The drums of Doom!
Beating taps for the world of men?
CHAPTER XXVIII. THE FRENZY OF RUTH
For many minutes we stood silent, in the shadowy chamber, listening, each absorbed in his own thoughts. The thunderous drumming was continuous; sometimes it faded into a background for clattering storms as of thousands of machine guns, thousands of riveters at work at once upon a thousand metal frameworks; sometimes it was nearly submerged beneath splitting crashes as of meeting meteors of hollow steel.
But always the drumming persisted, rhythmic, thunderous. Through it all Ruth slept, undisturbed, cheek pillowed in one rounded arm, the two great pyramids erect behind her, watchful; a globe at her feet, a globe at her head, the third sphere poised between her and us, and, like the pyramids—watchful.
What was happening out there—over the edge of the canyon, beyond the portal of the cliffs, behind the veils, in the Pit of the Metal Monster? What was the message of the roaring drums? What the rede of their clamorous runes?
Ventnor stepped by the sentinel globe, bent over the tranced girl. Sphere nor pointed pair stirred; only they watched him—like a palpable thing one felt their watchfulness. He listened to her heart, caught up a wrist, took note of her pulse of life. He drew a deep breath, stood upright, nodded reassuringly.
Abruptly Drake turned, walked out through the open portal, his strain and a very deep anxiety written plainly in deep lines that ran from nostrils to firm young mouth.
“Just went out to look for the pony,” he muttered when he returned. “It's safe. I was afraid it had been stepped on. It's getting dusk. There's a big light down the canyon—over in the valley.”