The finding next day of the poor, bruised body of little Marie Perrin up the chimney of "No. 8" was the sensation of the hour. A horrible crime had been committed, and in an unknown and terrible way. It was Edgar Allan Poe in a new guise and his wonderful stories immediately became popular and new editions of the "Tales" were called for by a new set of readers. Some critics of crime suggested that the "Murders in the Rue Morgue" had been repeated at No. Eight East Eighth Street. The hiding-place of the body was identical with that in the famous story and it was said that the police were on the look-out for apes, gorillas, and other animals, which alone were capable of committing such hideous crimes.
The whole life of poor little Marie was laid bare. Her picture was in every newspaper and her history was given from the day of her birth with remarkable ingenuity. The reporters, with uncontrolled imaginations, turned out from the scanty material at their hands an excellent biographical sketch, that seemed and rang true, which is sufficient for the reading public.
Marie Perrin had disappeared without paying her rent from No. Eight over a year ago. When the agent came to collect the arrears, he found the tenant had departed with all her chattels. This was a libel, for she was in the room but not visible. The detectives, when they investigated into the tragedy and after asking ten thousand questions in a thousand and one places, found out that Marie had a sweetheart and that his name was Richard Tomlinson. He refused to admit his guilt, but after being prodded with the iron-fork of the law, technically known as the "third degree" he broke down and confessed. In a fit of anger he struck her over the head with the brass fire-tongs. He had no intention of killing her, or even harming her, but he had become insanely jealous of another who was paying her attentions. In fact he said he must have been mad at the time, as he did not remember having struck her until she lay before him, quiet and cold upon the floor. After a trial lasting over two weeks, and full of sensational incidents, Tomlinson was sentenced to spend twenty years of his life in prison.
"That's an interesting tale," said Robert Hooker, when the Colonel had stopped speaking, "but what has all this to do with the first edition of Poe's story?"
"Well, you see, Tomlinson was a friend of mine. He told me that, after he had accidentally killed the girl, he was terribly frightened. He did not know what to do with the body. He had a mind to go to the police and confess all, but did not have the courage to do so. He remained in a trance, he thought, for hours, thinking of his fearful crime and the dreadful consequences. While he was in this deep, agonizing study and not knowing what he was doing, he picked up a small book on her reading table. It was 'The Murders in the Rue Morgue.' It was the title that attracted him, and some compelling force, what it was he knew not, caused him to read it. He told me that never in his whole life had anything so interested him as that story on that frightful occasion; although pursued by terrible fears he read every word, every syllable of it. The rest you know."
"But, Colonel," said Hooker, with one thought uppermost in his mind, "it might be any edition, not necessarily the first. There have been hundreds of editions published. How do you know what edition it was?"
"It was the first, Mr. Hooker. Tomlinson told me the girl had borrowed it to read and that it belonged to some one who had a mania for old books and who had kept it always under lock and key."
"Do you know where it is?"
"Yes."
"Can you get it?"