And on the days sacred to the Nile, boys, the children of priestly families, were every year dedicated to the blue river-god that they might spend their youth in monastic retirement, and as it was said in these caverns beneath his waves. These early Egyptian myths seem to have influenced the compilers of the Hebrew Scriptures. The author of the book of Genesis tells us that the Hebrew God formed the earth and its inhabitants by dividing the land from the water, and then commanding them both to bring forth living creatures; and again one of the Psalmists says that his substance, while yet imperfect, was by the Creator curiously wrought in the lowest depths of the earth. The Hebrew writer, however, never thinks that any part of the creation was its own creator. But in the Egyptian philosophy sunshine and the river Nile are themselves the divine agents; and hence fire and water received divine honours, as the two purest of the elements; and every day when the temple of Serapis in Alexandria was opened, the singer standing on the steps of the portico sprinkled water over the marble floor while he held forth the fire to the people; and though he and most of his hearers were Greeks, he called upon the god in the Egyptian language.

The inner walls of the temples glittered with gold and silver and amber, and sparkled with gems from Ethiopia and India; and the recesses were veiled with rich curtains. The costliness was often in striking contrast with the chief inmate, much to the surprise of the Greek traveller, who, having leave to examine a temple, had entered the sacred rooms, and asked to be shown the image of the god for whose sake it was built. One of the priests in waiting then approached with a solemn look, chanting a hymn, and pulling aside the veil allowed him to peep in at a snake, a crocodile, or a cat, or some other beast, fitter to inhabit a bog or cavern than to lie on a purple cushion in a stately palace. The funerals of the sacred animals were celebrated with great pomp, particularly that of the bull Apis; and at a cost, in one case, of one hundred talents, or eighty-five thousand dollars, which was double what Ptolemy Soter, in his wish to please his new subjects, spent upon the Apis of his day. After the funeral the priests looked for a calf with the right spots, and when they had found one they fattened it for forty days, and brought it to Memphis in a boat under a golden awning, and lodged it safely in the temple.

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The religious feelings of the Egyptians were much warmer and stronger than those of the Greeks or Romans; they have often been accused of eating one another, but never of eating a sacred animal. Once a year the people of Memphis celebrated the birthday of Apis with great pomp and expense, and one of the chief ceremonies on the occasion was the throwing a golden dish into the Nile. During the week that these rejoicings lasted, while the sacred river was appeased by gifts, the crocodile was thought to lose its fierceness, its teeth were harmless, and it never attempted to bite; and it was not till six o’clock on the eighth day that this animal again became an object of fear to those whose occupations brought them to the banks of the Nile. Once a year also the statues of the gods were removed from their pedestals and placed in barges, and thus carried in solemn procession along the Nile, and only brought back to the temples after some days. It was supposed that the gods were passing these days on a visit to the righteous Ethiopians.

The cat was at all times one of the animals held most sacred by the Egyptians. In the earliest and latest times we find the statues of their goddesses with cats’ heads. The cats of Alexandria were looked upon as so many images of Neith or the Minerva of Saïs, a goddess worshipped both by Greeks and Egyptians; and it passed into a proverb with the Greeks, when they spoke of any two things being unlike, to say that they were as much like one another as a cat was to Minerva. It is to Alexandria also that we trace the story of a cat turned into a lady to please a prince who had fallen in love with it. The lady, however, when dressed in her bridal robes, could not help scampering about the room after a mouse seen upon the floor; and when Plutarch was in Egypt it had already become a proverb, that any one in too much finery was as awkward as a cat in a crocus-coloured robe.

So deeply rooted in the minds of the Egyptians was the worship of these animals that, when a Roman soldier had killed a cat unawares, though the Romans were masters of the country, the people rose against him in a fury. In vain the king sent a message to quiet the mob, to let them know that the cat was killed by accident; and, though the fear of Rome would most likely have saved a Roman soldier unharmed whatever other crime he might have been guilty of, in this case nothing would quiet the people but his death, and he was killed before the eyes of Diodorus, the historian. One nation rises above another not so much from its greater strength or skill in arms as from its higher aim and stronger wish for power. The Egyptians, we see, had not lost their courage, and when the occasion called them out they showed a fearlessness not unworthy of their Theban forefathers; on seeing a dead cat in the streets they rose against the king’s orders and the power of Rome; had they thought their own freedom or their country’s greatness as much worth fighting for, they could perhaps have gained them.

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But the Egyptians had no civil laws or rights that they cared about; they had nothing left that they valued but their religion, and this the Romans took good care not to meddle with. Had the Romans made war upon the priests and temples, as the Persians had done, they would perhaps in the same way have been driven out of Egypt: but they never shocked the religious feelings of the people, and even after Egypt had become a Roman province, when the beautiful temples of Esne, Dendera, and other cities, were dedicated in the names of the Roman emperors, they seldom copied the example of Philometor, and put Greek, much less Roman, writing on the portico, but continued to let the walls be covered with hieroglyphical inscriptions.