original village. The “Wash of Edmonton” seems another doubtful point. No such obstruction is now found on the road, which in Tottenham was crossed by the Muswell or Moselle Brook, and beyond the “Bell” passes over the large Pymmes Brook, flowing from East Barnet, then farther on the Salmon Brook, from Enfield. This last is said to have been known as the Wash, a title repeated in the Wash of Enfield and of Cheshunt; but now that the streams have long been bridged over, the oldest inhabitants are not in one tale as to which was the ford splashed about by our Cockney Mazeppa
Just like unto a trundling mop
Or a wild goose at play.
The hedges and stiles that bordered the road in Cowper’s day have vanished like its turnpike gates. Upper Edmonton in turn imperceptibly becomes Lower Edmonton, the old village now strung to London by leagues of houses. A long mile beyond the “Bell” is reached a fragment of Edmonton Green, where the poor “Witch of Edmonton” was burned in 1621. We may here desert the road, and its trams running on to a gap of still-open fields which the builder threatens to close; then again the industrial outliers of Enfield will shadow it almost continuously to the edge of the county. Let us turn up, by the Green and the station, to Edmonton Church, notable for its traditions of Archbishop Tillotson, and of another incumbent, Tate, the rusty psalmist, also of that “Merry Devil of Edmonton” that played such tricks here in Henry VII’s time, as for its joint memorial to Lamb and Cowper. Keats, as apprenticed to an Edmonton surgeon, is likewise commemorated along with Lamb by medallions in the public library.
The greenest memory of this parish and the next is Charles Lamb’s, who ended his days at Edmonton in a little house on the way up to the church. It was occupied, when I last passed it, by a registrar of births, deaths and marriages, a tenancy to “arride” that very human spirit. No lover of literature will visit Edmonton without seeking out his and his sister’s grave, which may be found by going on from the west end of the church to the tiny almshouses on the graveyard’s further side, and there turning left on a railed path. About half-way along this, on the right side, overshadowed by a more pretentious tomb, a modest slab shows the epitaph by Gary, the translator of Dante—Wordsworth’s tribute being rejected as long enough to fill a whole row of tombstones.
A path from the churchyard, bending on to the right by an old windmill, towards the New River and the Green Lanes, shows how much Edmonton has lost the rural charms it may have had when Lamb came to die here. For several years his home had been in the adjacent parish of Enfield, to whose hilly and shady beauties let us now set our face. Not that rural beauties appear to have had enduring attraction for Elia, who took any beer-shop as the goal of his restless walks, which also by choice were turned towards his familiar London. “To him the tide of human life
