'Not yet, Malony; not until we reach the stable.'

It cost master Jerry no little trouble to strike his light, for his hand was not very steady; and as he gave two blows with his finger against the steel to one with the flint, there was more blood than sparks flying.

'Bloody murther! that was a pealer: it's taken the skin, it has, your honor.'

'Can't you hit it, Malony?'

'I hit it, your honor, but my finger took it fornint the stone.'

Mr. Richard now took matters into his own hands, and while Jerry was blowing and snapping his fingers, he managed to get some sparks into the tinder, and soon had his lantern in trim.

Cæsar was about the middle of his first nap when he suddenly awoke, and found that Trap was growling in a low undertone. Trap never barked, and very seldom condescended to growl, Cæsar knew that there must be something going wrong; he therefore extricated his head from beneath the bed-clothes, and cast his eye round the premises. The lamp was still burning, and so far as his half-opened eyelids would allow him to see, there was no one in his room besides the usual inmates. Trap, to be sure, was out of his place, and sitting close by his master's bed, looking very significantly up at the red night-cap. As soon as he perceived that his master was awake, he ceased growling, like a very sensible dog as he was, signifying thereby that his only design in using his vocal powers was to stop the snoring, and call his master's attention to matters and things in the waking world. After rubbing away upon his eyes awhile, and working things awake there, Cæsar, in a very philosophic manner, by means of his two arms, which he threw behind him and used as levers, first to raise and then to support and brace his body up, attained a sufficiently elevated position to see and hear what was going on. He was afraid of nothing but witches, and for that reason always had a light on hand; it being well known that neither in daylight nor candle-light was any danger to be apprehended from the 'good neighbors.' But something or somebody was stirring, and near by, too, for he evidently heard footsteps and voices, and, as well as he could make it out, they must be in the stable. Being more or less afflicted with the rheumatism, he was very deliberate in his movements. First throwing his somewhat recumbent body into a straight and self-supporting posture, and thereby relieving his arms from their burden; then casting aside whatever impeded his progress, in the way of covering, he turned his nether extremities by the pivot principle, brought himself in position to stand erect on the floor, and proceeded at once to the light, which was safely shut up in an old carriage lamp, through which the rays streamed forth by a small glass, calculated to converge, and throw them far ahead.

Cæsar was somewhat of a gentleman in his feelings, and on the subject of dress quite particular; for he followed the old fashion of small clothes and knee buckles, and broad-skirted coat and vest, with large lappels, and was ever ready, at any short notice, to appear with becoming apparel in the presence of his mistress. These he wore by day; but he made a complete change when he laid these by, and put on his night rig. As he was a bachelor, and ladies, white or black, had no business about his premises at night, he fixed himself as he thought best; and his fancy was, red flannel. Why he chose that color, he never saw fit to communicate; it may have been, however, that his good sense suggested that white, the usual dress, would make too strong a contrast. He had on a red flannel cap, that came pretty well over his ears, and a red flannel frock, or tunic, covering him from the neck downwards to the usual gartering place; below that the bare poles were plainly visible. To those who knew him perfectly, there was nothing very frightful in all this, because it was Cæsar; but to those who might not have had experience on their side, as he then appeared, with his lantern streaming before him, he might have been mistaken for any thing that was not earthly.

As Trap knew that his business was to keep still and remain in his place until called, so soon as he saw his master upon his legs, he was satisfied that all was correct, and nestled quietly down on his own bed.

The only weapon Cæsar ever kept on hand, was a pitchfork, a very ugly sort of a thing to come in contact with; for in the first place, it not only makes two holes where a bayonet or sword would make but one, but it gives great advantage to the one who uses it in its length of handle; this may have been the reason why Cæsar preferred it. At any rate, there was always one standing in the corner of his room; it had very long and heavy tines, and a handle sufficient to keep an enemy at a respectful and safe distance. Feeling that it might be prudent to be prepared for danger, even if there was none, he grasped his weapon in one hand, and with the lamp in the other, drew back the little bolt, and throwing the door wide open by a strong push, stood in bold relief, casting his light round about through the large roomy stable, and straining his eyes to ascertain who or what it was.