Rosalie wriggled her shoulders.
“Again, poop.”
Rosalie repeated the wriggle.
“Vanish, poop,” said the sharp girl, and herself sprung away with mysterious crouching bounds, her head thrust forward, looking very like Gagool, the witch, in King Solomon’s Mines; and was seen by Rosalie to pounce upon another small girl who was probably a One Only and, from her forlorn aspect, certainly a sad and desolated new.
One Onlys, Red Indians, Sultans. They were the three castes into which the girls divided themselves: One Onlys the poopers brought by the advertisement; Red Indians the daughters of parents resident in India; Sultans the proud creatures who paid full fees and took their title from the nickname of the headmistress—the Sultana. This Oakwood House School in which Rosalie now found herself was one of those very big old houses with a spacious, walled-in garden that probably was occupied in the Fifties somewhere, when St. John’s Wood was out in the country, by a wealthy old City merchant who rode in to business two or three times a week, never dreaming that one day London was going to stretch miles beyond St. John’s Wood, and his imposing residence go dropping down the scale of fashion eventually to become a school for young ladies who on their crocodile walks would huddle, giggling, along the kerbstone while the dangerous traffic roared up and down the Maida Vale highway.
Those crocodiles! There was a news agent’s shop just opposite where the crocodile used to cross when it went out every morning, and one of the great excitements of the walk was to get around the corner and see what the newspaper bills had to tell. There were about forty girls at the school—a crocodile twenty files long—and on the days of sensational events the news from the placards used to come flashing back in emotional little screams from the head of the crocodile, gazing with goggling eyes, to the tail of the crocodile pressing deliriously up behind. “The Maybrick Case”; “Jack the Ripper Again”; “Death of the Duke of Clarence”; “Loss of H.M.S. Victoria”; Rosalie never afterwards could hear those terrific things referred to without recalling instantly the convulsions of the crocodile and experiencing within her own bosom the tumults that contributed their share to the convulsions. She was in the writhing tail of the crocodile when “Jack the Ripper Again” caused it almost to swoon, and she was in its weeping head when “Death of the Duke of Clarence” and “Loss of H.M.S. Victoria” struck its orderly coils into a tangled and hysterical knot.
Mrs. Impact, who kept this school, was a massive and frightening figure of doom who wore always upon her head, and was suspected of sleeping in, a strange erection having the appearance of a straw beehive. She was called the Sultana and her appearance and her habits seemed to Rosalie precisely the appearance and habits that would belong to a sultana. The Sultana appeared virtually never among the girls. The direction of the discipline and education of the pupils was in the hands of the chief of the Sultana’s staff of badly paid and much intimidated mistresses. This chief of staff, by name Miss Ough, but called the Vizier, appeared from and disappeared into the quarters occupied by the Sultana, and was popularly supposed to be kept there in a dungeon. If you were near the door through which the Vizier passed from public gaze there was unquestionably to be heard shortly afterwards a metallic clank. This was the portal of the Vizier’s dungeon being closed upon her and was very shuddering to hear. The Vizier, moreover, like one long incarcerated, was skeletonized of form, cadaverous and sallow of countenance, and grew upon her face, as all right prisoners in royal custody grow, a thick covering of greyish down.
A second known inhabitant of the Sultana’s quarters was Mr. Ponders, her butler, who sometimes slid into the classrooms in a very eerie way with messages and whom Rosalie came to know strangely well; a third, but he did not exactly live in the awful regions, was the Sultana’s husband. The Sultana’s husband lived in two rooms over the stable. From the front classroom windows he was to be seen every morning disappearing through the front gates at about eleven o’clock; very shiny top hat; very tight tail coat; very tight grey trousers; very tight yellow gloves; very tight grey-yellow moustache; very tight pasty face; curiously constricted, jerky gait as though his boots, too, were very tight. Precisely the sort of chronic, half-tipsy hanger-on one used to see in billiard rooms or eating cloves in West End bars. By association of ideas with the orientalism of Sultana he was called by the girls the Bashibazook.
Junior to Miss Ough, the vizier, were four or five other mistresses, all known by nicknames. Children are exactly like savages in their horrible sharpness at picking out physical peculiarities and labelling by them. One would imagine these governesses, judged by their nicknames, a deplorable collection of oddities. Actually they must have been a presentable enough and a capable enough set of spinsters, though sicklied o’er by the pale cast of indifferent personalities, indifferently housed, indifferently fed, indifferently paid; all anaemic, all without any prospects whatsoever, all dominated by and domineered over by the masterful personality of the Sultana.
Only one of them contributed to the life of Rosalie and this was “Keggo,” Miss Keggs, who taught mathematics. This Keggo was rather like Anna in appearance, Rosalie thought, and was most popular of all the mistresses with the girls, partly because of her bright moments in which she was a human creature and an entertaining creature; partly because of her curiously supine periods in which she would be utterly listless, allow her class to do anything they liked provided they kept perfectly quiet, and would make no attempt whatsoever to correct idleness or to impart the lesson of the hour. Miss Keggs had been known to knock over the inkpot on her desk and sit and watch the ink dripping in a pool on to the floor without making the least attempt even to upstand the vessel. No one knew why Keggo had these moods. But it was known that for her to come into class looking rather flushed was a sign foreshadowing them.