The branch line up the Tay soon ends at Aberfeldy, famous for the Falls of Moness in a wooded glen, where arises a question as to whether its “Birks of Aberfeldy” were not a mere poetic ornament of a poet’s fancy, copied from older songs such as the “Birks of Endermay.” At all events, birches are not now prominent among the rich foliage; and, of course, Burns, no more than Scott, would “swear to the truth of a song.” Aberfeldy, thriving on a small manufacture of Highland tweed, has an historic note as the place where the Black Watch regiment was embodied out of its looser organisation as independent companies; this is recorded by a monument set up on a cairn where nature and art join hands for striking effect. It is also notable for the first bridge, above Perth, over the Tay, built by the road-making General Wade. Another name that has been connected with Aberfeldy is Andrea Ferrara’s, a foreigner of infuscated habitat, who made so many blades for Scotland that tradition has represented him as working a forge here. A rival legend places his workshop in Menteith, where Doune was a more authentic arsenal of firearms for the Highlanders, specially notable for the making of steel pistols.
Aberfeldy Bridge leads us across to Weem, said to be so called from Picts’ houses burrowed in the womb of earth; to Castle Menzies in its park of ancient trees; to Dull, with its memories of a monastery and a hermitage of St. Cuthbert. The whole district is full of moving traditions and traces of forgotten faith and history older than the saints who have left misty relics here, as, for instance, the stone circle at Croft Moraig, “field of Mary,” and the Cave of Weem that has a legend recalling that of Hamelin, as to a child being saved by slipping off a malignant water-horse when it carried away her companions to be drowned in the loch above, with which this cave was believed to communicate. And hereabouts, as elsewhere, there is a legend of hunted Macgregors taking refuge in a tree that was cut down to hurl them to destruction. As to the beauties of the valley, let the Rev. Hugh Macmillan speak, as a son of its soil:—
Westward of the old glacial barricade, to the neighbourhood of Aberfeldy, the Strath, with its numerous farms and small crofts, is a patch-work, a “quilted landscape,” with corn and potato fields and meadows stitched in squares, or rather, to use an image more appropriate to the locality, a continuous web of large-checked tartan laid along the bottom and slopes of the valley. Eastward, beyond Cluny, the Strath is a vast green cup filled to the brim with beauty. There the warm sun, in sheltered nooks, woos the primroses and violets out of the soil earlier than anywhere else. The hillsides are musical with freckled burns, alive with trout; and the copses that line their course are filled with hazel nuts and wild rasps and brambles, which would make a feast for Pan himself, while patriarchal trees linger on many an ancestral farm, and link the generations together, each of them a towering mass of verdant leafage, under whose cool shadow you can sit in the fervid noon with a sigh of relief, and gaze upwards as into the heights of an emerald heaven. On the wide uplands hangs nature’s own tapestry of bell-heather and broom, the purple of the one and the glowing gold of the other mixed in harmonious splendour; and here and there a little tarn—the largest, Loch Derculich, a lonely heron-haunted loch, held close to the heart of the moorland—lifts its blue eye to catch the smile of heaven.
If we are to visit every part of Perthshire, we must tear ourselves away from this characteristic antechamber of Highland scenery, to the sides of which open Atholl and Breadalbane. So let us take leave of the Tay, under its own name, by passing up the last reach of avenue-like road from Aberfeldy to the policies of Taymouth, where it breaks full-born from its lake reservoir. Should we have come from Logierait by road or rail on the south side, we may well be tempted to turn back by the north bank of the noble river, a way which leads us on the rough edges of Atholl.
III
ATHOLL
The Atholl monument at the confluence of the Tay and the Tummel reminds us how we are fairly in Atholl, which indeed comes down to Dunkeld. One can hardly fix the precise bounds of this old province, at one time of such importance that it became an estate of the Crown; its name, too, is said to come from a Pictish king. It may be roughly defined as the northern part of Highland Perthshire, the glen basins on the Tay’s left bank, lying below a stretch of the Grampians by which it is shut off from Braemar and Deeside. Its central valley is Glengarry, up which runs the Highland Railway, till, at the height of nearly 1500 feet, passing from Perth into Inverness, this main stream of traffic dips by the Boar of Badenoch and the Sow of Atholl down the basin of the Spey, where Badenoch was once as signalised a name as Atholl.
This maze of mountains, glens and waters, studded with spots of delight and scenes of fame, may be called the heart of the show Highlands, or at least one lobe of its heart, for tourist circulation, the other being the Trossachs and Loch Lomond neighbourhood, where also hotels and hydropathics are now more common than castles and clachans. Dunkeld is its city of old renown; Blair Atholl is the Versailles of its duke; but the present-day capital of the tourist domain seems to be Pitlochrie, a smart young town that was an offshoot of Moulin, whose Black Castle stands in ruin, haunted by dim memories as the Wolf of Badenoch’s lair, and by a more gloomy tradition that it once served as a plague-house, so that its infected stones escaped the fate of being used as a quarry. All the lions about Pitlochrie are so familiar to guide-books and their patrons, that I need hardly even name them: the pyramid of Ben Vrackie, with its grand and easily won prospects; the Pass of Killiecrankie, where in a few minutes of fierce onset the Protestant succession in Scotland had nearly been throttled; the wooded and parked sides of Glen Garry; the ducal demesne of Blair; the Falls of Bruar, glorified by Burns; the dark ravines of Glen Tilt leading up to the guarded wilds of the Great Atholl Deer Forest; with many a fall and spout and foaming chasm, more or less renowned, unless for the want of public access and of a sacred bard less discreet than he who kept the secrets of “picture-like beauty, seclusion sublime.”
There is a stream,—(I name not its name, lest inquisitive tourist
Hunt it, and make it a lion, and get it at last into guide-books,)
Springing far off from a loch unexplored in the folds of great mountains,
Falling two miles through rowan and stunted alder, enveloped
Then for four more in a forest of pine ... attaining a basin
Ten feet wide and eighteen long, with whiteness and fury
Occupied partly, but mostly pellucid, pure, a mirror;
Beautiful there for the colour derived from green rocks under;
Beautiful, most of all, where beads of foam uprising
Mingle their clouds of white with the delicate hue of the stillness.
Cliff over cliff for its sides, with rowan and pendent birch-boughs,
Here it lies, unthought of above at the bridge and pathway,
Still more concealed from below by wood and rocky projection,
You are shut in, left alone with yourself and perfection of water,
Hid on all sides, left alone with yourself and the goddess of bathing.