A strange feature here is that of the red recesses, such as were also found in the tomb of Zet. The large ones are on the west wall, and in the second cell on the north wall. No meaning can yet be assigned to these, except as spirit-entrances to the cells of offerings, like the false doors in tombs of the Old Kingdom.

In spite of the plundering of the tombs in various ages, the work of the Egypt Exploration Fund was so thorough that not a few gold objects have been found in the course of recent excavations. By far the most important discovery of recent years was that of some jewelry in the tomb of King Zer. The story of this find is so entertaining, and illustrates so admirably the method of the modern scientific explorer, that we give the account of it in Professor Petrie’s own words:

“While my workmen were clearing the tomb, they noticed among the rubbish which they were moving a piece of the arm of a mummy in its wrappings. It lay in a broken hole in the north wall of the tomb. The party of four who found it looked into the end of the wrappings and saw a large gold bead, the rosette in the second bracelet. They did not yield to the natural wish to search further or to remove it; but laid the arm down where they found it until Mr. Mace should come and verify it. Nothing but obtaining the complete confidence of the workmen, and paying them for all they find, could ever make them deal with valuables in this careful manner. On seeing it, Mr. Mace told them to bring it to our huts intact, and I received it quite undisturbed. In the evening the most intelligent of the party was summoned as a witness of the opening of the wrappings, so that there should be no suspicion that I had not dealt fairly with the men. I then cut open the linen bandages, and found, to our great surprise, the four bracelets of gold and jewelry. The verification of the exact order of threading occupied an hour or two, working with a magnifier, my wife and Mr. Mace assisting. When recorded, the gold was put in the scales and weighed against sovereigns before the workman, who saw everything. Rather more than the value of gold was given to the men, and thus we ensured their good-will and honesty for the future.”

The hawk bracelet consists of thirteen gold and fourteen turquoise plaques in the form of the façade with the hawk, which usually encloses the ka name of the king. The gold hawks have been cast in a mould with two faces, and the junction line has been carefully removed and burnished. The gold was worked by chisel and burnishing; no grinding or file marks are visible. In the second bracelet, with the rosette, two groups of beads are united at the sides by bands of gold wire and thick hair. The fastening of the bracelet was by a loop and button. This button is a hollow ball of gold with a shank of gold wire fastened in it. The third bracelet is formed of three similar groups, one larger, and the other smaller on either side. The middle of each group consists of three beads of dark purple lazuli. The fastening of this bracelet was by a loop and button. The fourth bracelet is fashioned of hour-glass beads.

In this extraordinary group of the oldest jewelry known, we see unlimited variety and fertility of design. Excepting the plain gold balls, there is not a single bead in any one bracelet which would be interchangeable with those in another bracelet. Each is of independent design, fresh and free from all convention or copying.

The tomb of Zet consists of a large chamber twenty feet wide and thirty feet long, with smaller chambers around it at its level, the whole bounded by a thick brick wall, which rises seven and a half feet to the roof, and then three and a half feet more to the top of the retaining wall. Outside of this on the north is a line of small tombs about five feet deep, and on the south a triple line of tombs of the same depth. And apparently of the same system and same age is the mass of tombs marked W, which are parallel to the tomb of Zet. Later there appears to have been built the long line of tombs, placed askew, in order not to interfere with those which have been mentioned, and then this skew line gave the di-rection to the next tomb, that of Merneit, and later on to that of Azab. The private graves around the royal tomb are all built of mud brick, with a coat of mud plaster over it, and the floor is of sand, usually also coated over with mud.

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The first question about these great tombs is how they were covered over. Some have said that such spaces could not be roofed, and at first sight it would seem almost impossible. But the actual beams found yet remaining in the tombs are as long as the widths of the tombs, and therefore timber of such sizes could be procured. In the tomb of Qa the holes for the beams yet remain in the walls, and even the cast of the end of a beam, and in the tombs of Merneit, Azab, and Mer-sekha are posts and pilasters to help in supporting a roof. The clear span of the chamber of Zet is 240 inches, or 220 if the beams were carried on a wooden lining, as seems likely. It is quite practicable to roof over these great chambers up to spans of twenty feet. The wood of such lengths was actually used, and, if spaced out over only a quarter of the area, the beams would carry their load with full safety. Any boarding, mats, or straw laid over the beams would not increase the load. That there was a mass of sand laid over the tomb is strongly shown by the retaining wall around the top. This wall is roughly built, and not intended to be a visible feature. The outside is daubed with mud plaster, and has a considerable slope; the inside is left quite rough, with bricks in and out.

Turning now to the floor, the basis of it is mud plastering, which was whitewashed. On that were laid beams around the sides, and one down the middle: these beams were placed before the mud floor was hard, and have sunk about one-quarter inch into it. On the beams a ledge was recessed, and on this ledge the edges of the flooring planks rested. Such planks would not bend in the middle by a man standing on them, and therefore made a sound floor. Over the planks was laid a coat of mud plaster. This construction doubtless shows what was the mode of flooring the palaces and large houses of the early Egyptians, in order to keep off the damp of the ground in the Nile valley. For common houses a basis of pottery jars turned mouth down was used for the same purpose. A very striking example of this method was unearthed at Koptos.