This will make all firm, and you can then fill the body with cut hemp and sew up. One word as to the other preparations used by bird preservers. These are either corrosive sublimate or regulus of arsenic, which is yellow and of a consistence like butter. As I have said before, in cold weather, when there are no flies about, alum will do perfectly well; in warm weather either of the two others may be used. I should prefer the former—corrosive sublimate—as the other is “messy,” and the chief object is to dry up anything which can be attacked by flesh-seeking insects. When you have finished your bird you can lay the feathers with a large needle—it is as well to have one fixed in a handle and kept for this purpose—and, tying the two mandibles of the bill together with a piece of thread until the whole specimen has hardened and dried, the work is done.
[CHAPTER III.]
THE ART OF MOUNTING BIRDS, DRIED SKINS, FEATHERS, ETC.
MOUNTING IN GENERAL.
We will suppose that a proficiency, from practice, has been attained in the art of bird-preserving, according to the instructions given. The proficiency in preserving may apply only to the preservation and the form, great and necessary things, no doubt, as preliminaries; but, like matter without manner, of little avail alone. For attitude, I would say, as has been said to many a young artist, go to Nature, and there you will find an original in perfection. Would you make a willow-wren look like a willow-wren, watch him as he there hangs upon the weeping birch, or stands on a bough peering in quest of food. Each bird has its own manner, and if you cannot hit the manner, or make your stuffed skin so far amenable as to assume the attitude, it is either ill-stuffed, or you want the requisite knowledge of that which you should copy.
BIRD PINNED UP.
Having fixed on the attitude, it now only remains to put the feathers into their natural order as smoothly and regularly as possible; and to keep them in this state they should be bound around with small fillets of muslin fastened with pins as represented in fig. 17. The bird should then be thoroughly dried, by placing it in an airy situation, if in Summer; or if in Winter, near the fire, but not so close as to affect the natural oil contained in the feathers. The want of proper attention in drying ruins many a fine specimen; if long kept damp putridity ensues despite all preservatives, when the skin will become rotten, and the feathers will soon fall off; besides, the mold and long-continued damp change the chemical properties of the preservatives used.
Fig. 17.
After the bird has been thoroughly dried, the fillets are removed; the wire which protruded from the head is cut off as close to the skull as possible, with the wire cutting pincers elsewhere shown. It must then be attached to a circular, or other shaped piece of wood, with the generic and specific name and sex, as well as its country and locality attached to it, on a small ticket, when it may be placed in a museum.