O never let the lying poets be believed, who ‘tice men from the cheerful haunts of streets, or think they mean it not of a country village. In the ruins of Palmyra I could gird myself up to solitude, or muse to the snorings of the Seven Sleepers, but to have a little teazing image of a town about one, country folks that do not look like country folks, shops two yards square—half a dozen apples and two penn’orth of overlooked gingerbread for the lofty fruiterers of Oxford Street, and, for the immortal book and print stalls, a circulating library that stands still, where the show-picture is a last year’s Valentine, and whither the fame of the last ten Scotch novels has not yet travel’d (marry, they just begin to be conscious of the Red Gauntlet!); to have a new plastered flat church, and to be wishing that it was but a Cathedral. The very blackguards here are degenerate. The topping gentry stockbrokers. The passengers too many to insure your quiet, or let you go about whistling, or gaping—too few to be the fine indifferent pageants of Fleet Street. Confining, room-keeping, thickest winter is yet more bearable here than the gaudy months. Among one’s books at one’s fire by candle, one is soothed into an oblivion that one is not in the country; but with the light the green fields return, till I gaze and in a calenture can plunge myself into Saint Giles’s. O let no native Londoner imagine that health, and rest, and innocent occupation, interchange of converse sweet and recreative study, can make the country anything better than altogether odious and detestable! A garden was the primitive prison till man with promethean felicity and boldness luckily sinn’d himself out of it.

The writer of this was a man of moods, who, as his friend Coleridge has it:

Pined
And hungered after Nature many a year
In the great City pent.

Before leaving the India House, Lamb “had thought in a green old age (O green thought) to have retired to Ponder’s End—emblematic name, how beautiful!” No one now would choose a retirement at Ponder’s End, that industrial eastern neighbour of Enfield overshadowing the Lea Valley with its tall smoke-stacks and long rows of workmen’s homes. Yet just beyond the grimy hideousness of Ponder’s End Station, the bridge leading over to Chingford Marshes gives a peep of the Lea that by moonshine might still make a trysting-place for shepherds and milkmaids. Daylight dulls all memories of romance with smoke and mist; then the name of Green Street seems a mockery among those of the outlying Enfields that for miles blotch the Hertford road with their confluent eruption.

These quarters depend upon various industries planted along the Lea, the principal of them a national factory of death and destruction which, two generations ago, brought Enfield’s name into history with the rifles made here. A century earlier the name of Enfield Wash flowed far and wide in public excitement over a puzzling story of crime, to stir, under George II., even more sensation in England than did the Tichborne case for our newspaper age. It was here that a servant-girl, Elizabeth Canning, professed to have been robbed and imprisoned by certain persons, one of them a gipsy woman, who, sentenced to be hanged, was saved by fresh evidence that convicted the accuser of perjury. In those days of rough-and-ready justice feeling ran strangely strong between partisans of the gipsy and of the servant, the latter’s cause being championed by mob violence, while dozens of books and pamphlets hotly discussed the trials spread out over more than a year. Banished to the American plantations, the dubious heroine took away a considerable sum collected by her sympathizers, and, thus famed and dowried, she made a good marriage in the colony, where her descendants may now be flourishing as New York bosses or Chicago pork-poisoners.

As hints of what this highway was then, among its bordering of monotonously mean streets stand here and there weather-worn cottages and broad-faced Georgian mansions, whose long windows overlooked John Gilpin’s race. When—the name of Enfield at last left behind—about eight miles from the boundary of London, the road has passed out of Middlesex, just before coming to Waltham Cross, on the right it has the gates of Waltham House. This was for years the home of Anthony Trollope, that energetic post-office inspector, traveller, and fox-hunter, who in his spare time made himself the most voluminous author of a family which must have filled more shelves in the British Museum than any other, his own works better known to our fathers, as they may be to our sons, than they are to a generation greedy of spicier flavours in its literary fare.

A preserve of such good old houses is Baker Street, continuing the Green Lanes, which no more resembles that “long unlovely street” of London than its paradise of South African millionaires is like the Park Lane leading on to Tottenham Marshes. This Baker Street makes the pleasantest way north from Enfield, bordered by fine old trees and by the grounds of suburban mansions, more than one of them showing notable ironwork in its gates. A mile of such rustic gentility leads to Forty Hill, where we pass the grounds of Forty Hall, built by Inigo Jones, then those of Middleton Hall, named in honour of Sir Hugh Middleton, cadet of a large Welsh family, who, like so many other gentle youths in his day, became a London apprentice and merchant, and won honour, if not wealth, by his great enterprise of bringing a water-supply to the capital in the New River.

This artificial water-course, a Pactolus to later share-holders though it ruined its constructor, makes more Arcadian appearances in the landscape than does the Lea, and bears itself with an air of long-established standing to belie its “assumption of eternal novity.” I know of no other canal that has got a poem all about it—The New River, by William Garbott, whose muse, indeed, flows at no high pressure:

From Basons large, the water is conveyed
By Pipes, which thence into the Town are laid.
Had I but Skill, how sweetly could I play
Upon thy Pipes, Sir Hugh, a Roundelay!

For miles out of London the New River is guarded from pollution like the sky at Naples, which has been said to be the only clean thing there, and that because no one can get at it. But higher up, near the Middlesex boundary, one may take a path along its banks as it winds from mansion to mansion, through woods and meadows where Izaak Walton might still love to linger.