Thro' all the Compass of the Notes it ran,
The Diapasm closing full in Man.
There seems to be a wonderful Likeness in the natural Make of Mens Minds to the various Tones and Measures of Sounds; and in their Inclinations and most pleasing Tastes to the several Styles and Manners of Musick. Something there is in the Mind, of alike Composition, that is easily touch'd by the kindred Harmony of Musick,
For Man may justly tuneful Strains admire,
His Soul is Musick, and his Breast a Lyre.
We have all the Materials of Musick in the Tones and Measure. For the infinite Variety Composition admits of, can be nothing else, but higher or lower Tones, stronger or softer Sounds, with a slower or swifter Motion. The Artist, by an harmonious Mixture of these, makes the Musick either strong and martial, brisk and airy, grave and solemn, or soft and moving.
There seems to be in Man a Composition of natural Powers and Capacities, not unlike to these. From hence I would take the first Original of their distinguishing Genij. The Words by which they are usually explain'd, have a manifest Allusion hereto. Thus we say of some Men, they have a brisk and airy Genius; of others, they have a strong and active Genius, a quick and lively Spirit, a grave and solemn Temper, and the like. The different readiness of Apprehension, strength of Judgment, vivacity of Fancy and Imagination, with a more or less active Disposition, and the several Mixtures of which these Powers are capable, are sufficient to explain this. They may shew us how some have a particular Genius for Wit and Humour, others for Thought and Speculation. Whence it is, some love a constant and persevering Application to whatever they undertake; and others are continually jumping from one Thing to another, without finishing any thing at all.
But we do not only consider in Musick these Materials, as I may call them, of which it is composed; but also the Style and Manner. This diversifies the Genius of the Composer, and produces the most sensible and touching Difference. There is in all Musick the natural difference of Tone and Measure. They are to be found in the most vulgar Compositions of a Jig or an Hornpipe. But it is a full Knowledge of the Force and Power of Sounds, and a judicial Application of them to the several Intentions of Musick, that forms the Style of a Purcel or Corelli. This is owing to successive Improvements. The Ear is formed to an elegant Judgment by Degrees. What is harsh and harmonious is discovered and corrected. By many Advantages, some at last come to find out what, in the whole Compass of Sounds, is most soft and touching, most brisk and enlivening, most lofty and elevating. So that whatever the Artist intends, whether to set an Air, or compose a Te Deum, he does either, with an equal Genius, that is, with equal Propriety and Elegance. Thus long ago,
Timotheus to his breathing flute, and sounding Lyre,
Could swell the Soul to Rage, or kindle soft Desire.