You cou'd never have been born at a Time, which more wanted the Influence of your Example: All the Fire you bring with you, and the Judgment you are acquiring, in the Course of your Journey, will be put to their full stress, to support and rebuild the sinking Honours of Poetry.
It was a Custom, which prevail'd generally among the Ancients, to impute Celestial Descent to their Heroes; The Vanity, methinks, might have been pardonable, and rational, if apply'd to an Art; since Arts, when they are at once delightful and profitable, as you will certainly leave Poetry, have one real Mark of Divinity, they become, in some measure, immortal. And as the oldest, and, I think, the sublimest Poem in the World, is of Hebrew Original, and was made immediately after passing the Red-Sea, at a Time, when the Author had neither Leisure, nor Possibility, to invent a new Art: It must therefore be undeniable, either that the Hebrews brought Poetry out of Egypt, or that Moses receiv'd it from God, by immediate Inspiration. This last, being what a Poet should be fondest of believing, I wou'd fain suppose it probable, that God, who was pleas'd to instruct Moses with what Ceremony he wou'd be worship'd, taught him also a Mode of Thinking, and expressing Thought, unprophan'd by vulgar Use, and peculiar to that Worship. God then taught Poetry first to the Hebrews, and the Hebrews to Mankind in general.
But, however this may have been, there is, apparently, a divine Spirit, glowing forcibly in the Hebrew Poetry, a kind of terrible Simplicity; a magnificent Plainness! which is commonly lost, in Paraphrase, by our mistaken Endeavours after heightening the Sentiments, by a figurative Expression; This is very ill Judg'd: The little Ornaments of Rhetorick might serve, fortunately enough, to swell out the Leanness of some modern Compositions; but to shadow over the Lustre of a divine Hebrew Thought, by an Affectation of enliv'ning it, is to paint upon a Diamond, and call it an Ornament.
It is a surprizing Reflection, that these noble Hebrew Poets shou'd have written with such admirable Vigour three Thousand Years ago; and that, instead of improving, we should affect to despise them; as if, to write smoothly, and without the Spirit of Imagery, were the true Art of Poetry, because the only Art we practise. It puts me in Mind of the famous Roman Lady, who suppos'd, that Men had, naturally, stinking Breaths, because she had been us'd to it, in her Husband.
The most obvious Defect in our Poetry, and I think the greatest it is liable to, is, that we study Form, and neglect Matter. We are often very flowing, and under a full Sail of Words, while we leave our Sense fast aground, as too weighty to float on Frothiness; We run on, upon false Scents, like a Spaniel, that starts away at Random after a Stone, which is kept back in the Hand, though It seem'd to fly before him. To speak with Freedom on this Subject, is a Task of more Danger than Honour; for few Minds have real Greatness enough to consider a Detection of their Errors, as a Warning to their Conduct, and an Advantage to their Fame; But no discerning Judgment will consider it as ill Nature, in one Writer, to mark the Faults of another. A general Practice of that Kind wou'd be the highest Service to poetry. No Disease can be cur'd, till its Nature is examin'd; and the first likely Step towards correcting our Errors, is resolving to learn impartially, that we have Errors to be corrected.
I will, therefore, with much Freedom, but no manner of Malice, remark an Instance or two, from no mean Writers, to prove, that our Poetry has been degenerating apace into mere Sound, or Harmony; nor ought This to be consider'd as an invidious Attempt, since whatever Pains we take, about polishing our Numbers, where we raise not our Meaning, are as impertinently bestowed, as the Labour wou'd be, of setting a broken Leg after the Soul has left the Body. The Gunners have a Custom, when a Ball is too little for the Bore of their Canon, to wrap Towe about it, till it fills the Mouth of the Piece; after which, it is discharg'd, with a Thunder, proportionable to the Size of the Gun; But its Execution at the Mark, will immediately discover, that the Noise of the Discharge was a great deal too big for the Diameter of the Bullet. It is just the same thing with an unsinewy Imagination, sent abroad in sounding Numbers; The Loftiness of the Expression will astonish shallow Readers into a temporary Admiration, and support it, for a while; but the Bounce, however loud, goes no farther than the Ear; The Heart remains unreach'd by the Languor of the Sentiment.
Poetry, the most elevated Exertion of human Wit, is no more than a weak and contemptible Amusement, wanting Energy of Thought, or Propriety of Expression. Yet we may run into Error, by an injudicious Affectation of attaining Perfection, as Men, who are gazing upward, when they shou'd be looking to their Footsteps, stumble frequently against Posts, while they have the Sun in Contemplation.
In attempting, for Example, to modernize so lofty an Ode as the 104th Psalm, the Choice of Metaphors shou'd, methinks, have been considered, as one of the most remarkable Difficulties. There seems to have been a Necessity, that they shou'd be noble, as well as natural; and yet, if too much rais'd, they wou'd endanger an Extinction of the Charms, which they were design'd to illustrate. That powerful Imagination of 'the Sea, climbing over the Mountains Tops, and rushing back, upon the Plains, at the Voice of God's Thunder,' ought certainly to have been express'd with as much Plainness as possible: And, to demonstrate how ill the contrary Measure has succeeded, one need only observe how it looks in Mr. Trapp's Metaphorical Refinement.
"The Ebbing Deluge did its Troops recal,
Drew off its Forces, and disclos'd the Ball,