A score of times they repeated this process while we watched. Unaware of us they seemed, or—if aware, then indifferent. More rapid became their movements, the glassy ingots streaming through the floating braziers with hardly a pause in their passing. Abruptly, as though switched, the incandescences lessened into candle-points; instantly, as at a signal, the crescent of crosses closed into a crescent of cubes.
Motionless they stood, huge blocks blackened against the dim glowing of the cones—sentient monoliths; a Druid curve; an arc of a metal Stonehenge. And as at dusk and dawn the great menhirs of Stonehenge fill with a mysterious, granitic life, seem to be praying priests of stone, so about these gathered hierophantic illusion.
They quivered; the slender pedicles cupping, the waned lights swayed; the lights lifted and soared, upright, to their backs.
Two by two with measured pace, solemnly the cubes glided off into the encircling darkness. As they swept away there streamed behind them other scores not until then visible to us, joining pair by pair from hidden arcs.
Into the secret shadows they flowed, two by two, each bearing over it the slim shaft holding the serene flame.
Grotesquely were they like a column of monks marching with dimmed flambeau of their worship. Angled metal monks of some god of metal, carrying tapers of electric fire, withdrawing slowly from a Holy of Holies whose metallically divine Occupant knew nothing of man—nor cared to know.
Grotesque—yes. But would that I had the power to crystallize in words the underlying, alien terror every movement of the Metal Monster when disintegrate, its every manifestation when combined, evoked; the incredulous, amazed lurking always close behind the threshold of the mind; the never lifting, thin-shuddering shadow.
Smaller, dimmer waned the lights—they were gone.
We crouched, motionless. Nothing stirred; there was no sound. Without speaking we arose; crept together over the smooth floor toward the cones.
As we crossed I saw that the pave, like the walls, was built of the bodies of the Metal People; and, like the walls, they were dormant, filmed eyes oblivious to our passing. Closer we crept—were only a scant score of rods from that colossal mechanism. I noted that the crystal foundation was set low; was not more than four feet above the floor. The sturdy, dwarfed pilasters supporting it thrust up in crowded copses, merging through distance into apparent solidity.